All posts by Jody R. Rosen

Glossary

This semester, the students of ENG 2001, Introduction to Fiction: Principles of Narrative, as a collaborative project, developed a glossary that draws words from all of the texts we read. As much as the process of looking up words and copying the definition interrupted their reading, students commented that the activity helped them learn the words, remember them, and incorporate them into their vocabulary. Want to expand your vocabulary? Check out our glossary!

 

-A-

Acquiescene

Aleut

Anathema

Annihilated

Aquiver

Arbor

Asocial

Aspen

Astonishing

Atheist

Atrocious

Austere

-B-

Barged

Barged

Barracks

Bereft

Bier

Bonnet

Boughs

Breadth

Breakneck

Buckboard

Bulbous

Bustle

-C-

Cajole

Calceolaria

Calligraphy 

Camphor

Capricious

Capricious

Capricious

Carmine

Catechism

Chastise

Cinder

Cistern

Clamor

Congenial

Contemplated

Coquettish

Cupola

-D-

Dainty

Demurred

Detox

Disdainful

Dispensation

Doggone

Domesticity

Drabness

Dray

-E-

Eaves

Elfin

Encroached

Evangelists

Exploited

Exquisite

-F-

Fatuity

Febrile

Febrile

Febrile

Firmament

Firmament

Flaws

Florid

Floundering

Flunked out

Fondle

Fortified

-G-

Gallantry

Genial

Giggle

Glen

Goblet

Gushed out

-I-

Idyllic

Impertinence

Impertinence

Importunities

Indolent

Indolent

Indolent

Infanticide

Inharmonious

Innumerable

-J-

Jalousies

Jarred

Jutting

-K-

Kindlin

-L-

Lamentations

Lamenting

Larynx

Leanto

Lisle

-M-

Macabre

Malevolent

Malice

Marvel

Melancholy

Mirth

Misconstrued

Monotonously 

Monotonously

Monotonously

Monotonously

Monotonously

Mule

Murmur

Muslin

Muslin

-N-

Noblesse Oblige 

Noisome

Noisome

-O-

Obstinate

Ocular

-P-

Palsied

Paternalistic

Pauper

Peddler

Persecution 

Perspiration

Petticoat 

Pilfer

Pilfer

Pious

Pious

Placid

Plagued

Pleating

Posse

Powwow

Powwow

Privy

Prodding

Pulsating

Puritan

-Q-

Querulous

Quizzical

Quizzical

-R-

Ravages

Ravenous

Ravenous

Reckon

Regalia

Regalia

Regalia

Regalia

Regalia

Regalia

Reins

Relinquished

Reluctant

Remitted

Rendezvous

Repression

Revulsion

Rhetorical

Riotus 

Ripple

Rivulets

-S-

Salsify

Salsify

Sassafras

Savage

Scoffingly

Scruples

Serenading

Serpentine

Shawl

Shawl

Shawl

Shoat

Shoat

Sibilant

Sibilant

Silhouette

Skulk

Skulking

Smother

Sobbing

Sopping

Soughing

Spigot

Spigot

Spry

Spry

Sullen

Sullenly

-T-

Tableau

Tarry

Teeming

Teetering

Teetering

Timorous

Tubercular

Tumultuously

Tumultuously

Tumultuously

-U-

Undulating

Ungainly

Unshriven

-V-

Vacant

Vanquish

Verily

Vexed

Virulent

-W-

Wares

Wharf

Wronghearted

Final announcements

As you prepare any last assignments and participate in our last discussion, I wanted to check in with you about tomorrow’s final exam:

  • there’s a poll in the left sidebar asking you to choose the one topic you’re hoping will be on the exam. Please participate in that poll!
  • Part 1 of the exam will be just like Part 1 of the midterm, but with different passages and somewhat different elements of fiction to choose from. But just the same you will have a choice of which to answer, and you will identify
    • title
    • author
    • element of fiction
    • how this element of fiction is exemplified in this passage (not just how you define the element of fiction).
  • Part 2 of the final will be different from the midterm in that you won’t write the whole essay. Instead, you’ll write:
    • the thesis statement that encapsulates your argument. This would be the last sentence in your introductory paragraph if you were writing the full essay,
    • a paragraph that uses the five-step method for incorporating quotations as evidence, based on a quotation from a text we read after the midterm, which you will bring with you on your quotation sheet (Homework #15 is to make a quotation sheet),
    • another paragraph that puts in comparison another passage from a text we read at any point in the semester, also using the five-step method.
    • that’s it. To clarify, the quotation can be made of a few lines pieced together, rather than one solid block of quotation. The paragraph, if it feels too long, could be split for the sake of clarity.
  • I’m happy to answer any questions. For the sake of organization, please add them to our Week 15 Discussion.
  • To review: Five-Step Method for Incorporating Quotations
    (adapted from Prof. Rebecca Devers’s IQIAA Method)

    • Within a paragraph, build your argument around the textual evidence:
    • 1-Introduce: Use transitional phrases to inform your readers that you’re about to use someone else’s words.
    • 2-Quote: This should not be its own sentence, but should be incorporated into another sentence. There is no restriction on quotation length per se, but it should be long enough to serve your argument while not too long to be treated properly in your paragraph. When you quote something or someone, you are obligated to represent the words accurately. This means avoiding typos and mistakes, and it means providing accurate citations that tell your reader what source provided the words or images.
    • 3-Interpret: If a quotation can stand on its own without interpretation, then your readers don’t need to read your project or essay. Your job is to tell your readers what to understand about it so you read it the same way. After including a quotation, explain it to your readers. Put that quotation into your own words, or into a language or discourse that your audience can better understand. To get comfortable doing this, consider starting sentences after quotations with phrases like, “In other words, . . . .”
    • 4-Analyze: Interpretation translates the original author’s words into a language your audience will understand. Analysis tells your readers why that quotation is so important. It highlights the significance of an author’s word choice, argument, example, or logic. Analysis goes beyond the obvious, telling the reader what they may have missed if they didn’t read as carefully as you are.
    • 5-Apply: Each time you use a quotation, make it clear to your reader how it supports your argument. You can do that by applying your analysis to your thesis statement. Remind your readers of your purpose for writing, and tell them how this quotation, and your analysis of it, helps you support your argument.
    • As you follow this method to construct a paragraph (or to write your broken-apart paragraph here), you may want to “quote the quote,” pointing to specific words or phrases within the quoted passage that carry meaning or deserve attention.

       

Final Discussion!

As you prepare for the final exam, share your ideas with the class to extend the discussion beyond your finals-filled minds. You might write about:

  • which topic you want to write about and why, OR
  • thoughts or questions you have about thesis statements, OR
  • thoughts or questions you have about the five-step method for incorporating quotations as evidence, OR
  • passages and elements of fiction you would want to write about in the first part of the final exam (remember how we did this for the midterm exam?), OR
  • questions you have about other aspects of the assignments due before the end of the semester.

One other point: I said that there was no homework, but that isn’t entirely true. As we did for the midterm, please bring a sheet with the quotations you will use for the three possible responses you have prepared. I will check that sheet and give you credit for Week 15 homework.

The topics again:

1. the power of freedom (12 votes)

2. sacrifice as altruism (12 votes)

5/6. family as a source of dysfunction or of strength (11 votes for dysfunction, 8 votes for strength)

9. the journey of self-discovery (8 votes)

11. the effects of characters pushed to their limits (9 votes)

As you can see, there was a tie for the last spot (8 votes), so I combined the two about family.

Remember as you prepare: what’s up? how come? so what?

I will choose 3 of the 5 from the list above for the final exam. You will prepare 3 of the 5 so that 1, 2, or 3 of those you prepared will be on the exam. On the day of the exam, you will write about 1.

Instead of writing an essay, you will write:

  • your thesis statement
  • a paragraph (or more as needed) supporting your thesis statement using the five-step method of incorporating quotations with a quotation from a text we read after the midterm
  • a paragraph (or more as needed) supporting your thesis statement using the five-step method of incorporating quotations with a quotation from a text we read at any point this semester

Additionally, there will be quotation identification questions that ask you to identify title, author, element of fiction, and to explain how that element of fiction is represented in that passage.

Possible topics for the final exam

  1. freedom
  2. sacrifice as altruism
  3. justice vs reputation
  4. selflessness vs selfishness
  5. family dysfunction
  6. strength from family
  7. companionship
  8. supernatural as reality
  9. self-discovery
  10. depression as motivator/paralyzer
  11. characters pushed to their limits
  12. time and storytelling

Winners:

1. freedom (12 votes)

2. sacrifice as altruism (12 votes)

5. family dysfunction (11 votes)

6. strength from family (8 votes)

9. self-discovery (8 votes)

11. characters pushed to their limits (9 votes)

As you can see, there was a tie for the last spot. I can either randomly cut one that got 8 votes, I can cut one not randomly, or I can revise the two choices for family into one. Let me know if you have a preference–otherwise, I’ll choose and post my decision by the end of the day.

 

Remember: what’s up? how come? so what?

Instead of writing an essay, you will write:

  • your thesis statement
  • a paragraph supporting your thesis statement using the five-step method of incorporating quotations with a quotation from a text we read after the midterm
  • a paragraph supporting your thesis statement using the five-step method of incorporating quotations with a quotation from a text we read at any point this semester

Additionally, there will be quotation identification questions that ask you to identify title, author, element of fiction, and to explain how that element of fiction is represented in that passage.

No homework!

You must have noticed that I did not post a homework assignment for this week. I hope that you used that time instead for all of the other work that’s coming due in the next week for our class: finishing the glossary, the glossary write-up, the presentation, maybe even some belated work on Project #2 in the past week. I noticed that many have not yet participated in this week’s discussion. Please do so before class so we can bring your ideas into our discussion–plus, remember that your participation counts as your attendance for our online session.

Looking forward to discussing “What You Pawn I Will Redeem” with you tomorrow.

Final reading; final exam

We’re discussing our final reading this week, and will also start getting ready for the final exam. As you read Sherman Alexie’s 2003 short story, “What You Pawn I Will Redeem,” use it to help you review all of the different things we’ve read and learned this semester. To do this, you can add a comment here in which you:

  • choose some aspect of the story to either highlight an element of fiction we’ve discussed
  • focus specifically on the style of narration (who is the narrator? is the narrator reliable? what vantage point does this particular narrator offer us as readers? etc)
  • choose a moment in the text to compare and/or contrast with another reading or set of readings from this semester
  • use the five-step method to highlight for us a particular passage in the story that stands out to you so we can understand it, too.
  • write something else that will productively apply something else we’ve learned or discussed this semester to better understand this short story.
  • write something else that wil use this story to help us understand better the things we’ve learned or discussed this semester.

Since I was late in posting this discussion, please feel free to take until Monday to complete your thoughtful addition to our discussion.

 

All the Announcements

Homework: As  you probably noticed, I didn’t assign homework this week as you prepare the final version of Project #2. Instead, I ask for the following as you submit your project by the end of Wednesday, 5/6:

  • Write one post with Part 1:
    • give it a title that reflects your work
    • choose the category Project #2
    • add any tags you think apply
  • Write another post with Part 2:
    • include the image/video/text of your creative work
    • include the curatorial comment (200-300 words)
    • choose the categories Project #2 and Gallery
    • add any tags you think apply
  • Write a third post that serves as your cover letter (this is what will count as this week’s homework):
    • It must address, in any order:
      • what are you most proud of in each part of the project?
      • what did you find most challenging in each part of the project?
      • what new skills do you have or tools did you acquire through this project?
      • if you could change any part of your project, what would it be?
      • if you could change any part of the Project #2 assignment, what would it be?
      • is there anything you would like me to know about you as a writer in general or about your work for this project?
    • It must include links to Part 1’s post and Part 2’s post.
    • Choose the category Project #2.
    • Tag it Cover Letter and any other tags you want.
    • If you do not want to share the cover letter with the whole class and everyone who finds our OpenLab site, you can make it private:
      • in the sidebar menu called Publish, look for the eye icon. It should say Visibility.
      • the default is Public. Click Edit, and choose Private instead.
      • click Publish, as usual
      • now only the posts’s author (that’s you) and the site administrator (that’s me) can read the post.

Presentations: The presentation guidelines are now available. Please read them and come to class ready to answer any questions about them. Presentations are due 5/18.

Glossary: At the beginning of the semester, I announced our semester-long glossary project that required each student in our course to gloss 15 words and blog about them according to assignment guidelines to crowd-source the effort of building a course glossary to improve our vocabulary and our understanding of the course texts. Included in that assignment is a final glossary reflection, with a due date TBD. That due date is 5/17. Please refer to the assignment and follow all steps to successfully complete your glossary assignment for the semester.

**If you have been neglecting your glossary work this semester, I strongly encourage you to take the time remaining to work on catching up. I will not look kindly on 15 consecutive glossary entries submitted at the end of the semester.**

Extra Credit: In last week’s in-person class, we talked about the opportunity to make up missed work by participating in and blogging on our site (according to our course’s blogging guidelines) about the “Presenting Yourself Online” OpenLab workshop. I want to extend the offer for a couple of other upcoming events:

The Research Mixer: every semester, the Coordination of Undergraduate Research committee sponsors an event that’s both informational and social to promote research opportunities for City Tech students. This Research Mixer is on Wednesday from 3:00-5:00pm in N119.

The Student Research Poster Session: The Research Mixer is held each semester during the poster session that showcases the fantastic research students do at City Tech through a variety of sponsored programs. The posters are up in the Atrium on the first and ground floors from Wednesday at 11:00am until approximately 3:00pm on Thursday, though you’ll only find students there to talk about their work from 11:00-4:00 on Wednesday and 10:00-3:00 on Thursday, with an awards ceremony on Thursday during Club Hour in N119.

 

 

“The Shawl” and “The Shawl”

This week, we have two powerful stories to read, “The Shawl” by Cynthia Ozick, and “The Shawl” by Louise Erdrich. They’re very different stories about people from different cultures, facing very different hardships. However, we can think about them together, and in the context of Beloved, when we think of

  • how people react when pushed to their limits
  • what holds families together and what drives them apart
  • how material objects drive stories, holding both real and symbolic meaning

among other issues that these narratives address. These are some ideas for you to address in this discussion. Please don’t attempt to answer them all–instead, choose one from the list above or another idea that you want to address and write about it in the comments.

Feel free to connect either or both of these stories to texts we read earlier in the semester.

Feel free also to ask questions in the comments that any of us can answer. This is particularly important in Erdrich’s narrative because each time I’ve taught it, students have found it difficult to make sense of it at first, but then come to understand it as we discuss it.

 

Peer feedback for Project #2

Now that you have submitted drafts of Part 1 of Project #2, let’s share our ideas in the form of offering constructive feedback. That means offering classmates the sense of what they have done well and what needs improvement–but it can also mean just reflecting back to them what you understand and observe as you read their work.

Your homework will be in the form of comments on classmates’ posts. Choose two students to offer your feedback, which you will share as a reply to their Project #2 Part 1 draft post. Please do not give feedback to someone’s work if two classmates already have, unless there are no other classmates to respond to.

In your comment, let your classmate know:

  • what you understand to be that pivotal passage in their essay
  • what argument they make
  • where that argument is stated (although it should be in the introduction, sometimes this doesn’t happen until later, such as in the conclusion! Good to know that now so it can move earlier in the essay!)
  • if the examples support the argument
  • if you can detect any of the five steps for incorporating quotations in the body paragraphs of the essay, and which ones they are.
  • what you think the essay’s so what? is.
  • anything else you think is extremely important for them to know about your experience reading their work.

Feel free to ask more questions in the comments–either directed at the classmate who has reviewed your work, or in advance of that to help guide the feedback they offer.

 

 

Letting Beloved inspire

For Part 2 of Project #2, you will let Beloved inspire you to get creative. I encourage you to try something new, or to hone your skills in any medium that interests you. This need not be tech-involved, other than posting the finished product on our site. I’m including in the comments below a few ideas I’ve had that I’ve discussed with some of you, but this is not an exhaustive list (if you have questions about any of these ideas, reply to my comments). Keep in mind that some of the examples below would involve the very minimum level of involvement–it would be up to you to make it something more involved to keep to the goals of the assignment.

In your comments below, describe what your approach will be. In another comment, suggest another way of approaching Part 2. Think about what you might dream of doing if you had the tools, time, or skills to make it happen. Maybe another classmate can help, or can benefit from your imagination. Sometimes dreaming big can help you shape what you’re able to accomplish more realistically. Let inspiration and creativity guide you.

Remember that you will need to write about your creative interpretation of the event, moment, scene, or passage, so keep track of what you did and why!

Finally, remember that your draft of Part 1 of Project #2 is due Sunday night. Homework will involve commenting on these drafts–more information to follow in my Homework Instructions post. When you post your project draft, please use categories Project #2 and draft. Use any tags you find appropriate.