Reading To Support Architectural Design
Elizabeth Parks
Architectural Technology
ARCH2412 Design IV
Activity Description: Provide a brief description of the activity
The reading activity is part of the Lecture portion of the Design IV studio (Lab) class. Students are formed into groups of three or four to analyze and share a selected reading with the class. The activity has three parts: reading with annotation, completion of a Frayer Method Template to clarify a particular concept or vocabulary word, and presentation to the class with discussion. All students in the class are expected to read all of the readings to facilitate discussion.
Learning Goals: What do you aim to achieve with this activity?
The goad of the activity is to engage students with reading about architecture, architects, and the concepts that underlay the design process.
Timing: At what point in the lesson or semester do you use this activity? How much classroom time do you devote to it? How much out-of-class time is expected?
The activity is completed over four class sessions throughout the semester.
Session 1 in Week 2: Introduction to the activity, selecting or assigning readings to the groups. This is timed to coincide with the research and concept development work the students are doing in the Lab portion of the course.
Session 2 in Week 5: Presentations and class discussion for half the student groups
Session 3 in Week 6: Presentations and class discussion for half the student groups
Session 4 in Week 11: General class discussion of all the readings and their impact on student design projects.
Students are expected to meet with their group members outside of class to prepare the Frayer Method Template for their selected reading. They are also expected to read all the other readings for discussion. The total time required outside of class is expected to be at least 4-8 hours, depending on the number and difficulty of the readings.
Logistics: What preparation is needed for this activity? What instructions do you give students? Is the activity low-stakes, high-stakes, or something else?
For the Spring 2025 Semester, ten (10) readings were selected from "Imagining the Future Museum: 21 Dialogues with Architects", edited by Andras Szanto, published in 2022. Each reading is a dialogue between the editor and a currently practicing architect, specifically about that architect's approach to museum design. This material was chosen because the students are each designing their own version of a museum in the Studio portion of the class, but the focus of the readings could be adapted to suit other courses.
Students were given access to a shared Miro board with blank Frayer Method Templates, a list of concepts and vocabulary words pulled from the readings by the instructor, as well as space for the students to write a summary of the reading.
Part of the introduction to the activity was a discussion of how to read for comprehension and how to take notes while reading. The instructor's annotated readings were shared with the class as examples.
The following is a link to the completed templates from one of the Lecture sessions for Spring 2025:
https://www.dropbox.com/scl/fi/j4opnnl1snk3pyzrj0440/ARCH2412-Lecture-Reading-Session-1.pdf?rlkey=p3k2lplksc2p5dfu95pobd67d&st=8vmuzxb1&dl=0
In the fourth and final session, students were asked to write a brief statement describing how the activity impacted their design process and the design of their project.
The groups present a summary of the reading and a more detailed explanation of the concept or vocabulary word they chose and then lead a class discussion on the reading, ideas and how the information is applicable to the studio activities.
Assessment: How do you assess this activity? What assessment measures do you use? Do you use a VALUE rubric? If not, how did you develop your rubric? Is your course part of the college-wide general education assessment initiative?
The activity was not formally graded, but the results were shared with all instructors. The lecture classes are shared between four instructors, each also teaching a discrete section of the studio. A mixed set of students attend one of two lecture sessions. All instructors were given access to the Miro boards and to scans of the written reflections.
The Studio environment is inherently a High Impact Impact Educational Practice, incorporating Common Intellectual Experiences and Collaborative Assignments and Project. This reading activity was designed to broaden and deepen the students' understanding of the design process by familiarizing them with the words and work of a broad range of current practitioners.
Reflection: How well did this activity work in your classroom? Would you repeat it? Why or why not? What challenges did you encounter, and how did you address them? What, if anything, would you change? What did students seem to enjoy about the activity?
We will repeat the activity and are considering adding a graded rubric to formalize assessment. The degree of engagement with the readings varied between groups and it was clear that very few students had read any of the readings other than the one they were assigned, limiting their ability to contribute in a meaningful way to class discussions. Formally grading the activity may improve attendance and encourage them to read more.
The students were allowed to form their own groups, so generally felt comfortable working and sharing with one another.
It was clear from some of the students' written reflections that the readings did have an influence on their thinking. Students always struggle with the leap from their initial ideas to a building proposal that manifests those concepts, but the more comfortable they become with abstract ideas, the clearer their conceptual work is. And that leap to a "real" building becomes more possible and the ideas more legible.
Additional Information: Please share any additional comments and further documentation of the activity – e.g. assignment instructions, rubrics, examples of student work, etc. These can be links to pages or posts on the OpenLab.
Some written reflections from students, written in class in Week 11 of the semester (edited for clarity):
"The readings provided different ideas and perspective in regards to museum design…they made me think about my design choices more thoroughly." Adrianna Dilillo
"These readings helped me with my design process by understanding 'elevation by context'. Understanding the importance, meaning or status based on its surroundings/context." Daria Tourkova
"One of the ideas [from] the reading was for the museum to be a place for people to escape reality." Bryan Zamora
"Our reading helped me create a narrative for my project." Kelvin Jarama
"The reading helped me get a better understanding of what a museum is and how the museum is an extension of what is being shown in the exhibition. It taught me that circulation plays an important part in the story the building is trying to tell. Lastly the chapter I read defines a museum as a bridge that connects people with art. It is a response to a certain conflict and/or community." Diccia Castro
"The readings have influenced my design by integrating the site with my building by including a plaza that is embedded underground." Marti Tapia
"The readings helped with my design process by demonstrating ways to include everyone. … blending public space and exhibition areas [together makes the museum] engaging for visitors. This idea encouraged me to design my my museum with space for visitors to create something of their own" Thais Garcia
Please share a helpful link to a pages or post on the OpenLab



