As I finished the first part of project #2, to be honest, I couldn’t find anything I was proud of. Just by looking at my part 1 and the struggle to complete part 2, I could see, unfortunately, I didn’t put a ton of work into it. With my computer engineering class projects/labs and two math course test/finals, throughout the semester, I felt like I had to focus on those classes first, leaving this Introduction to Fiction class as my last priority. I thought I would be able to complete this project to my liking and enjoy doing it, as I did with project #1, but the stress from my other classes and my time management kind of made any chance of it happening for project #2 difficult.
All posts by Damany Wallace
Sullenly
Sullenly – adjective – showing irritation or ill humor by a gloomy silence or reserve. via dictionary.reference.com
The Babysitter by Robert Coover
“The boy glares sullenly at the babysitter, silently daring her to carry out the order”Paragraph 6, Sentence 5
Paternalistic
Paternalistic – adjective – the system, principle, or practice of managing or governing individuals, businesses, nations, etc., in the manner of a father dealing benevolently and often intrusively with his children via dictionary.reference.com
There Once Was by Margaret Atwood
“Then you can scratch the condescending paternalistic terminology.”Line 69
Quizzical
Quizzical – adjective –Â mildly teasing or mocking via merriam-webster
The Shawl by Louise Erdrich
“He looked at me, steady and quizzical, as though he had never had a drink in his life, and I wiped his face again with that frayed piece of blanket.” –Â Paragraph 16, sentence 5
Exquisite
- Exquisite adjective –Â finely done or made via Merriam-Webster.com
- Exquisite in the short story “The Cottagette” by Charotte Perkins Gilman, page 54, paragraph 13, sentence two.
- “”As we did here–at first,” he said. “There was peace, exquisite silence…”” – Narrator
Paul D
Beloved  is a story about a former slave, Sethe, living with where daughter, Denver, in a house that is occupied by a ghost that is believed to be the soul of Setheâs dead daughter, Beloved. When a man named Paul D comes along, a series of events take place and changes the dynamics of the family at 124. Paul D escaping from the Georgia chain gang played a huge part in the novel. Paul D plays a significant role in the lives of Sethe and Denver. If he hadnât escaped, some of the major events of the story wouldnât have happened.
Thereâs a lot of evidence that Paul D affected people’s lives through escaping, but I believe Paul D himself changed entirely after his escape and him being at 124. âBut this was not a normal woman in a normal house. As soon as he had stepped through the red light he knew that, compared to 124, the rest of the world was bald. After Alfred he had shut down a generous portion of his head, operating on the part that helped him walk, eat, sleep, sing. If he could do those things–with a little work and a little sex thrown in–he asked for no more, for more required him to dwell on Halle’s face and Sixo laughing. To recall trembling in a box built into the ground. Grateful for the daylight spent doing mule work in a quarry because he did not tremble when he had a hammer in his hands. The box had done what Sweet Home had not, what working like an ass and living like a dog had not: drove him crazy so he would not lose his mind.â Â During his time in slavery, he had a âwalk, eat, sleep, singâ mentality. The state that he was in seemed robotic and nonhuman. Paul D leaving the plantation and reuniting with Sethe gave him a reason to live life and to better the lives close to him, which he did.
Before Paul D came, Sethe and Denver never had a good relationship with the community. Ever since word got around that there was a ghost at 124, they kept their distance from the family. This is one of the reasons that Denver befriended the ghost. Because no one in town would talk to her. Paul D used his social skils to change the way people viewed the family. âSoothed by sugar, surrounded by a crowd of people who did not find her the main attraction, who, in fact, said, “Hey, Denver,” every now and then, pleased her enough to consider the possibility that Paul D wasn’t all that bad. In fact there was something about him– when the three of them stood together watching Midget dance–that made the stares of other Negroes kind, gentle, something Denver did not remember seeing in their faces. Several even nodded and smiled at her mother, no one, apparently, able to withstand sharing the pleasure Paul D. was having. He slapped his knees when Giant danced with Midget; when Two-Headed Man talked to himself. He bought everything Denver asked for and much she did not. He teased Sethe into tents she was reluctant to enter. Stuck pieces of candy she didn’t want between her lips. When Wild African Savage shook his bars and said wa wa, Paul D told everybody he knew him back in Roanoke. Paul D made a few acquaintances; spoke to them about what work he might find. Sethe returned the smiles she got. Denver was swaying with delight. And on the way home, although leading them now, the shadows of three people still held hands.â Paul D sort of reintroduced the community to Denver and Sethe.
In conclusion, Paul D played a significant role in the novel and the lives of Denver, Sethe and Beloved. If this one event in the book, Paul D escaping from slavery, were to changed, the dynamic of the story would change greatly.
Misconstrued
- Misconstrued verb–Â to fail to understand the true or actual meaning of via Merriam-Webster.com
- Misconstrued in the short story “The Yellow Wallpaper” by Charotte Perkins Gilman, page 69, paragraph 7, sentence 2.
- “Besides I wouldn’t do it. Of course not. I know well enough that a step like that is improper and might be misconstrued”
- When this term is used, the narrator is tearing the wall paper off the wall, and describing how angry she is. She’s so angry at that time that she contemplates jumping out the window, but tells herself that would be improper and misconstrued.
                                             Visual Aid
Young Goodman Brown
Retelling
âLittle Salem Villageâ
Today is the day. I take the people of this Salem village and convert them, and expel the âlove of godâ out of them. This may not be a simple task, since this village is heavily religious, but everyone is capable of being corrupt. This could be proved by the amount of people I already converted. Getting the ones with the weakest faith in god was definitely a good start. Have them attend my gatherings, go back to their village and help manipulate the citizens, making them easier to catch for me when the time comes. If I could maintain this cycle, the people of Salem will be under my arms, and most importantly, my control.
Now, I was on my way to the gathering in the middle of the forest. Then I laid my eyes upon this young lady with a knotted pink ribbon tying her hair, frightened out of her skin. I try to remember if I ever saw this one in the Salem town I found the others, but I canât recall. I observe her from my hiding spot to hear what she is talking about to herself.
âA dear God, please let him be safe.â she said to herself. âWhy did I ever let him out of my hands and make him go in to these dreadful woods? If only a persuaded him more vigorously…â
Who is this man she speaks of? I havenât encountered anyone in my journey yet. I need to know. When she approached the tree I was stealthy waiting behind, I approach her with a greeting:
âHello, you seem to be los-â
âAAHHHHâ she screamed, as she back peddled, tripping over a tree branch and falling on the ground. Little did she know, she wasnât alone after all. Sheâs lonely, afraid and helpless. This will be easier than I thought.
âOh, Im so sorry. Didnât mean to startle you, maâam.â
âGet away from me!â she said. âWho are you?!? and-and why are you following me???â
âIm sorry to have startled you maâam. If there is anything I could do to help you, Iâll gladly give you a helping hand. Here, let me help you up.â As I extend my hand she starts to crawl back, avoiding me.
âIm looking for my husband. Have you seen him?â
âCanât say I have. Iâve been traveling alone for a couple hours. What does he look like?â
âHeâs a-â she paused and started reading me, trying to figure me out.
âHere, let me help youâ
I extend my staff to her so she could get up. Not knowing what powers I possess in my priceless staff, she grabs on and her demeanor, her trust towards me changed.
âWh-why thank you for helping me, sir.â
âNo problem at all. So, you never told me why you’re in this dreadful forest â
âWell I trying to look for my husband, Mr. Goodman Brown. You and him kinda look alike.â
As we walk side to side, I tell her where this gathering is, and I part ways with young Faith, with her pink ribbon which now has a bit of dirt on it when she fell during our run-in.
I see a figure walking alone. This has to be him. Mr. Goodman Brown. I sneak towards him to hear what heâs muttering to himself.
â-leaving her like this. She tells me sheâs afraid and I run off it to this forest? Leaving her to her nightmares? Maybe I sho-.â
He stops walking and looks around him. I know he canât see me, but it seems like he feels my existence.
âI feel there is evil hidden within these woods. For all I know, an evil presence may be upon me right now.â
He feverishly looks behind him every couple steps, until I present myself as another lonely traveler. If his loved one was as easy to convert, he will be in my hands in no time. If I somehow fail, I guarantee, his experience with me will stay with him for the rest of his lifeâŠ
Essay
The point of view that the story is being told in is a major part of how the story flows and how the author wants their messages to be presented. A tale told in third person has a perspective from an outside source that has no part in the story. First person narrative has a character thatâs apart of the story telling it from their perspective, with it being from the protagonist or someone observing actions of the protagonist. I will be comparing the narrative of âYoung Goodman Brownâ and my retelling of the story named âLittle Salem Villageâ. Although âYoung Goodman Brownââs  third person limited narrator conveys Goodman Browns emotions throughout the story and a perplexing ending,  this retelling uses a first person narrator to highlight the antagonistâs intentions and how they went on to accomplish them.
In âYoung Goodman Brownâ the story is told in third person limited with the protagonist being Goodman Brown. We follow Brown as he journeys through the woods for unknown reasons. He leaves behind his wife, Faith, even though she admitted she didnât want him to go and confessed to having bad dreams lately. While walking in the woods, he meets a man and throughout the story, he observes his demon like actions. The story concludes with Brown going through life in fear unable to trust anyone even his wife until his inevitable death, leaving the reader wondering if everything he experienced actually happened, or if it was a nightmare.
In my retelling, the story is told in first person with an autodiegetic narrator. The narrator is the old man that traveled with Goodman Brown through the woods. He is thinking to himself, recollecting the actions he had done to the villagers of Salem and plans of a ‘witch meeting’. He meets Faith and converses with her until he was able to possess her. The story ends where the original story kinda began, with the old man meeting Goodman Brown in the woods.
Third person limited and first person autodiegetic points of view both have access to the protagonist emotions they are going through. Since this was the case, I wanted to retell the story through someone else’s perspective, giving the reader access to both Goodman Brown in the original story and the old manâs head in my retelling. One instance where Hawthorne displays Brownâs emotion to a situation was when I was alone in the woods, thinking an evil omen was with him. This is also before he sees a figure in the distance that ended up being the old man: â”There may be a devilish Indian behind every tree,” said Goodman Brown to himself; and he glanced fearfully behind him, as he added, “What if the devil himself should be at my very elbow!”â In my retelling, I assumed the old man was following Brown before the final met face-to-face. When the old man observed Brown, he showed similar features as in the original story: âHe feverishly looks behind him every couple steps, until I present myself as another lonely traveler.â
Hawthorne ends their story in a way that leaves the reader invested in the story after reading it by having them question whether Brownâs whole experience was a real or a dream.âBe it so, if you will. But, alas! it was a dream of evil omen for young Goodman Brown. A stern, a sad, a darkly meditative, a distrustful, if not a desperate man, did he become, from the night of that fearful dream. On the Sabbath-day, when the congregation were singing a holy psalm, he could not listen, because an anthem of sin rushed loudly upon his ear, and drowned all the blessed strain. When the minister spoke from the pulpit…and with his hand on the open Bible, of the sacred truths of our religion…then did Goodman Brown turn pale, dreading lest the roof should thunder down upon the gray blasphemer and his hearers. Awaking suddenly at midnight, he shrank from the bosom of Faith…when the family knelt down at prayer, he scowled…and gazed sternly at his wife, and turned away. And when he had lived long, and was borne to his graveâŠâ I assumed since the narrator never disclosed to the reader why Brown was going in the woods, itâs even more difficult to think if it were real or fictional. I find this an advantages to third person limited because it leaves the ending to the mind of the audience, forcing them to analyze the story after reading it. If the original story were told in first person through Goodmanâs perspective, I believe the mystery conclusion to the story wouldnât be present. In my retelling, I tried to do the same thing and leave an open ending, but I found it difficult to do with a first person narrator. âIf I somehow fail, I guarantee, his experience with me will stay with him for the rest of his lifeâŠâ Here, I tried to allude if the old man was actually an evil figure or just a figment of Brownâs imagination that haunts him in his dreams.
In conclusion, these two points of views have their advantages and disadvantages. It all depends on what the author wants to show and how they want their message it be delivered to their audience.
âLittle Salem Villageâ
âYoung Goodman Brownâ by  – 3rd person limited
âLittle Salem Villageâ First person narrator – The Old Man
Today is the day. I take the people of this Salem village and convert them, and expel the âlove of godâ out of them. This may not be a simple task, since this village is heavily religious, but everyone is capable of being corrupt. This could be proved by the amount of people I already converted. Getting the ones with the weakest faith in god was definitely a good start. Have them attend my gatherings, go back to their village and help manipulate the citizens, making them easier to catch for me when the time comes. If I could maintain this cycle, the people of Salem will be under my arms, and most importantly, my control.
Now, I was on my way to the gathering in the middle of the forest. Then I laid my eyes upon this young lady with a knotted pink ribbon tying her hair, frightened out of her skin. I try to remember if I ever saw this one in the Salem town I found the others, but I canât recall. I observe her from my hiding spot to hear what she is talking about to herself.
âA dear God, please let him be safe.â she said to herself. âWhy did I ever let him out of my hands and make him go in to these dreadful woods? If only a persuaded him more vigorously…â
Who is this man she speaks of? I havenât encountered anyone in my journey yet. I need to know. When she approached the tree I was stealthy waiting behind, I approach her with a greeting:
âHello, you seem to be los-â
âAAHHHHâ she screamed, as she back peddled, tripping over a tree branch and falling on the ground. Little did she know, she wasnât alone after all. Sheâs lonely, afraid and helpless. This will be easier than I thought.
âOh, Im so sorry. Didnât mean to startle you, maâam.â
âGet away from me!â she said. âWho are you?!? and-and why are you following me???â
âIm sorry to have startled you maâam. If there is anything I could do to help you, Iâll gladly give you a helping hand. Here, let me help you up.â As I extend my hand she starts to crawl back, avoiding me.
âIm looking for my husband. Have you seen him?â
âCanât say I have. Iâve been traveling alone for a couple hours. What does he look like?â
âHeâs a-â she paused and started reading me, trying to figure me out.
âHere, let me help youâ
I extend my staff to her so she could get up. Not knowing what powers I possess in my priceless staff, she grabs on and her demeanor, her trust towards me changed.
âWh-why thank you for helping me, sir.â
âNo problem at all. So, you never told me why you’re in this dreadful forest â
âWell I trying to look for my husband, Mr. Goodman Brown. You and him kinda look alike.â
As we walk side to side, I tell her where this gathering is, and I part ways with young Faith, with her pink ribbon which now has a bit of dirt on it when she fell during our run-in.
I see a figure walking alone. This has to be him. Mr. Goodman Brown. I sneak towards him to hear what heâs muttering to himself.
â-leaving her like this. She tells me sheâs afraid and I run off it to this forest? Leaving her to her nightmares? Maybe I sho-.â
He stops walking and looks around him. I know he canât see me, but it seems like he feels my existence.
âI feel there is evil hidden within these woods. For all I know, an evil presence may be upon me right now.â
He feverishly looks behind him every couple steps, until I present myself as another lonely traveler. If his loved one was as easy to convert, he will be in my hands in no time. If I somehow fail, I guarantee, his experience with me will stay with him for the rest of his lifeâŠ
Breadth
- Breadth – Noun – the distance from one side to the other side of something. via Merriam-Webster
- Encountered in the story ‘Metamorphosis’ by Franz Karka, Paragraph 7