Professor Diana Schoenbrun | COMD 3313 | SP22

Tag: WEEK 3 (Page 2 of 2)

Assignment 1, Part 3

Concept Sketches

  • Decide on your top thumbnail sketch.
    • Choose based on feedback you received from your Art Director (In this case your Profeesor) and your peers, as well as your own passion and design sense.
  • Research additional reference images needed to fully realize the concept. Create a mini mood board.
  • Sketch at least 2 Concept Sketches full size, not thumbnail size.

EXAMPLES:

Compare in these examples the Approved Thumbnail sketch and the corresponding Concept Sketch. Consider where changes were made.

Concept Sketch by Yuko Shimizu

Diana Schoenbrun’s thumbnail and concept sketches

DUE NEXT WEEK:

  • Post your Concept Sketches and mini-mood board along with a description to Openlab. Concept sketches should be posted alone without the package branding and then with the with side by side.
  • Categorize your post as Week 3 in Work in Progress.

Week 3

Class Info

  • Date: Tuesday, February 7th
  • In person P-125

To-Do Before Class

Topic

ILLUSTRATION PRACTICES: PROCESS & WORKFLOW

Activities

Warm Up Drawing exercise

  • Food

Discussion

Sketchbook

  • group sketchbook share of Visual Vocabulary

Lecture week 3

Video: Art director, Soojin Buzelli

Critique

  • Small Groups Critique Assignment 1, Part 2 Thumbnails

In Class Demo 

  • Demo: Digital Tools for Basic overall Image Editing.  (Show adjustments for taking thumbnails to concept sketches.)

Review Assignments and Expectations for Next Week’s Class

Due Next Week

Sketchbook Week 3: Artist Selfies

Please check out Art Director LAUREN PANEPINTO’s blog post on MuddyColors.com, Artist Selfies, everybodys doing it.

“ Starting to shoot reference very often brings a huge leap forward in the work of young artists, yet it’s also the piece of advice I hear the most excuses about. I hear “My friends don’t like to pose.” “I’m not a good photographer.” “I don’t have money to hire a model.” “I don’t have good props.” “I don’t have a good camera.” and I say the best artists in the world use themselves for reference all the time. With rulers standing in for swords, with any kind of camera or webcam, and without even cleaning their studios, if these guys are shooting themselves, you can too. You, yourself, are the most reliable model. You know what you want, you are always available, and you work cheap.”

This short excerpt from Lauren Panepinto’s blog post demonstrates the importance of working from reference. After reading this article, shoot / digitally collage your own original reference material.

Do not overthink this.

This is PRACTICE to learn how to shoot and work from reference.

Shoot many photos and then pick 3 Photos. Then fill 3 pages in your sketchbook with drawings based on these photos / digital collages.

SHARE BOTH THE REFERENCE AND THE SKETCHES WHEN DONE.

Here’s some previous student sketchbook samples.

Post when complete:

GO TO: CLASS SITE

DASHBOARD > POSTS > ADD NEW >

Write your post. Add a Descriptive title.

Choose CATEGORY (bottom right side): Sketchbook

PUBLISH

Please add your introduction by [DATE AND TIME]. It should be between [200-250 words].

Newer posts »