My partner this week for this critique was my sister Maria Iacono. During the week she really focused on colors and line weight. She stated that she struggled the most with varying her line weight within the character design. With that in mind, I was able to help her out by suggesting to make certain lines thicker for example the lines in the hair could use some work. I also stated that she could make some lines thinner for example, the feather on the hat and the clothes. For her color palette on her character design she kept with the primary colors with a variety of different shades from those three colors. She stated that she wanted to keep the classic look of Pinocchio and she didn’t want to change the colors too drastically. I thought this was a good idea because Pinocchio is such an iconic character, especially the Disney version, which she is referencing, and it was good that she didn’t change too much because then it might not have been so recognizable. Overall I think my sister did well and had some things to fix that weren’t major but not minor either.
About This Course
This course is a practical introduction to the field of illustration. Focus will be placed on
process work and professional practices, presented within contemporary and historical
context. Course includes projects and lectures in a variety of illustration genres.
Professor Woolley
Office Hours: Tuesday 12 – 2pm email for appointment
SJWoolley@citytech.cuny.edu
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