In âThe Cottagette,â the second and third paragraphs identify the setting of the story, ââCottagette, by all means,â said Lois, seating herself on a porch chair. âBut it is larger than it looks, Mr. Mathews. How do you like it, Malda?â I was delighted with it. More than delighted. Here this tiny shell of fresh unpainted wood peeped out from under the trees, the only house in sight except the distant white specks on far off farms, and the little wandering village in the river-threaded valley. It sat right on the turf, –no road, no path even, and the dark woods shadowed the back windows.â
In âThe Yellow Wallpaper,â the second and third paragraphs identify the setting. âA colonial mansion, a hereditary estate, I would say a haunted house and reach the height of romantic felicity â but that would be asking too much of fate. Still I will proudly declare there is something queer about it.â
In both stores, we have a house as the settings, but two very different houses. In âThe Cottagette,â the narrator clearly is fond of the cottage. I feel that she admires its isolation, while in âThe Yellow Wallpaper,â the narrator senses that there is something wrong about the house. The narrators set the tone for the setting in these passages which help shape the stories differently. The cottage is described as a delightful place, and so was the story, ending with the narrator getting a marriage proposal from the man that she loved. The colonial mansion was described, by the narrator, as a haunted house. This story was not as delightful as âThe Cottagette.â In âThe Yellow Wallpaper,â the narrator drivers herself insane from the obsession she had with the wallpaper, where she thought she saw a woman who was trapped behind bars and tries to escape.