ENG1101

Mining OED for Multiple Definitions of a Word

Many of us arrive in college thinking that there is only one “right” definition for each word, and that the dictionary provides us with this “proper” definition. This is far from accurate.

Essay 2 asks you to play with multiple ways of defining and understanding the word “virus,” in light of your experiences during the 2019-2020 Covid pandemic. For this assignment I want us to take inspiration from Jesse McCarthy’s essay on the different meanings of the word “trap.” McCarthy turns early on in his text to the Oxford English Dictionary in order to locate interesting and obscure ideas relating to the meaning of his word of interest (“trap”). Similarly, I want us to “mine” (meaning “look for”) different definitions of the term “virus” from the OED

What I want you do is simple:

–Go to the OED (log in using your City Tech info)

–Find and copy in your response below two or more odd definitions related to the word “virus”

–Discuss anything unusual, interesting, funny, or otherwise bizarre that you notice about these different meanings related to “virus”—as well as any questions or points of confusion you experience in reviewing these meanings.

–Lastly, discuss how looking through the different definitions of the term virus has changed the way you think about this word—and, perhaps, the 2019-2020 pandemic.

For Friday:
One Last Addition to Essay 2

Recall that Essay 2 asks for you to include a quotation from one article you’ve found on your own and one quotation from a text we’ve read together—and to connect these to your discussion of your Essay 2 song. For Friday I want you to find a text we’ve read together (from the Google Drive folder of readings) that connects to your Essay 2 song or social issue. I want you to do several things with this text, creating a paragraph of your own writing about it as you do:

–Find a quotation from this text that you can connect to your Essay 2

–Write a paragraph: begin by explaining the connection to your song/social issue, then introduce the quotation using the names of the author and title. Finish your quotation with an MLA-formatted in-text citation (see below) and a transitional phrase that leads into your discussion of the quote’s wording and significance (eg This quote shows… / What this passage suggests…). Finish your paragraph by tying back to the connection to your social issue/song that you began with.

–Below your paragraph, use Bibme to create an MLA Works Cited citation entry for your text you’re quoting from. Refer to the MLA Citation Guide I’ve created as well for additional help.

EX: (I did two paragraphs—the first is a transition and recap for context and then my second paragraph is where I quote from a text we’ve read and link it to my demo “Essay 2 song”)

As I’ve been suggesting so far, the theme of deception appears in several different ways in the video and soundtrack of Beyonce’s “Partition.” Not only does Beyonce routinely present herself as a shadowy silhouette in the video, but her suggestion in her lyrics that “I just want to be the girl you like… the girl you like is right here with me” suggests there to be a kind of “twoness” in her which leaves us guessing: who is she really—the woman wanting to be the girl or the girl herself?

While it may seem something of a stretch, this theme of deception in Beyonce’s work can be thought of as a kind of provocateurship that is linkable to the online phenomenon of trolling. As an artist in the age of the internet, Beyonce knows that part of going viral is provoking her audiences in ways that may offend many viewers (see, for instance, my earlier discussion of Bell Hooks and Bill O’Reilly). Beyonce’s willingness to provoke her audience in certain ways is what links her to what might be called “troll culture.” As Noah Berlatsky notes in “Beyonce, Sex Terrorist,” if we observe Beyonce’s work carefully, we notice that “what she says is quite pointed” (Berlatsky). For Berlatsky, Beyonce’s “Partition” is aware of “the pressure to be respectable” coming from critics like Hooks and O’Reilly, and the song actively subverts this pressure. He continues: “the video is a fantasy about steamy married monogamous sex, which works deliberately to make O’Reilly’s conservative values look sexy and illicit. It’s also a re-imagining of black female eroticism as linked to power rather than subservience, which turns hooks’s respectability politics into a self-aware sensual tease” (Berlatsky). As this quote makes clear, Beyonce’s work manifests a kind of critical intelligence even as it may appear to be just one more form of overly sexualized pop media garbage. There is a logic to this garbage, Berlatsky reminds us, and in Beyonce’s unabashedness—not only her exposing of her body and sexuality for the camera but also for the subtler details in her work such as dropping a napkin for a white servant to pick up—there is something of a provocateur, perhaps even something of a troll. Berlatsky’s point is basically that, beyond the play of light and shadow that is part of Beyonce’s Sasha Fierce schtick, she could be thought of as admirably trolling—that is, challenging and critiquing—the demand for women’s “respectability” on both the right and left.

Works Cited

Berlatsky, Noah. “Beyoncé, Sex Terrorist: A Menace for Conservatives and Liberals Alike.” The Atlantic, Atlantic Media Company, 12 May 2014, www.theatlantic.com/entertainment/archive/2014/05/beyonce-sex-terrorist-a-menace-for-conservatives-and-liberals-alike/362085/.

NOTES: Essay 3 Assignment posted–please read!  No class next week; stay tuned for what to do over Thanksgiving break!

For Friday, 11/20

Re-reading to Re-Write

The following prompt is designed to help you rewrite the beginning of your paragraphs in your Essay 2 so that your points become clearer to your reader.

Re-read a paragraph from your Essay 2 and as you read, think: what is the big picture of what I’m saying here? Based on the various things I’m saying in my paragraph, what is one word, phrase, or sentence that captures most it?

Write the following after reading:

–1 word, phrase, sentence that captures the main ideas:

–1 sentence that will introduce your paragraph to your reader—that is, the “big picture” of what you’re writing about in it. Your purpose in this sentence is to prepare them for what they are about to read (and to get them to want to read your full paragraph).

Last: put the sentence you just wrote at the BEGINNING of your paragraph. This is your TOPIC SENTENCE.

Share all of the work including your rewritten paragraph below.

For Friday 11/13

Watch Zoom 11 if you missed it. It may help you with the below:

Connecting Details (from Song to Research to Song)

Points from Zoom lecture on Sanneh’s text about Jay-Z, pp. 9-11

• Connecting Jay-Z’s biographical details (research) to his lyrics: the Glock
• From content to style (connecting Hip Hop website research to the style of Jay-Z’s words. Comparing his style of “everyday speech” to historical lyrical styles in rap.
• Close reading and walking us through Jay-Z’ “D’evils”

Reading & Writing Assignments:

1. Read one of the articles you found in your research for last Friday’s assignment using one of our Research Resources. Following Sanneh’s example (above, explained in Zoom), write 1-2 paragraphs where you connect a single detail from your Essay 2 song to a single detail in your research source.

2. Beyonce and the Politics of Listening and Interpretation

When we listen to a song, we are already interpreting it. Even if we listen to a track and say “this is totally meaningless”, this is an interpretation. One of the historical problems in the interpretation of popular musics (from rock and roll to rap to hip hop) has been the tendency to interpret such music in a moralizing way (“are the values espoused in this work good or bad?” “will the children listening to this music be negatively affected?”). In my view, this problem continues to get in the way of listeners’ ability to appreciate the full breadth of meanings available in popular musics. The series of texts on Beyonce we’ve read for this week (by Bell Hooks, Bill O’Reilly, and Noah Berlatsky) highlight this problem:

Below I’ve summarized the background of the three Beyonce commentators and the what they’ve claimed about her work. Then, I’ve posed a question asking you to provide more detail. For Part 2 of your response, I want you to choose A, B, or C and respond to the question I’ve provided and use a quotation from the text to support your response (so, for instance, if you choose “A”, you’ll explain WHY Bell Hooks thinks Beyonce is harmful to young girls and find a quote from her text/interview where she talks about this).

A. Bell Hooks is a self-proclaimed radical intersectional feminist (meaning her politics are very far to the left); she finds Beyonce’s work to be harmful to young girls: why?

B. On the other end of the political spectrum is Bill O’Reilly, a far-right former TV show host for Fox news; he too finds Beyonce’s work to be harmful to young girls: why?

C. Noah Berlatsky is a journalist who cares about Beyonce’s work as a form of art; he notices that although Hooks and O’Reilly are on opposing sides of politics that there are similarities in how they interpret Beyonce’s work: what similarities between them does he notice? What alternative, non-moralizing way of interpreting Beyonce does Berlatsky offer us?

Close-reading & Asking Questions about Lyrics, linking to Social Issues…

1. In the two brief close-readings of songs we read for last week—Reese Okyung Kwon’s “There Must Be More” (an analysis of Christian rock musician David Ruis’ track of the same name) and Jeremy Schmidt’s “The Full Retard” (a dissection of Jaime Meline’s eponymous track)—the writer tunes in quite carefully to something puzzling in the song’s lyrical content, opening up a series of questions about the artist’s lyrics that the writer then tries to answer:

Kwon wonders about Ruis’ awkward use of the word “because” in the chorus of his song: “Why not employ and or as or for or since?” She wonders, adding “any one of which would better suit the song’s metrical requirements” (Kwon).

Meanwhile, Schmidt questions Meline’s use of the phrase “you should pump this shit like they do in the future,” asking: “What does it mean to pump, promote, or even love something right now, knowing that it—the song or the idea or the meme—will be ubiquitous in the future?”

Using these texts as inspiration, return to the lyrics from your song that you shared on 10/23, and read them in search of something baffling, confusing, or otherwise questionable.  Write a series of questions—that is, a paragraph of 3 or more sentences that are questions—about one or more lyrical choices in your Essay 2 song that you find questionable.

2. Re-read the lyrics and your questions. List 2-3 social issues you notice in the lyrics and/or your questions.
3. Play around with several of the Research Resources I’ve shared (see link in menu above). List one article or source you’ve found on your song and/or social issue that you might read. Include the author, title, publication and resource in which you found it (e.g. Genius.com, Google Scholar, etc).

Jace Clayton deftfully opens his essay on Vince Staples with a description not of the TOPICS he intends to write about—Vince Staples, noise, violence—but with a description of a SOUND, the sound (and corresponding silence) that ends Staples’ debut record.

For this week (Friday), I want you to try writing an opening to your Essay 2 that is inspired by the way Clayton opens his essay on Staples & noise.  Focus on 1 sound in particular and describe it as carefully as you can in order to get your reader to “hear it” (imagine they’ve never heard this song/sound before).  I suggest you listen to your song at least three times to choose your sound (like we did during the Zoom exercise).  Strategies for describing your sound:

—compare this sound to something else the reader may have heard (does this beat sound like a “robot,” a “machine”? does this singing sound “angelic” or like “birds” or like “yelling”?

–consider the length of this sounds: does it go on for what seems like a long time?  or is quite short?  somewhere in the middle?  Time it on your phone: how many seconds does it last?

–does this sound repeat throughout the song?  is it repeated in an ongoing way throughout the song (like a drumbeat) or is it only repeated a couple of times (like the lyrics in a song’s refrain/chorus)?

Lastly, notice how Clayton includes his own emotional (and intellectual) experience of listening to this sound for the first time and then for a second time (“When I learned this tear…was intentional, I was shocked…”).  Include a short paragraph describing your own experience listening to this sound for the first time and then re-listening to this sound a second, third, and fourth time.  Write about differences you notice in your experience.

Share your new beginning to Essay 2 as a comment below.

1. Next week we will be focusing more on how to listen to and write about music more carefully—a skill that will be key for developing your Essay 2s. For Friday, I want you to work on close-reading the lyrics of your selected song (e-mail me if your song has no lyrics). Specifically, what I want you to do is to write out the lyrics line by line and identify a social issue in at least five lines (using your own words).

EX (from Drake’s “Hotline Bling”):

“You used to call me on my cell phone”
possible issues: loss (used to…), love, friendship? Trust?

“Late night when you need my love”
possible issues: love, sex (late night), dependence (you need)

2. In the text we’ve read this week, “Drake: Rapper, Actor, Meme,” Jon Caraminica creates a thesis about Drake’s “Hotline Bling” that connects this song to a key contemporary “social issue,” the meme. In a few sentences, unpack (using your own words) the connection Caraminica makes between the aesthetics of “Hotline Bling” and the issue of memes and meme-making. If you’d like, you can also add your own response to this article—ideas or opinions you’ve had while reading.

For Friday:

–(re-)Watch our Zoom as a reference for thinking about what a scholarly article is.

1. Briefly compare Lane’s “Addicted to Addiction” and Griffiths et al’s “The Evolution of Internet Addiction.” One of these is a scholarly article, published in a scholarly journal; the other is not. In your response, tell me which of these articles you think is a “scholarly” article and explain to me how you know this.  (You do not need to read much of the articles to answer this.). BONUS: Tell me which of these texts you prefer and why.  MEGA-BONUS: How are these two texts making a similar argument about IA?  (You’ll have to read carefully to answer this latter question.)
2. Look at your list of social issues you began thinking about working on for Essay 2 a week or two ago. Choose one social issue and find (don’t read…yet) TWO ARTICLES on this social issue—one scholarly article and one non-scholarly article—using two different resources linked in Essay 2 Research Resources. Share links and publication info (Author name, title, etc.) for these two articles under #2 in your response.
3. Briefly paraphrase in your own words the thesis of either:

—K-Hole, on “Normcore” (pp. 27–41); OR

—Jerry Salz, on the selfie, p.1, 2, 3 (bottom), 6,

Explain how K-Hole tells us what Normcore is by telling us what Normcore DOES; OR
Explain how Salz tells us what a selfie IS by telling us what a selfie DOES (ie what does a selfie SHOW us; how is it MADE?  how does it IMPACT us?).

NEXT WEEK WE ARE ON BREAK: USE THIS TIME TO REVISE ESSAY 1 & DRAFT ESSAY 2.  Your revised Essay 1 and your draft of Essay 2 are both due the following week (10/21).

For Friday 10/2

If you missed our Zoom today, please view the recording and post a summary in the Zoom summaries category.

1. For Friday, let’s begin wrapping up our work with Essay 1, the second draft of which will be due in your Google Drive portfolios on Wed, October 21. Read and/or re-read the feedback you received for the draft you posted under Essay 1 Feedback and share here a paragraph or so of writing that describes the changes you intend to make to your draft: additions you might make, things you might delete, paragraphs you might put in a different place. Please be as detailed as possible in describing the changes you’ll make and explaining why you want to make said changes. See if you can write 7-8 full sentences.
2. As we began working on in the Zoom call today, we will be shifting from thinking about narrative writing (Essay 1) to thinking about analytic and thetic (thesis-based) writing as we advance toward Essay 2. To that end, we talked about what a thesis statement is and two different types of theses—definition based theses and critical/theoretical theses.I don’t want you to worry about having your own thesis for Essay 2 yet… That will come much later. What I want you to focus on for now is understanding what other writers’ theses are in the texts we are reading. To that end, using the Zoom call as a reference, what I want you to share below under #2 are

2A) what you think Jerald Block’s thesis is in “Issues for DSM-V: Internet Addiction”—and what kind of thesis this is;

2B) your own brief summary of how Christopher Lane responds to Jerald Block’s thesis in his text titled “Addicted to Addiction”—does he agree? Disagree? How/why?; and

2C) in light of these readings, whether you consider yourself to be an internet addict—and why you do or don’t think you are.

We worked on the various uses of listing today—including the use of anaphoric lists to generate new thoughts and the use of sub-lists (what you did when responding to other people’s Media Share #4).  What I want you

For your comment below, please:

1. Post your list of anaphoric sentences from today’s Zoom 5. (If you didn’t attend, please watch the recording and do the prompt highlighted in yellow on the link to the Zoom 5 agenda I emailed you earlier today; also, for those who missed, please post a creative summary of the meeting.)
2. Post a quick note on how you might connect your list above (in #1) to something in your Essay 1—did it occur to you to expand on a thought that came out in your list? Do you think you can find a place to include anaphora in your Essay?  If so, where?
3. Post a list of 5 social issues possibly relevant to Essay 2.
4. I studied with a writer in college whose mantra was “Every good text is a list, but not every list is a good text.” Connect this to what Lauren Duca is saying in “The Viral Virus.”  What are some of the critiques she makes of texts that are only lists?  (Bonus points if you catch the word she uses to describe this genre of online text.)