Tag Archives: Part 2 (Essay)

Project #1

Retelling

The dream is finally coming together. The beautiful wife, the darling baby, and now we are finally able to afford the renovations that we’ve been speaking about. Sure it’s expensive, and we’ll have to be away for the entire summer, but it couldn’t have worked out better. I found a nice rental home for the full three months, and got a job nearby in the clinic.

Besides, ever since the baby has come along, Jane seems a little on edge, and perhaps a little depressed. This little “vacation” will give her a chance to clear her head, and get a little fresh air. In fact the cleaner air will be beneficial to both her and the baby, such fragile things.

We finally arrive at the house, and it really is perfect. It is set back from the road and is on quite a large property. It has the most beautiful gardens, Jane and the baby can spend hours out there in the wonderful summer air. Jane immediately says the house is haunted, but I know that is just her depression talking. It was sitting empty for a couple of years but that just led to the price being reduced, not to having ghosts in the attic.

We finally got settled. We chose the room on the topmost floor. It has lots of windows, providing plenty of fresh air and sunshine, practically the cure for her symptoms of depression! At first she wanted a room on the ground floor, but I talked her out of that in a hurry. Although she did make a good point about the wallpaper, it really is ugly. Maybe I’ll get around to repapering the room this summer.

Jane has been complaining about her “illness” as of late. What a silly girl, “illness” this is a mild case of depression brought on by the stress of giving birth. I have seen it before and will no doubt see it again. How lucky is she to have a physician as a husband?! With fresh air and lots of rest she will be back to her good old self in no time. She wants to write, and talks about visiting her cousins, but that must wait, rest is what she needs now.

The work at the clinic is really interesting, and challenging. It’s really a shame I have to spend so much time there, and sometimes even late into the night. I’m just glad that Jane is on the mend, this wonderful air is really doing her well. She does have some trouble sleeping some nights, but it’s just her nerves. It’ll pass soon.

My, how Jane can go on about the wallpaper. She speaks of its crazy patterns, angles, and curves, and how it makes her nervous. I would love to repaper it, but we are so very busy at the clinic these days. Besides, to repaper it would be giving in to her wild imaginations and make her fantasies more real. It’s really a great room, all but the wallpaper, but it’s not like we live here. Only for a couple more months. I’m sure she understands that.

Again, Jane speaks about visiting with her cousins, and again how I tell her she needs more time to rest. Her cousins Henry and Julia are very excitable folks and that is too much for her right now. I’m also having suspicions that she might be writing. It’s a good thing my sister was able to come out and help around the house. I’ll be telling her to keep an eye out for Jane’s notebook. Jane needs her rest, we are so lucky to have found such a great house for her to recuperate.

After the fourth of July, Jane’s mother, and sister spent some time here along with her sister’s kids, I thought the company would do her good, but she seems very tired out. If she’s still not 100% by the time we go back home, I’ll take her to see Doctor Weir Mitchell. He has been known to treat hysteria very effectively. But in the meantime I’m very glad Janie was able to stay, and help us out this summer. Jane has to focus on getting healthy, not on housework, and caring for the baby.

What a busy summer this is turning out to be, there is always something going on at the clinic, with lots of late nights. And when I get home, there is Jane’s silliness to deal with. Again she asked me about visiting her cousins but made my argument for me by breaking out in tears during our conversation. They’ll be plenty of time to visit once she gets better, now she needs to rest.

Last night I awoke to find Jane creeping around the room in the middle of the night. She decided that was the time to tell me she wanted to go home. She can be so silly, where would we go, the house is still not ready. In only three weeks we’d be leaving anyway. In the meantime she is getting noticeably better. She seems to think that  physically it might seem so, but mentally she is suffering. It is just that kind of thinking that is making her feel that way. After speaking about it, I’m sure she feels the same way I do about it. If she puts those thoughts out of her head she’ll be better in no time.

Jane seems to be doing much better, and is really getting her rest. Jane and I had a laugh today, about her getting better in spite of the wallpaper. I’m pleased to see she got over those ridiculous fantasies.

Boy, am I tired. After spending the afternoon, packing and getting ready to return home, and spending the whole night at the clinic, I hope to find the time for a short nap before traveling back home.

Finally I arrive home and head to bed, luckily that’s bolted to the floor and does not need packing. As I approach the room, I notice something very wrong, for one thing the door is locked, and from within there are tearing sounds and maniacal laughter. “Unlock the door” I yell to Jane to no avail. The strange noises from inside the room continue. I call to Janie to bring me an axe, I must get Jane out of there. Then I hear her speak, in a very gentle voice she says “John dear, the key is down by the front steps, under a plantain leaf”.

She is just being silly again, “open the door, my darling” I pleaded. But again and again she says the key is downstairs. I send Janie to go check before taking the axe to the door and indeed she comes back with the key.

Bracing myself I open the door, and there is my wife creeping around the room amidst the ruins of the wallpaper. I call to her ask her what she is doing. She turns to me and I will never forget her face at that moment, the crazy look in her eyes. “I’ve got out at last,” she said, “in spite of you and Jane. And I’ve pulled off most of the paper, So you can’t put me back!”

The world starts going dark, what is she talking about? I have a very clear thought just before hitting the ground, that crazy women creeping about is not my wife, she looks very much like her, but that is not her!

 

 

Comparison

For my retelling I decided to go with “The Yellow Wallpaper” by Charlotte Perkins Gilman. I chose to rewrite the story from the protagonists husbands point of view, switching from autodiegetic, to heterodiegetic first person point of view. In its retelling the story changes from an increasingly unreliable narrator, to a slightly uninformed narrator. The new version shows us that even though the “illness” was taking over Jane’s life, her husband only saw it as an overreaction to a mild depression.

In the story, Jane spends a lot of time alone, and has a lot of time to dwell on her thoughts and imaginations. She tries speaking to him a couple of times, saying she wants to be in a different room, but he doesn’t go for it. He has different ideas on how to deal with her issues, but of course he doesn’t realize how bad it is for her.

In the story there are a couple of times when John seems to brush off her concerns. She tries to tell him what bothering her, but he finds an explanation. “..there is something strange about the house, I can feel it…but he said what I felt was a draught, and shut the window.” I tried to show how he really was trying to do the best for her and really felt he knew better. ” Jane immediately says the house is haunted, but I know that is just her depression talking.” He really feels that he is making all the right decisions.

A few times throughout the story John makes a decision for them. In the original it is clear that John made the decision and she was not all too happy about it. “I don’t like our room a bit. I wanted one downstairs that opened on the piazza and had roses all over the window, and pretty old-fashioned chintz hangings! But John would not hear of it. He is very careful and loving and hardly lets me stir without special attention.” In the retelling however, John says how “we” made the decision. “We chose the room on the topmost floor. It has lots of windows, providing plenty of fresh air and sunshine, practically the cure for her symptoms of depression! At first she wanted a room on the ground floor, but I talked her out of that in a hurry.” I feel this shows that while he is trying to do what is best for her, he doesn’t take the time to listen to her. What he thinks is right. He is, after all, the physician.

In the original, the story ends with the woman behind the wallpaper “getting out.” “I’ve got out at last, in spite of you and Jane. And I’ve pulled of most of the paper, so you can’t put me back!” Although it was in her head, i tried to leave in some of that ambiguity, allowing the thought that someone actually got out to remain in the story. “I have a very clear thought just before hitting the ground, that crazy women creeping about is not my wife, she looks very much like her, but that is not her!”

I enjoyed imagining John’s side of the story, he is a big part of the story and the reason she is in her situation. I feel the original made him seem a little uncaring, and I felt he deserved more credit. I think he really did care, but felt he was doing what was best for her.

 

 

 

The Day Gregor Samsa Revealed to his Parents that he was a Bug

The Day Gregor Samsa Revealed to his Parents that he was a Bug

Once Gregor decided to leave his room, he went through his double doors to hear the chief clerk exclaim a resounding “Oh” that could be heard throughout the entire house. The chief clerk had never seen anything so unusual in his life, especially a talking enormous pest. He thought, “this must be a dream, this cannot be Gregor Samsa,” while he pressed his hands against his open mouth, he slowly retreated as if driven by an invisible force. The chief clerk thought back on his youth and how he detested insects for their dreadful appearance, especially for their numerous, undulate, hairy legs. Gregor’s mother was sitting on the couch when she saw the reaction of the chief clerk, so she unfolded her arms, rose from her seat, took two steps forward where Gregor was standing, and she immediately fell unconscious on the floor. There were no words to describe her anguish for her son turning into a household pest, all she could do was lay on the floor in utter astonishment and gloom. Gregor’s father looked hostile and clenched his fists as if wanted to knock Gregor back into his room. He could not believe that his precious, hardworking son would turn into an insect. The once strong willed lieutenant in the army was now a repulsive insect that needed to be extinguished.

“Was this the secret Gregor was hiding from us when he refuse to open his door?” thought Gregor’s father. Then, he looked uncertainly around the living room, covered his eyes with his hands and wept so that his powerful chest shook. The father was depending on Gregor to take care of the family. Not only did Gregor financially support the family but he also took care of the father and mother as they were getting older. However, these responsibilities were not of Gregor’s duties anymore because the father saw that he no longer existed anymore. “Now how is the family going to be taken cared of?” “What am I going to?” “How is this vermin going to take care of me?” “He cannot possibly be my son,” thought the father as he continue to weep all the more louder.

Gregor tried to explain to the chief clerk about his excusable tardiness for not coming to work on time but the chief clerk had turned away as soon as Gregor started to speak. He could only see Gregor’s big stature, numerous, hairy legs, moving in all directions, and his antenna moving back and forth like a pendulum of a clock. These actions made the clerk very frightened and since he could not understand most of Gregor’s speech, he thought that Gregor wanted to eat him. So, the chief clerk moved gradually to the entrance hall where he rushed forward in a panic and stretched his hands out towards the staircase in order to escape from this nightmare. “I better get out of here before he consumes every part of my flesh,” thought the chief clerk.

However, while the chief clerk made all effort to escape, Gregor realized that is was out of the question to let the chief clerk go away in this mood, especially if his position at the firm was in extreme danger of being expunged. So, without considering that he was still not familiar with how well he could move about in his present state, or that his speech might not still be understood, he let go of the door; pushed himself through the opening; tried to reach the chief clerk on the landing but immediately fell over and, with a little scream as he sought something to hold onto, landed on his numerous little legs.

As the mother witness all this, she thought of Gregor’s face as a young boy, then as a mature man. She could not believe that this vermin was her son. She closed and opened her eyes, so that Gregor’s normal body would magically reappear but it did not work. All she could see was an enormous bug. Then, in her hysteria, Gregor’s mother suddenly jumped up with her arms outstretched and her fingers spread shouting, “Help, for pity’s sake, Help.” She hurriedly moved backwards until she reached the kitchen table and quickly sat on it without realizing that all the breakfast things were on it. She did not even seem to notice that the coffee pot on the table had been knocked over and a gush of coffee was pouring down onto the carpet.

“Mother, mother,” said Gregor gently, looking up at her but he could not help himself from snapping in the air with his jaws at the sight of the flow of coffee. Mrs. Samsa saw Gregor’s movements but she could not make sense of it, so it caused her to scream anew. “Oh, my God, what is he doing?” “Oh, my God, I think he is going to kill me!” thought the mother as she fled from the table, and fell into the arms of Gregor’s father. The chief clerk had already reached the stairs of the entrance hall and Gregor did not want him to leave if he knew that he would be left without a job for this dreary situation, so he made a run for him. While the chief clerk tried to quickly leave he noticed that Gregor’s dome like body was shifting and his antenna was moving to his direction. He did not want to be touched by this hideous creature, so, he leapt down several steps at once and disappeared, while his shouts resounded all around the staircase.  Gregor’s father realized that immediate action was going to have be taken to extinguish this situation. “I don’t want this thing running around my house, it needs to get out,” thought the father. So, he seized the chief clerk’s stick in his right hand, picked up a large newspaper from the table with his left, and used them to drive Gregor back into his room, stamping his foot at him as he went.

Although Gregor tried to reason with his father, his father could not understand him and wanted him to leave. He no longer considered Gregor as a son but as a repulsive pest that needed to die. Across the room, Gregor’s mother could not deal with the present ordeal and felt she was going in a state of unconsciousness, so she pulled open a window, leant far out of it, and pressed her hands to her face breathing in and out.

“Get out, get out, get out, get out, get out you filthy pest,” thought Gregor’s father as he hissed and stamped his feet to drive Gregor back to his room. Gregor had never had any practice in moving backwards and was only able to go very slowly. He did not want to get a fatal blow to his back or head from the stick in his father’s hand, so he quickly and anxiously tried to turn himself around. As this process went very slowly, Gregor’s father was becoming impatient. “I don’t want this vermin in my sight anymore,” thought the father. So, he used the tip of his stick to give directions from a distance on which way to turn as he kept hissing at Gregor to get back in his room. When Gregor had finally turned around, he was pleased that his head was in front of the doorway, but then he saw that it was too narrow, and his body was too broad to get through it without difficulty. “Finally, he is almost out of my sight, he needs to hurry up,” thought the father. In the father’s present mood, he did not have the idea that Gregor was unable to open the double doors. He was merely fixed on the idea that Gregor should get back into his room as quickly as possible.

As the father watched Gregor desperately trying to push himself back into his room, he became more impatient and the hissing became louder and louder in an attempt to drive Gregor all the more harder back into his room despite his current paralysis. With the little strength that Gregor had, he pushed harder into his room but then one side of his body lifted itself making him lay at an angle in the doorway. One flank of Gregor’s body was scrapped on the white door causing him to get painfully injured. His scrap left vile brown flecks on the door and soon he was stuck fast and was not able to move at all by himself; his little legs along one side hung quivering in the air while those on the other side were pressed painfully against the ground. The father could not accept Gregor’s off putting nature of being an insect and the flecks on the door made him more appalled of the situation. “This is so horrendous, I can’t take this anymore,” thought the father, so he gave a hefty shove behind Gregor and released him from where he was held. This sent Gregor flying, while heavily bleeding, deep into his room. “And good riddance to you,” thought the father as he slammed shut the door with his stick, and finally, all was quiet.

 

Comparison Essay on “The Day Gregor Samsa Revealed to his Parents that he was a Bug” and “The Metamorphosis” 

In, The Metamorphosis, the narrator, which is a third-person limited narrator (heterodiegetic narrator), tells the story about Gregor waking up as an enormous bug. The narrator describes Gregor’s thoughts, feelings of his transformation, and analyzes what is going on outside of Gregor’s mind. However, this narration is only limited to Gregor’s thoughts. Readers are not able to hear the thoughts of Gregor’s father, mother, and the chief clerk. Readers are also not able to experience how these characters felt when they encountered Gregor as a bug for the first time. The narrator just simply spoke about what she/he saw and these characters reactions but did not give the readers access to each character’s mind. Therefore, by retelling the story from a third-person limited narrator to a third-person omniscient narrator (heterodiegetic narrator), readers are able to see how Gregor’s mother, father, and the chief clerk had underlying fears that they were battling with as opposed to the original text.

In the retelling, The Day Gregor Samsa Revealed to his Parents that he was a Bug, the mother is portrayed as being very distraught of Gregor’s newly transformed body. When the mother had her first encounter with Gregor as a bug, she immediately “fell unconscious to the floor.” The narrator describes Mrs. Samsa’s unconsciousness as “anguish for her son turning into a household pest” and that she felt astonished and depressed for Gregor’s situation. In, The Metamorphosis, when the mother encountered Gregor as a bug for the first time, the narrator only describes how the mother “sank to the floor into her skirts,” how the mother’s “skirt spread themselves out” as she laid on the floor, and how her “head disappeared down into her breast” (Page 2, p. 2). These were all observations from the narrator of the mother’s reactions but there were no descriptions of her feelings. Moreover, in, The Day Gregor Samsa Revealed to his Parents that he was a Bug, when the mother witnessed her son falling on the ground and landing on his “numerous, hairy legs,” the narrator got access to the mother’s thoughts by showing her reminiscing on “Gregor’s face as a young boy, then as a mature man.” The retelling of the story showed us that Mrs. Samsa really cared about her son and that she wanted Gregor’s old body to return, unlike the father. However, in The Metamorphosis, when the mother saw her son crouched on the ground with his numerous little legs, the narrator just states that she “was engrossed in herself.” The narrator does not state what she was thinking instead she/he shows the mother screaming after she has witnessed Gregor’s new body. So, in these scenes, Mrs. Samsa shows that she feared Gregor’s well-being and if Gregor was every going to return to his normal body.

As for Gregor’s father, he looked very appalled and unaccepting of Gregor’s newly transformed body in both the retelling and original story, however, in The Day Gregor Samsa Revealed to his Parents that he was a Bug, the father’s feelings were well represented with his dissenting actions. When the father encountered Gregor as a bug for the first time, all he could think about was himself and the financial burden of the family’s needs such as, “How was the family going to be taken cared of?” “What he was going to?” “How was the vermin (Gregor) going to take care of him?” He did not think, what happened to my beloved son? Instead he was “hostile” and did not want to accept that Gregor had turned into an insect. In, The Metamorphosis, the narrator merely states “he looked hostile and that his fist was clenched as if he wanted to knock Gregor back into his room” (Page 20, p.2). The narrator did not state the father’s feelings and readers were not able to know what the father was thinking as he was weeping (Page 20, p.2). Moreover, in, The Day Gregor Samsa Revealed to his Parents that he was a Bug, the father’s disgust for his son is clearly seen when the narrator states that the “father no longer considered Gregor as a son but as a repulsive pest that needed to die.” As the father was chasing Gregor with the chief clerk’s stick, all he was stating was, “get out, get out, get out you filthy pest.” So, when readers read this scene from the rewrite, they were shown that the father really despised Gregor, that he had no sympathy for his son’s dreary situation, and that he had no love for Gregor. As opposed to the original text, the father is continually shown as being very angry with Gregor without any explanation for his hostility. In, The Metamorphosis, the narrator explains how Gregor was fearful of getting a “lethal blow in his head or back with the stick that was in his father’s hand and how he was getting confused by the loud hissing” that was being done by his father when he was trying to return to his room (Page 22, p. 2 & Page 23, p.1), however, there were no feelings and thoughts of the father being portrayed in this scene. So, in these scenes, the father lived in fear of what was going happen to him in the future. He did not think about how Gregor supported the family but was angry at Gregor’s transformation.

With the chief clerk, readers were able to get a recollection of his past in, The Day Gregor Samsa Revealed to his Parents that he was a Bug. When the chief clerk saw Gregor as a bug for the first time, he started to think “back on his youth and how he detested insects for their dreadful appearance.” The rewrite allowed readers to get to know the chief clerk personally by reminiscing on the things that he dreaded as a child, which were insects. In, The Metamorphosis, the chief clerk’s simply puts his hands on his open mouth as he slowly backs away from seeing Gregor’s newly transformed body (Page 20, p.2). Another detail that the rewrite gave was with, the chief clerk giving a thorough description of what Gregor’s new body looked like to him. For example, the chief clerk described Gregor as having a “big stature, numerous, hairy legs, moving in all directions, and an antenna moving back and forth like a pendulum of a clock.” Although, the description of Gregor’s new body was being told throughout the original story, it was nice to hear it from another character’s point of view. Also, in, The Day Gregor Samsa Revealed to his Parents that he was a Bug, the chief clerk’s frightful thoughts were shown when he thinks that Gregor was going to “consume every part of his flesh” and that “he did not want to be touched by the hideous creature (Gregor Samsa).” As opposed to the omniscient narrator, the limited narrator in, The Metamorphosis, does not state the chief clerk’s thoughts or feeling for the situation, he merely is seen as trying to get to the entrance hall of Gregor’s home in order to escape (Page 21, p.2). So, in theses scenes, the fear of insects that the chief clerk was battling with in his youth had continued on into his adult life and it emotionally scarred him to believe every insect was “hideous” in nature.

In conclusion, the retelling of The Metamorphosis from third-person limited to third-person omniscient shows readers that Gregor’s mother still acknowledged her son, although, she was frightened and did not know how he was going to return to his normal body. As for the chief clerk, he had a fear of insects from his childhood, so he was depicted as a fearful person that saw Gregor as a “hideous creature,” rather than being Gregor Samsa. And finally, the father was repulsed at Gregor and did not “consider him as a son but as a repulsive pest”. He feared about the future rather than think about the well-being of his son or a solution to cure his condition. The omniscient narrator showed readers that the other characters had their own battle with fear, whether it was financially, physically, or mentally, and that Gregor’s situation added fuel to their already underlying flame of fear.

Jane Vs John

Comparison Essay

“The Yellow Wall-Paper” and “The Husband’s Side of Life”

First person narration is usually the most detailed and informativeform of writing. With this narration you get inside a characters mind and feel their emotions. “The Yellow Wall-Paper” was written in first person point of view narration everything Jane saw and felt, we saw and felt as if we were right next to her seeing the woman inside the yellow wall paper. The retelling “The Husbands View on Life” was written in the first person narration of John, Jane’s husband. We saw how John viewed the wallpaper. We became aware of John’s feelings towards his wife. He loved her and wanted to save her. Only in first person narration we can get most of our questions answered.

In “The Yellow Wall-Paper” Jane comes across a woman trapped inside, “by daylight she is subdued”. Jane sees a world within the wallpaper, she knows it’s ugly but to her it’s full of life. During the day when the sun is exposed and everyone is awake the women in the wallpaper hides in between the patterns and at nightfall she creeps around learning the patterns. Jane is avoiding her family she sleeps during the day and uses all her energy analyzing the wallpaper at night. Jane becomes the wallpaper. On the last night it’s just Jane and the wall paper. She is aware that she is the only person that can set herself free, she destroyed the wallpaper and freed herself.

Then in “The Husband’s View of Life” John sees an ugly old tarnished wallpaper that has uneven patterns, “there’s no beauty in the room”. John thought he figured out why Jane has become so obsessed with the wallpaper. He wished he had listened to her and redecorated or relocated to another room. Maybe she would’ve been the Jane he once knew and not the Jane who sleeps during the day and alive at night. John was finally relieved, it was their last night in the estate, maybe Jane will get better at home, he needed her to get well for their son’s sake, but when he went to get her he saw something else  she was yellow. She was the yellow wallpaper. He saw her as the wallpaper he was afraid and had a heart attack, she was free and he became controlled.

The wallpaper for Jane symbolizes a life that only she can see and relate to. With first person point of view we secretly know that she wanted to keep what she found in the wallpaper to herself, “and I am determined that nobody shall find it out but myself”. Jane felt as if she is the only person that can rescue the woman and set her free. For John the wallpaper is just that a hideous wall dĂ©cor, that he wished he had changed. John wasn’t home often because he wanted to give Jane her space, “at home I don’t want to be in Jane’s way”. He let us know that he loved his wife and wasn’t avoiding her, he only wanted her to progress at her own pace without any pressure with his presence. John couldn’t wait to get his wife as far away from that room as possible, when he went to get her it was too late. He saw she was the wallpaper.

In conclusion with first person narration we are given access to details that are given only to the readers. Jane saw herself in the wallpaper and knew only she can free herself. John saw a yellow wallpaper that controlled his wife and he couldn’t find a way to help her. Jane finally escaped the wallpaper and john became lost in it. John loved Jane and he tried to save her, but the only person that could’ve saved Jane was Jane.

Comparison Essay on “The Day Gregor Samsa Revealed to his Parents that he was a Bug” and “The Metamorphosis”

In, The Metamorphosis, the narrator, which is a third-person limited narrator (mainly heterodiegetic narrator), tells the story about Gregor waking up as an enormous bug. The narrator describes Gregor’s thoughts, feelings of his transformation, and analyzes what is going on outside of Gregor’s mind. However, this narration is only limited to Gregor’s thoughts. I was not able to hear the thoughts of Gregor’s father, mother, and the chief clerk. I also was not able to experience how these characters felt when they encountered Gregor as a bug for the first time. The narrator just simply spoke about what she/he saw and these characters reactions but I was not able to get access to each character’s mind. Therefore, by retelling the the story from a third-person limited narrator to a third-person omniscient narrator (heterodiegetic narrator), I received access to the undesirable and frightful thoughts and feelings of the mother, father, and chief clerk as opposed to the original text.

In the retelling, The Day Gregor Samsa Revealed to his Parents that he was a Bug, the mother is portrayed as being very distraught of Gregor’s newly transformed body. When the mother had her first encounter with Gregor as a bug, she immediately “fell unconscious to the floor.” The narrator describes Mrs. Samsa’s unconsciousness as “anguish for her son turning into a household pest” and that she felt astonished and depressed for Gregor’s situation. In, The Metamorphosis, when the mother encountered Gregor as a bug for the first time, the narrator only describes how the mother “sank to the floor into her skirts,” how the mother’s “skirt spread themselves out” as she laid on the floor, and how her “head disappeared down into her breast” (Page 2, p. 2). These were all observations from the narrator of the mother’s reactions but there were no descriptions of her feelings. Moreover, in, The Day Gregor Samsa Revealed to his Parents that he was a Bug, when the mother witnessed her son falling on the ground and landing on his “numerous, hairy legs,” the narrator got access to the mother’s thoughts by showing her reminiscing on “Gregor’s face as a young boy, then as a mature man.” The retelling of the story showed us that Mrs. Samsa really cared about her son and that she wanted Gregor’s old body to return, unlike the father. However, in The Metamorphosis, when the mother saw her son crouched on the ground with his numerous little legs, the narrator just states that she “was engrossed in herself.” The narrator does not state what she was thinking instead she/he shows the mother screaming after she has witnessed Gregor’s new body.

As for Gregor’s father, he looked very appalled and unaccepting of Gregor’s newly transformed body in both the retelling and original story, however, in, The Day Gregor Samsa Revealed to his Parents that he was a Bug, the father’s feelings were well represented with his dissenting actions. When the father encountered Gregor as a bug for the first time, all he could think about was himself and the financial burden of the family’s needs such as, “How was the family going to be taken cared of?” “What he was going to?” “How the vermin (Gregor) was going to take care of him?” He was not stating, what happened to my beloved son? Instead he was “hostile” and did not want to accept that Gregor had turned into an insect. In, The Metamorphosis, the narrator merely states “he looked hostile and that his fist was clenched as if he wanted to knock Gregor back into his room” (Page 20, p.2). The narrator did not state the father’s feelings and I was not able to know what the father was thinking as he was weeping (Page 20, p.2). Moreover, in, The Day Gregor Samsa Revealed to his Parents that he was a Bug, the father’s disgust for his son is clearly seen when the narrator states that the “father no longer considered Gregor as a son but as a repulsive pest that needed to die.” As the father was chasing Gregor with the chief clerk’s stick, all he was stating was, “get out, get out, get out you filthy pest.” When I read this scene from the rewrite, it showed that the father really despised Gregor, that he had no sympathy for his son’s dreary situation, and that he had no love for Gregor. As opposed to the original text, the father is continually shown as being very angry with Gregor without any explanation for his hostility. In, The Metamorphosis, the narrator explains how Gregor was fearful of getting a “lethal blow in his head or back with the stick that was in his father’s hand and how he was getting confused by the loud hissing” that was being done by his father when he was trying to return to his room (Page 22, p. 2 & Page 23, p.1), however, there were no feelings and thoughts of the father being portrayed in this scene.

With the chief clerk, I was able to get a recollection of his past in, The Day Gregor Samsa Revealed to his Parents that he was a Bug. When the chief clerk saw Gregor as a bug for the first time, he started to think “back on his youth and how he detested insects for their dreadful appearance.” The rewrite allowed me to get to know the chief clerk personally by reminiscing on the things that he dreaded as a child. In, The Metamorphosis, the chief clerk’s simply puts his hands on his open mouth as he slowly backs away from seeing Gregor’s newly transformed body (Page 20, p.2). Another detail that the rewrite gave was with, the chief clerk giving a thorough description of what Gregor’s new body looked like to him. For example, the chief clerk described Gregor as having a “big stature, numerous, hairy legs, moving in all directions, and an antenna moving back and forth like a pendulum of a clock.” Although, the description of Gregor’s new body was being told throughout the original story, it was nice to hear it from another character’s point of view. Also, in, The Day Gregor Samsa Revealed to his Parents that he was a Bug, the chief clerk’s frightful thoughts were shown when he thinks that Gregor was going to “consume every part of his flesh” and that “he did not want to be touched by the hideous creature (Gregor Samsa).” As opposed to, The Metamorphosis, the narrator does not state the chief clerk’s thoughts or feeling for the situation, he merely is seen as trying to get to the entrance hall of Gregor’s home in order to escape (Page 21, p.2).

In conclusion, the retelling of The Metamorphosis from third-person limited to third-person omniscient shows readers that Gregor’s mother still acknowledged her son, although, she was frightened and did not know how to deal with his new body. As for the chief clerk, he was depicted as frightened and that he saw Gregor as a “hideous creature,” rather than being Gregor Samsa. And finally, the father was repulsed at Gregor and did not “consider him as a son but as a repulsive pest”. The omniscient narrator gave readers more insight on the other characters and gave each character’s different point of view to reflect on.