PLAY WITH YOUR PROBLEMS - FYLC Fall 2016

First Year Learning Community

Tag: Phase 2: Define (page 1 of 2)

Color Harmony: Phase 2

lmartinez_colorharmony

In the Cooper Hewitt Museum, I looked through the big table with the giant screen collection they have in the current and old exhibition. This has caught  my eye because of different shades of light brown. IN the background you could see a little bit of light blue and medium blue. This was done by Heatherwick Studios and Thomas Heatherwick in 2003, called Bleigiessen.

My Copper Hewitt research page.

Hours Worked: 45  minutes

Color Harmony: Phase 2

Owe'neh Bupingeh Preservation Project

Owe’neh Bupingeh Preservation Project

During my visit to the museum, I happened to have encountered this exhibit and found that image as a composition to be interesting. I liked how the sky in this picture makes a clear contrast with the pueblo and helps it to pop out at the viewer by sinking into the background with a darker value. I also like the value contrast between the pueblo walls and its shadows, which causes the eye to be drawn to it. Because of these details in the composition, I learned about how important the positioning of two different colors can be in a composition.

Aaron Hollingsworth’s Cooper Hewitt Page

Hours worked: 1 hour

 

Saturation Studies: Phase 2 RE-DO

Chromatic Gray Studies - Exercise 1 & 2

Chromatic Gray Studies – Exercise 1 & 2

Muted Color Studies - Exercise# 1 & 2

Muted Color Studies – Exercise# 1 & 2

Prismatic Color Studies - Exercise 1 & 2

Prismatic Color Studies – Exercise 1 & 2

Color Interaction Pairings: Phase 2

Chromatic Gray Studies

Chromatic Gray Studies

Shifting Value with Color

Shifting Value with Color

Shifting Hue and Not Value

Shifting Hue, Not Value

Shifting Hue and Value

Shifting Hue and Value

Hours Worked: 3 Hours

Color interactions: phase 2

Color Interaction Pairing: Phase 2

Hours Worked: 1.5 hours

 

Saturation Studies: Phase 2

Chromatic Gray Studies - Exercise# 1 & 2

Chromatic Gray Studies – Exercise# 1 & 2

Muted Color Studies - Exercise# 1 & 2

Muted Color Studies – Exercise# 1 & 2

Prismatic Color Studies - Exercise# 1 & 2

Prismatic Color Studies – Exercise# 1 & 2

Value added portraits: Phase 2

Time spent: 2 hours

High-Key & Low-Key: Phase 2

High-Key and Low-Key Compositions

Image on the left is Broad Value Composition

Image on the right is Narrow Value High-Key Composition

Hours Worked: 3 hours

Value-Added Portraits: Phase 2

High Key – Broad Range

Low Key – Narrow Range

 

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