HW 7- Window Light Portraits

Create a series of self portrait using window light that express a feeling of confinement. Not selfies.  This can be done with a phone or a camera.

Shoot at least 20 photos. Post them to an album on Flickr and send the best 5 to the class group before April  20, 12 noon, EST. 

You should be near or next to a window to utilize the window light. 

The window can be in the photo or you can just use the light from the window. 

Shoot some examples with direct light and some with diffused light. Shoot some examples that use each of the 5 lighting styles discussed in class.

As usual pay attention what is in the frame. Sometimes what is in the background can be distracting.

Your photos should use light, expression and the relationship between you and the background to be expressive. No props. If you have curtains or venetian blinds, you may use them as elements in some of the photos.

You can use the camera’s or cameraphone’s timer. In some way set up the camera so you frame where you will be. Try books on a shelf or lean your phone on the window sill. Once you figure this out, focus on a spot where you place yourself and press shutter and jump into frame.  

Experiment with different expressions and gestures and different framing (how much of you is in the frame.)

Thanks to Professor Pelka for this assignment idea!

Here are some examples shot by students in Professor Pelka’s class:

Photographer: Brandon Babb
Shot for Professor Pelka’s class

Photographer: Adam Ahmed
Shot for Professor Pelka’s Photo 1 class

 

 

 

Photographer: Justin Jackson
Shot for Professor Pelka’s Photo 1 class

Photographer: Chengjiu Du
Shot for Professor Pelka’s class

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HW #4

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H.W 6 Dorothea Lange Essay Manuel Razuri April 16, 2020

Manuel Razuri

COMD 1340 – D164

Dorothea Lange Essay

 

Dorothea Lange’s picture of the “White Angel BreadLine” reflects the pain and poverty during the depression that was one of the most difficult  times in The United States history. The picture reminds us how a person was in a line, against their humanity and  dignity waiting for small scraps of food. Normally, we don’t appreciate what we have until a picture like this  makes us realize the benefits of industrialization. We have the ability to go out and buy food and sometimes food  that we may not even need. This is a wonderful gift that can be taken for granted but this picture alone brought forth these feelings and a valuable lesson of humanity and compassion. In 1933 when the picture was taken a woman named Lois Jordan -who was nicknamed the white angel – established a soup kitchen to feed those who were unemployed and destitute. According to review from the J. Paul Guetti Museum, Lois Jordan soup kitchen relies solely on donations, she managed to supply meals to more than one million men over a three year period.  Dorothea Lange’s picture showed a specific moment when many men gathered for food,  she used her positioning pointing the camera down on the main subject of the picture , and he became the center of a great triangle, directing  the line of sight to the subject as well as focusing the camera to the man’s face. Lange’s perfect angle shows us an excellent comparison of rough material, through the old man’s wrinkles, his hat,  his aging skin and finally the fedoras. The caps worn by the other men around him represent opposites; because they are arrangements of straight lines and curves, constantly returning to the central figure.

Another picture taken by Dorothea Lange’s  is the “Migrant Mother” and in this picture you see a strong mother holding her kids in comfort looking off into the distance. The woman depicted in the picture circulated in magazines and many papers throughout all The United States. The woman’s arm becomes a strong vertical line, leading the eye’s towards her face. The woman and the contrast in value between the pale skin of the sleeping baby and the rest of the family who are darkened. Dorothea Lange was capable of expressing the true hardships of the great depression. Her goal was to have the world see the suffering of the great depression in the U.S. and  in her own way try to change the present for a better future. The impact that she had was truly amazing, was the realization that her picture was able to give the Americans a better understanding of what they were going through at that time.

Florence Owens Thompson ( the migrant mother from Dorothea Langes’ picture) once believed to be a cotton picker.  However, later on it was found out that the woman was actually a farm worker that went around looking and trying to obtain different jobs to feed her family. Dorothea Lange claimed that Thompson was a pea picker who sold her tires to feed her children, but the children of Thompson clarified that there was a very poor family trying to make it survive in a time of recession. This misconception caused the picture to be at the forefront of food donations to pea pickers camps. The photograph was taken as well as the face of harm that the great depression was causing. In comparison to the pandemic that is going on today, the picture brings forth a feeling of sadness as all the jobs and lives lost. We can only imagine so many people like Florence’s family suffering without a home and they are just trying to survive.  Very similar feeling has happened right to all Americans and the whole world as well, we are dealing with a virus that can kill us, and feels like we are leaving those harsh times once again.  Finally, the picture was worth being taken, especially looking outside because of the good that it did. Sometimes  harsh moments in history need a face in order for others to understand, and might help even the ones that have to be the subjects that hated the idea of so much attention especially for being depicted as something they weren’t. And even though they were believed to be something else in the end , this picture gave so much more than it took away and that its true worth.

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Exposure

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Exposure

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HW6 Dorothea Lange

In the photograph, White Angel Bread line, taken by Dorothea Lange, you can see a man turned around facing the front in a crowd of other men who are facing the opposite side. these men are hungry waiting in a line to get bread. the man facing front is the center of attention. he has a look of despair and worry. his hands are crossed which makes me think he is uncomfortable with the situation hes in. the man is the main focus of this photograph.

In the photograph, Migrant Mother, Nipomo, taken by Dorothea Lange, you can see a mother with three of her kids in the shot. the mother is the center of attention where the kids are sort of hiding behind their mother and one little baby is on her lap, almost looks like they’re crying. the mother has a tensed look on her face, she looks worried for herself and her children. they look hungry and their condition looks bad as they haven’t been well fed or taken care of.

The family had wished that the photograph had not been taken as to it depicted a wrong image. there was more to the story which the single photograph had shown. during this time of a pandemic, the photographs we see of patients suffering from the virus makes us think a certain way, to a limit we can know what actually is going around and not what we only see in the photographs. Lange’s photograph did have a huge impact at that time.

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HW 5- Challenge Yourself: One Object

Due April 3. 5 pts.

Pick one object that you can change. I suggest a potato, onion, head of garlic.

Watch this video:

https://www.youtube.com/watch?v=kKEq8ynCaI0

Photograph your object in 30 ways. Each shot should be different from the others. Close variations do not count. Try close ups, different angles, different lighting, draw on it, put it on different backgrounds, whatever you can come up with. 

Post to an album on Flickr and send your best 5 images to the class group. 

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Week 8 Creative Exposure

+5 and -5

+3 and -5

+2 and -5

+3 and -5

+3 and -5

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Exposure

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Week 8 Exposure 2

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