This course teaches students to create finished, professional-quality sequential illustrations combining words and pictures based on topical themes, autobiographical stories, and self-guided narratives. Topics and strategies include storytelling focusing on single-panel, multi-panel, and multiple-page sequential illustrated stories. Projects will be completed using an array of digital and traditional media. This class will focus on sequential art: sequential art can be comic books, graphic novels, children’s books, comic strips, and more. Topics and strategies include storytelling focusing on single-panel, multi-panel, and multiple-page sequential illustrated stories. Projects will be completed using an array of digital and traditional media.
This course teaches students to create finished, professional-quality sequential illustrations combining words and pictures based on topical themes, autobiographical stories, and self-guided narratives. Topics and strategies include storytelling focusing on single-panel, multi-panel, and multiple-page sequential illustrated stories. Projects will be completed using an array of digital and traditional media. This class will focus on sequential art: sequential art can be comic books, graphic novels, children’s books, comic strips, and more. Topics and strategies include storytelling focusing on single-panel, multi-panel, and multiple-page sequential illustrated stories. Projects will be completed using an array of digital and traditional media.
This openly available model course contains course information, learning outcomes, suggested weekly topics and projects, video resources, quizzes, and more. It may be cloned and adapted by any faculty member teaching this course.
This openly available model course contains course information, learning outcomes, suggested weekly topics and projects, video resources, quizzes, and more. It may be cloned and adapted by any faculty member teaching this course.
This course is a practical introduction to the field of illustration. Focus will be placed on process work and professional practices, presented within contemporary and historical context. Course includes projects and lectures in a variety of illustration genres including: advertising, book illustration, and editorial. A variety of materials will be introduced through lectures and demonstrations for use on assignments such as: pencil, pen and ink, brush, and digital illustration. Critical concepts such as: Conceptual Development, Working on Assignment, Composition, Contrast, Value, Point of View, and Color theory will be introduced.
This course is a practical introduction to the field of illustration. Focus will be placed on process work and professional practices, presented within contemporary and historical context. Course includes projects and lectures in a variety of illustration genres including: advertising, book illustration, and editorial. A variety of materials will be introduced through lectures and demonstrations for use on assignments such as: pencil, pen and ink, brush, and digital illustration. Critical concepts such as: Conceptual Development, Working on Assignment, Composition, Contrast, Value, Point of View, and Color theory will be introduced.
This course is a practical introduction to the field of illustration. Focus will be places on
process work and professional practices, presented within contemporary and historical
context. Course includes projects and lectures in a variety of illustration genres including:
product design and advertising, storyboard, book illustration, editorial illustration, and
institutional illustration. A variety of materials will be introduced through lectures and
demonstrations for use on assignments such as: pencil, pen and ink, brush, colored pencil,
brush and paint, and collage. Critical concepts such as: Conceptual Development, Working
on Assignment, Composition, Contrast, Value, Point of View, and Color theory will be
introduced.
This course is a practical introduction to the field of illustration. Focus will be places on
process work and professional practices, presented within contemporary and historical
context. Course includes projects and lectures in a variety of illustration genres including:
product design and advertising, storyboard, book illustration, editorial illustration, and
institutional illustration. A variety of materials will be introduced through lectures and
demonstrations for use on assignments such as: pencil, pen and ink, brush, colored pencil,
brush and paint, and collage. Critical concepts such as: Conceptual Development, Working
on Assignment, Composition, Contrast, Value, Point of View, and Color theory will be
introduced.
This course is a practical introduction to the field of illustration. Focus will be placed on
process work and professional practices, presented within contemporary and historical
context. Course includes projects and lectures in a variety of illustration genres including:
advertising, book illustration, and editorial. A variety of materials will be introduced through lectures and
demonstrations for use on assignments such as: pencil, pen and ink, brush, colored pencil, and
digital illustration. Critical concepts such as: Conceptual Development, Working
on Assignment, Composition, Contrast, Value, Point of View, and Color theory will be
introduced.
This course is a practical introduction to the field of illustration. Focus will be placed on
process work and professional practices, presented within contemporary and historical
context. Course includes projects and lectures in a variety of illustration genres including:
advertising, book illustration, and editorial. A variety of materials will be introduced through lectures and
demonstrations for use on assignments such as: pencil, pen and ink, brush, colored pencil, and
digital illustration. Critical concepts such as: Conceptual Development, Working
on Assignment, Composition, Contrast, Value, Point of View, and Color theory will be
introduced.
This committee will focus on strategies and outcomes to find and encourage enrollment in the program. It will also track the outcomes and determine best-practices for marketing to our target prospective students.
This committee will focus on strategies and outcomes to find and encourage enrollment in the program. It will also track the outcomes and determine best-practices for marketing to our target prospective students.
A place for COMD Department Design Futures Sub-Committee members to communicate, link to meeting agendas, minutes, and proposed curriculum, and share resources and ideas.
A place for COMD Department Design Futures Sub-Committee members to communicate, link to meeting agendas, minutes, and proposed curriculum, and share resources and ideas.
A place for COMD Department Online Committee members to communicate, link to meeting agendas, minutes, and proposed curriculum, and share resources and ideas.
A place for COMD Department Online Committee members to communicate, link to meeting agendas, minutes, and proposed curriculum, and share resources and ideas.
The COMD Hub (IN DEVELOPMENT) provides support for faculty and staff, including teaching, admin, and program development resources.
Join The COMD Hub to receive essential communications from the Department Chair, CLTs, and the City Tech Administration.
The COMD Hub (IN DEVELOPMENT) provides support for faculty and staff, including teaching, admin, and program development resources.
Join The COMD Hub to receive essential communications from the Department Chair, CLTs, and the City Tech Administration.
City Tech’s Ink Club is a place where illustrators and sequential artists can discuss and practice their craft in storytelling. On Openlab we’ll share links to helpful resources, general information, and post about events ad work we’re creating.
City Tech’s Ink Club is a place where illustrators and sequential artists can discuss and practice their craft in storytelling. On Openlab we’ll share links to helpful resources, general information, and post about events ad work we’re creating.
