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Category: COMD1100 (Page 10 of 15)

Value-Added Portraits: Phase 1

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The picture of the mouse without the filter is extremely bright, but with the filter I was able to see the High-key relationship. The area surrounding the mouse is clearly light, and the mouse has it’s own space to where this connection can be seen. Highlight throughout the mouse and the empty classroom can significantly be observed. The room is filled with  shadow and the mouse has a minimal viewing of shadow nearby it. These two features have a strong impact on the expressive quality of the two potraits. The mouse creates a sense of isolation, like it’s in it’s own world away from the whole computer. High-key is defined as when the values of an image are predominately light.

When walking around the hallway I noticed that the entire class was filled with light, except the bottom corner. The corner of the classroom appeared to be presumably dark, in other words lowkey. Low-key can be defined as when the value of an image is predominately dark. The center of the classroom has a continous amount of light, therefore can be viewed as High-key. To be able to identify this portrait from the camera as high-key, you would have to zoom in.

 

Value added portraits: phase 1

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HIgh-key range:

My high key picture is the city tech art gallery. The way this picture was taken lets it represent a high key image. The mood of this composition expresses success and joy. The highlight of the sun coming in makes it look like an artists heaven.

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Low-key range:

My low key picture is one of the elevators in City Tech. This image gives off a very dramatic, and mysterious expression. The contrast between very dark to low light, gives it a synical feeling.

COMD Class 14 | Collage Crit & Painting

October 24, 2016

What’s Due?

  1. Complete VALUE RANGE RESEARCH:
  2. Complete (1) Narrow Value Range Collage (either high-key or low-key) using your portrait printouts, refer to Project #3: Phase 2. Come ready to work on your paintings.

Materials Needed:

  • white and black gouache paints
  • sable-type watercolor brushes (do not buy brushes for acrylic or oil)
    • FLAT:  1/2″ angle, #4
    • ROUND: #1, #5
  • two water containers (yogurt cups, soda bottles with tops cut off, soup cans)
  • palette (round 10-well)
  • cotton rags (old white t-shirts or scraps)
  • Sketchbook, pencils, eraser, knife/scissors, ruler/T-square, drafting tape

Critique

Students will present completed (1 of 2) 6″x6″ collages to the class.

  • (1) Narrow Value Range: either high-key or low-key

HOW TO GIVE AND RECEIVE A GOOD DESIGN CRITIQUE:

Do the compositions presented follow the guidelines?

  • Is there a sense of MOVEMENT / COMPOSITIONAL FLOW to direct the viewer to a clear FOCAL POINT emphasized through the use of CONTRAST and changes in VALUE?
  • Are the compositions 6×6″ squares?
  • Do you observe new shapes and lines created from the original portrait?
  • Is the value range, narrow (high or low) and does it convey a certain mood?
  • Is the work clean, neat, and thoughtfully presented?

Lab

Continue work in class on Project #3: Phase 2 & Phase 3

Demo

Painting Prep:

  • Take a photo of  your finished and approved collage, just for future reference.
  • Use a small piece of tape on the back of each square to adhere them to a piece paper in your sketchbook.
  • Create a viewfinder frame, so that you only see one square at a time while you are working.
  • Keep everything clean and neat.

Once collage compositions are critiqued and approved, work on recreating your Broad Value composition in paint.

Broad-Range Painting:

  1. Recreate your broad-range collage in paint.
  2. Using your collage pieces as a visual reference, you will be using a viewfinder and grid and painting each area in isolation (independently) from its neighbor. This is VERY important.
  3. Create a viewfinder frame, so that you only see one area of your composition at a time while you are working. Draw grid lines around the edges of your collage (NOT ON TOP) to keep track of your progress.
  4. On a piece of clean, 9×12″ bristol trace or measure the dimensions of your collage squares from the exercise above.
  5. Using your Value Scale as a guide, recreate (in gouache paint) each area of your composition using a range of black, white, and gray values- achieving continuous tone in areas where highlight and shadow blend together.
  6. Painting Tips:
    • Do not worry about accurately rendering an eye, nose or ear, see/think only in terms of value and the boundaries of each value relationship.
    • Notice how some values crossover shape boundaries into adjoining areas (open-value), while others are limited by the edges of the shape (closed-value).
    • Remember to work on each square independently and protect your finished painting with tracing paper as you work. Gouache is very delicate and can easily pick up the dirt and oils from your hands.
    • Mix a very small amount of water thoroughly into the paint, for each value you create. The consistency should be like whole milk or cream. Before you apply paint to paper make sure it’s completely mixed in the palette to produce a flat consistent appearance. We want flat, blocks of paint with few streaks or brush marks.
    • Wash your brush after each value is mixed and applied. Keep two containers of water, use 1 for washing your brushes and 1 for adding water to paint.
    • Use a paper towel or rag to get excess paint and water off the brush before mixing a new value.
  7. When you have completed your composition carefully protect all elements with a piece of clean tracing paper and cardboard.
  8. We will cut and mount the painting with the original collage together in class.

Homework

For next class:

  • Broad and Narrow Value Collages finished.
  • Come prepared to continue to work on Painting.
  • Same materials as today.

Download PDF

Sound Visualization: Phase 4

This project for me was very interesting. I enjoyed collaborating music and art together, because those are my two favorite things. I’ve gained knowledge in understanding the difference between Staccato and Legato, it’s something that I didn’t know anything about before. Next time I want to create more thumbnail’s because those definitely helped me out, it enabled me to organize what I wanted to draw. The critique in class helped me identify my weaknesses, therefore next time I will make sure my composition is much more detailed and neat.

https://openlab.citytech.cuny.edu/schmerlerspevackfylcfa16/2016/09/25/sound-visualizations-phase-1-6/

https://openlab.citytech.cuny.edu/schmerlerspevackfylcfa16/2016/10/04/sound-visualizations-phase-2-4/

https://openlab.citytech.cuny.edu/schmerlerspevackfylcfa16/2016/10/17/sound-visualizations-phase-3-3/

Value Added portraits phase :1

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okay so in these two photos i took i thought abut the differeces in lowkey and highkey , lowkey being the darkest and highkey being the lightest . the phot i took in the staircase gave off a very dark shadow after the two  lights exposed the steps shadow. and in the bathroom picture the light from the sun bounced off the light paint gave a blinding high key picture as the result

Value-Added Portraits: Phase 1

My high key image demonstrates a calm afternoon. The plant is next to the window. This gives it a strong glow which make the high tones. The high tones go from left to right getting darker. The focal point is the plant pot. The drama feel is calm.

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My low key image demonstrates a dark type of feeling.  The lone “EXIT” sign gives a sense of emergency as everything around it is dark and the most visible things are the words. All throughout the picture, the tones are very dark. The only exception is the sign letters. The drama feel is a sense of emergency.

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Work time: 30 minutes

Project # 3 high key , low key .

High and low

High and low

my Low key shows a matter of stillness , the dark background has a dramatic effect on the bottle ; the low top of it shows a bit of grey low grey . The drama feel as dark and Terrifiying day .

My high key shows too objects with a bright back ground ; the light is affect the two object different one has , light boncing of it ; because of its  metal like features , the other has a dark center . The mood show A artist feeling the page and thinking of what to do next .

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Sound Visualization: Phase 4

Phase 1

Phase 2

Phase 3

When the project was first introduced to the class it looked pretty easy. But as i started sketching and trying to put the pieces together it got more complicated. Eventually i figured it out to the best of my ability and utilized the rule of thirds. My final bristol drawing didnt meet my expectations, but it did look very neat. Lastly, the animation was my favorite. I enjoyed learning how to turn my art work into an animation.

Sound Visualizations: Phase 4

During this project, I definitely learned a lot about how to use photoshop in a way I truthfully didn’t think was possible. Being able to play around with the animation function opened up a lot of possibilities for me. This project was definitely time-consuming (Even though it’s being handed in late) but at the same time, it was a lot of fun. There are a number of things that I know I should have done better. The inking could have been more defined, the animation itself could go along with the beat and have more variety when it comes to the movement. Figuring out what I wanted to do with the animation was the main problem I had and in the end, I couldn’t make it turn out exactly what I wanted to. This project has given me the chance to figure out more advanced animation techniques and inspired me to keep experimenting with photoshop on my free time. As usual, I need to work on managing my work time as well as being prepared for each of the coming projects.

Phase1

*Phase 2 *

Phase 3

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