Tim Wallace a car photography, his works as whole are very commercial and textured, with a lot of texture processing and a sense of technology feel. Its pretty cool whether he dealing with light or shadow. I like this picture very much. First of all it contains many details. Such as the use of street light and headlight of the car, which bring the light from the left side to the dark side of the light.it make good use of the reflection of the door.  Also it had cool way to get some motion blur.

Manchester Commercial Photographer Tim Wallace. Commercial photography, car, automotive, aviation, truck, engineering and parts photography

Richard Foster style use product light refraction and color, low angle camera. Use light to create geometric shadows and staggered lighting. Use a glass plate to create a reflection. He was a master at using light to create different shapes of color light. The main color is very prominent. Good at using glass products to bring a light reflection and refraction of the different light effects. I think his works are very textural and very commercial. The products themselves are very textured, and the background is to reflect the product itself. There is no extra light or unnecessary things around the products, only simple light and color and his creativity are formed.

His works are very color composition and food placement and followed using lighting. A lot of it is light and shadow from left to right. Not much exposure. Many of them are close up food photographs, often with the angles from top to bottom and backgrounds blurred. For example, this picture of food looks very delicious. First, the light from left to right turns to dark light. Second, yellow and red, two very strong colors, are matched with a dark gray background. The yellow yolk and the red tomato stand out. Secondly, he photographed the yolk as the juice, which I think is very important in food photography. The background is a blurry close-up of a fork in the foreground. The elevation of the front gives three levels of view.

I think the photo really highlights the interesting background. First, from the point of view of shooting, two different staggered background gray and white collocation. It’s important to be very textured. On a dark background, place the bowl at the intersection of the background colors. Although give a person a kind of very straggly sense. but the color matching and placement is very comfortable.  

GREGORY HEISLER, After I watch his works, I felt a sense of shock. First, he was very careful in choosing models. The subjects he chose were all portraits, including full-length, half-length and partial portraits. I think he is very good at guiding the model to make different eyes expressions. This kind of expression and the black and white contrast of the photograph, the eyes bring very dramatic styles. I like the picture of the old man very much. First, I noticed that most of his light came from the upper right corner. It gives a very weird feeling, which may be related to the characters themselves. Secondly, he asked the model to put her head forward, so we can see that the clothes and ears of the characters are all blurred. More focus on his face. He used Rembrandt light. The most important thing is to give people a sense of film photos, very simple. The last thing I like most is probably the character’s eyelids forming a triangle and the look up movement. This leads to this weird and different portrait. Most of his works give me the impression that the eyes are equal to a person, and basically the work itself relates to the eyes. So, I think he is a very strong and guide the model how to make these movements and eyes.

Demi Moore’s pregnancy photo by Annie Leibovitz in 1991 it was a very bold attempt. Because at that time, not many people had the courage to try and face the evaluation of entertainment media or the public is very cruel and polarized. Speaking of photos, the overall style is broad light. The figure’s face is a three quarter view. Light hits her right side. Her jaw is a little raised. The highlight is on her right forehead. There is a distinct shadow in the clavicle. The photographer may have added fill light in front of her. The background is grey to reflect the main character. The photographer has used the rule of thirds approach to composition, which has produced an eye that is very appealing. She covered her private parts with both hands. Overall it’s a very attractive maternity photo and a very bold attempt.

Beyonce’s pregnancy photo by Awol Erizku in 2017 This picture is very impressive to me. My sister was pregnant when she was pregnant, so I wanted to take a picture of my sister with pregnancy. This photo gives me a sense that photography could have gone in this direction (I didn’t think this style before) . This photo has less privacy than Demi’s. She wears something that covers her private parts. Speaking of this photo, it may not have been very skillful. More is the preliminary arrangement and the topic of the characters themselves. The background is a kind of blue sky feeling, the middle is a wreath, the foreground is the character itself. Although the overall picture is very rich in color, but the overall brightness of my feeling, may be the light green gauze cap gave me this feeling. In fact, the head of the figure has a little quarter view. The main light is on the left side. Because you can clearly see the difference between the wreath on the left and the wreath on the right. In general, there’s nothing interesting about this photo for me, probably just because she’s Beyonce.

What may surprise me more is Demi’s maternity photo. Because at that time, this style was very bold and dangerous.