1101: Unit 1

Literacy Narrative Assignment – Nadine Lavi

Essay #1 Literacy Narrative

For Unit 1, we will read several literacy narratives. “Mother Tongue,” by Amy Tan focuses on the various “Englishes” that the author, a Chinese-American writer who had trouble fitting in until she found her own, unique “voice” as a writer in English, and her mother, an elderly Chinese native whose English was less than perfect, but who nevertheless, managed to make herself be understood and taken seriously by others. The author gives various anecdotes about how the different Englishes she grew up hearing, at home and at school, conflate with the Englishes her mother uses, and the times when they, or are not effective.

We will also read Donald Murray’s “All Writing is Autobiography,” about the “voices” that he uses when he writes about himself, and how they correspond to different parts of his identity.

In this unit’s writing assignment,  you will write an essay in response to the statement,  “My voice is that of a __________.” (Fill in the blank – with a noun that describes your identity or the identity that you are trying to establish and the voice(s) that you use to affirm that identity) (For example, some of the words that you might use to describe yourself might be: survivor, martyr, kid, seer, cynic, wizard, multi-cultural, multi-gendered, player, stand up guy, lady, bitch, boss, ceo, activist, sibling, parent, student, etc.).

Think about the role that language plays in terms of your identity and your voice. The purpose of this is to connect your participation in this class to the rest of your experiences with writing in your life. As a result, each of you will bring something of yourselves to this assignment and to the class as a whole, and you will leave the course with a greater comprehension of what the usefulness of this class and how to take the steps and practices we will use and transfer them into other writing situations and settings.

In preparation for this assignment, you should read the two examples of literacy narratives: Amy Tan’s “Mother Tongue,” and Donald Murray’s “All Writing is Autobiography,” and a third literacy narrative. Use them as models for your essay.

Think about the following and include them when you write:

  • Your culture’s approach to reading and writing
  • Your family’s “English” and how it is similar to or different from the English you learned in school
  • Your thoughts about your earliest experiences with English (reading, writing, school, etc.)
  • Any story or book that you liked which may have shaped you
  • Your unique voice and how that reflects your strengths, weaknesses, path, and goals in life

Your essay will be approximately 3-4 pages long, with your title, indented paragraphs, double spaced, Arial or Calibri 11 point font, with 1 inch margins all around.

Take some time to jot down notes and any words that come to mind (word associations) about your early recollections of English and how that intersected with your voice. Use the first person, “I.’ Bring in two printed copies for our peer review class, and turn in a final draft electronically and a bring an extra hard copy to class to hand in to me.

Email me if you have any questions.

Nathaniel’s Literacy Narrative Assignment Draft

Literacy Narrative Assignment Draft           Due Date: February 15, 2021           Prof. Amity Nathaniel

You’ve read “Da State of Pidgin Address” by Lee Tonouchi and watched “The Dangers of a Single Story” Ted Talk by Chimamanda Ngozi Adichie, which are two narratives about personal experiences involving language and education. Through these two pieces, and various other texts and videos that we’ve so-far examined in Unit One about vernacular language, literacy, and education, we have identified some of the dilemmas involving these topics—particularly when it comes to standardized English and the communities of people who are largely (and negatively) impacted by the system of “perfect” English and misconceptions about their intelligence. Now, it’s time for you to share your own personal narrative! Write about your experiences at school involving your natural vernacular and misconceptions people may have had about you.

There are several ways you can tackle this assignment. As long as you are writing and reflecting about the general topic at hand, you can draft your essay in whatever storytelling method feels best to you.

As Tonouchi does, you can write an essay about vernacular being taught in schools by using examples from your own experiences and by showcasing the importance of your personal language system. Examples of topics:

  • Did you have a teacher who taught non-standard English in the classroom or a teacher who was extremely strict with standard English? What was the classroom experience like?
  • Do you code-switch or code-mesh when you’re in school?
  • What is your proudest writing moment in school? What language style did you write in? 

Or, you can follow Adichie’s method about misconceptions involving language. Examples of topics:

  • Detail a stereotype you were labeled with in school.
  • Share a story about a lesson you learned outside of the classroom.
  • Discuss a book that really changed the way you viewed the world.

These are just examples; you can specify any particular educational incident that really impacted the way you viewed your writing skills, your education, your culture, and your language system(s).

Please write 800-1000 words. Use size 12 font and Times New Roman font style. Good luck!

Literacy Narrative, 1st Draft

Unit 1: Literacy Narrative Essay

In this unit, we are investigating the place of language and writing in our lives. We’ve read and discussed (formally and informally) narratives that examine language—both spoken and written, with the following goals in mind:

We have:

  • reflected on the varied experiences of language and writing, and how language shapes our identity and community, and the role writing (and reading) plays;
  • reflected on the languages we use with friends, with relatives, immediate family, fellow students, teachers, supervisors, etc;
  • reflected on our relationships to language and looked critically at our own writing processes.

Part I: Narrative (800 words, minimum)

We will write an essay about a significant event in your experience as a writer/student. Consider what you’ve written in the journal entries: perhaps you want to expand on some of the things you have written there. Remember the different ways the writers we’ve discussed write about their own experience as writers/speakers of language.

You may want to write about:

  • an event in your educational career that was particularly formative;
  • a specific literacy/learning event that led you to become the thinker you are today;
  • the first time you had a profound experience related to language;
  • your experience as a writer in this class so far, or in writing classes in general

Whatever the context you choose from the examples above, you should:

  • talk about how the event shaped your relationship to reading and writing, or to school/education in general;
  • how your particular experience relates to some of the bigger social and cultural issues we discussed in class, such as race, the education system, Standard Written English (SWE), etc;
  • reflect upon how your experience has enabled you to understand something specific about reading, writing, learning, or language AND how that understanding reflects on the communities/world you inhabit.

This assignment isn’t meant to be a traditional essay with a thesis statement and five structured paragraphs. Instead, this is you relating to your peers the story of who you are as someone who belongs to a particular speech and/or writing community, and your history as a reader and writer. In that spirit, you can choose to format or write this in whatever way you think best communicates your story honestly.

Part 2: Share, Respond, and Reflect

After you have completed the first draft, you will bring in copies of you to share with your peers. You will share these essays with your group, and, after reading each other’s essays, provide thoughtful, critical feedback (a worksheet will be provided).

Note what you think works and what you think could use some work. After the session, write an email based on your responses on the worksheet (~250 words) to each of your group members responding to their paper with your comments and suggestions. You will attach a copy of this email to your final draft.

In addition to the email, you will write a reflection (250 words), also to be attached to the final draft. In this, you will explain:

  • why you chose to write the way you wrote
  • what insights you’ve gained from the readings, the journals, and your peers
  • what you think worked and what you might improve on

Due Dates

  • Conceptual Outline: XX
  • Rough Draft: XX
  • Final Draft: XX

All deadlines are absolute. If you do not turn in the assignments on the published deadlines, you will receive zero points for that particular deadline. This will be discussed further in class.

Grading

You will receive two grades on this assignment. The first grade will be on your narrative. The grade will depend on the following:

  • depth and clarity of your writing
  • organization of thoughts
  • concreteness of details
  • details support the greater narrative/argument

The second grade will be on the responses to your peers and your reflection. The grade will depend on the following:

  • thoughtful response to each peer (this must cover both the things you think worked as well as suggestions for improvement)
  • thoughtful reflection on why you chose to write the way you wrote, what insights you gained, and what you think worked on your narrative and what you hope to improve upon

This assignment was adapted from Andrew Stone’s U1 assignment on https://openlab.citytech.cuny.edu/fywpd/category/unit-assignments/

 

Literacy Narrative Assignment – Kieran Reichert

Essay #1: Literacy Narrative

In this unit, we have read several examples of literacy narratives. In “Mother Tongue,” we read about the Amy Tan’s mother’s “broken English” and how that, along with several pivotal educational experiences, made Tan the writer she is. In “All Writing is Autobiography,” Donald Murray talked about the different parts of himself he brings into his different writing projects. These were both literacy narratives, which are stories writers tell about their relationship to reading and writing.

In this unit’s writing assignment, you will write in response to the question “What does literacy mean to you?” that is personal, meaningful, and considered. You will describe experiences or events that have been important in shaping the kind of writer and reader you have become, or experiences that illuminate the role that literacy plays in your life. The purpose of this essay is to link your participation in this class to the rest of your experiences with writing in your life. As a result, each student will bring some fuller portion of themselves to the page and, the course will be enriched, and, in turn, you all will exit the course with a deeper understanding of what this course meant to you and how to take the tools we craft and hone outward into future writing situations. 

In preparation for this assignment, you have read two examples of literacy narratives — Amy Tan’s “Mother Tongue” and Donald Murray’s “All Writing is Autobiography” — and you will read a third sample student literacy narrative. Look to them for guidance.

If you feel stuck, think and write about the following prompts:

  • What is your current attitude toward reading/writing?
  • What are your beliefs about yourself as a reader/writer?
  • What happened in the past to make you have that attitude or those beliefs?
  • What experiences were most significant?

Also, consider the following areas of experience you might explore:

  • your family’s attitude toward reading/writing
  • your own reading/writing experiences in and out of school
  • what you remember about learning to read/write
  • what successes or failures you have had connected to reading/writing
  • a particular book that had an impact on you
  • your reading/writing strengths
  • your reading/writing weaknesses.

Your essays will be >750 words (approx. 4 pages) in length, double-spaced in a normal 12-pt font (Cambria, Baskerville, Garamond, Times, etc.), with 1” margins all around. You should write your name and course details in the header, and page numbers in the footer.

Given the nature of this essay, you should draw from personal experience, and you may use the first-person “I” when doing so. You will bring in two printed copies to our peer review session in class and turn in a final draft electronically and physically by the beginning of class on __________.

Please feel free to stop by my office hours or shoot me an email with any questions.

 

Literacy Narrative: Ruth Garcia

Prof. Ruth Garcia

English 1101, Semester

Unit 1: Literacy Narrative Writing Assignment (850-word minimum)

Due: xx/xx/xx

Assignment

In class we have read, discussed, and analyzed Sandra Cisneros’ “Only Daughter,” Malcolm X’s “Learning to Read,” and Amy Tan’s “Mother Tongue.” In these narratives, the writers discuss their experiences with education in connection to elements of their identity; or, they discuss events that have shaped the kinds of readers and writers they are.

Now, for this assignment you will use these writers as models and write an education narrative of your own. What is a particular event that affected how you viewed or experienced education? Alternatively, what is a particular event that illustrates how an element of your identity affected your educational experience?

In developing your narrative, and regardless of which question you choose, you should reflect on your experience and the significance of your story. As you write, you should also keep in mind Mike Bunn’s “How to Read Like a Writer” and think about your purpose and audience as these will help you makes decisions about your content, style, and tone.

You will be graded on:

  • Your ability to develop an overall point/significance for your narrative.
  • Concrete, significant detail (are you painting us a picture?)
  • Focused event (did you focus on one event or connected, series of events?)
  • The thoughtfulness of your reflections (is there a point?)
  • The carefulness of your proofreading and organization You should be able to explain the choices you made.
  • Word count: At least 850 words!
  • Whether or not it’s on time

Julia Ait-Ziane Unit 1 Draft

Unit 1 Literacy Narrative

Let’s start with a definition.  What is a narrative?  According to the dictionary, a narrative is a “spoken or written account of events.” What is literacy? Again, according to the dictionary, literacy is “the ability to read or write.”  So, if you put those two words together, what I’m looking for you to produce by the end of this unit is a piece of writing (yes that is our mode of communication…for now) that describes your experiences as both a reader and writer, from birth to present day.  It is not an autobiography of your whole life.  It is a close-up of events that apply directly to your development as a reader and a writer.  As the camera gets closer, there should be many things that we readers can see, so the focus of this paper is on details, as well as analysis of these details.

Consider these questions as you write:

  • What experiences have shaped you as a writer? (positive and/or negative)
  • What experiences have shaped you as a reader? (positive and/or negative)
  • What do all these details add up to? (What’s the bigger picture here?  Connect the separate dots of your experiences with a common thread)
  • How do you view yourself as a reader and writer now?

We will be reading and discussing how others experience language in different ways and forms.  We’ll also be watching things as well.  Hopefully, all these examples will help you articulate your own experiences with both topics.

Proposed Readings (complete articles, essays and a lone poem)(links will be included on the syllabus):

“Me Talk Pretty One Day” – David Sedaris

“The Sacred Spell of Words” – N. Scott Momaday

“The Writing Revolution” – Peg Tyre

“Does Texting Affect Writing?” –Micheala Cullington

“Introduction to Poetry” – Billy Collins

Excerpts

The Autobiography of Malcolm X – Malcolm X

Born a Crime – Trevor Noah

The Story of My Life – Helen Keller

“Maya Angelou, The Art of Fiction No. 119” – George Plimpton

 

You will also be responding to specific questions on Open Lab to start building components of your narrative.  There will be specific questions to answer, and the order of these questions will hopefully help you with the details and structure of your assignment:

Post 1 – 9/2 – David Sedaris discusses his French teacher in his short essay “Me Talk Pretty One Day.” Write about a positive or negative experience with a teacher or instructor in your past.

Post 2 – 9/9 – Tyre discusses how one high school changed its citywide writing scores by changing their writing programs.  Write about your high school writing classes.

Post 3 – 9/14 – Cullington discusses the impact of technology on people’s writing skills.  Write your opinion about the impact of technology on your writing skills.

Post 4 – 9/16 – Maya Angelou describes her writing routine.  Describe your own writing routine.  Even if you think you don’t have one, you probably do!  Think about the room you write in or the mode that you write in.

Each of these posts may contribute to your Unit 1 final project. It is imperative that you complete them before your first draft is due!  You might be able to lift one of your posts out and transfer it to your paper.

First draft due (850 words) (bring a copy to class): 9/21

Final draft due (850 words) (upload to OpenLab):  9/30

 

Grading Schema:

  • Concrete significant detail
  • Analysis of your experience
  • Carefulness about sentence clarity and organization
  • Word Count: 850
  • Whether or not prep work (Posts and first draft) were done

 

My remote teaching experience thus far:

To say I feel like a fish out of water is putting it mildly.  Also, I’ve never felt so chained to the computer.  If I’m not posting stuff, I’m reading submissions and responding back to them.  I feel like I’m sending my responses out into the ether of the cyber world.  I was using Open Lab with both my classes, but I really miss the face to face contact.  Video chats just don’t cut it.  One positive is that I started using posts more and I find that I’m interacting with the students more informally.  I’m making jokes and they’re making jokes back.  I really think that posts will become a permanent feature in my future classes. Also, despite the various ways that I have to contact students, I’m not hearing from more than half of them.  The students who were keeping up with the work in the class are still keeping up, but the students who were struggling are really struggling now.  I’m not sure what I can do to bridge that gap that is probably caused by a number of factors: lack of technology, access, sick family members, etc.  That is really the most frustrating thing.

 

 

 

 

 

 

Comment on Cuny distance learning

I hope everyone is doing well, or at least ok. Considerable stress on all including myself due to health crisis, economic uncertainty (Cuny budget, lost jobs, closed businesses etc), and political situation. People I know are getting sick. Some of my students have lost jobs, or parents have closed businesses; some students or parents are still going to work, in hospitals or as home health aides, in retail and food service. So everyone is under strain.

I’m using zoom and getting almost but not quite half of my students to participate. Also, using the blog on OpenLab and focusing on learning effective writing “design” in a blog post. This I basically mirror to paragraph breaks and I focus on clarity and precision in one’s actual statement of one’s thought. Then critical evaluation of one’s own thought and the question: do I actually affirm this thought? Metacognition gives the writer the opportunity to examine his own thought, after he has clearly stated it, and then if necessary, change it.

Zoom is useful and easy, and great for me to “lecture.” To counter this, I make the format to go around the table and have each participant give a personal update on health crisis and family; and questions on the research review. Students who participate it seem to appreciate having contact with me.

Distance learning takes “approximately” as much of my time as in person classes, minus the commute. However, I cannot really monitor who is “paying attention on zoom” and I cannot use in person communication techniques to stimulate discussion.

For office hours, I’ve used live blog sessions and I’m using Zoom. Also I am availiable on email and students have been in contact with me.

Main problem with blog. Not sure if students are really reading each other’s posts or even mine.

Nevertheless, I feel, subjectively, fwiw, that it’s working pretty well. Students seem to want to attend the Zooms. Though it’s not consistent—some are very busy.

Comments on Gilyard, excerpt from Voices of the Self

I’ve only read the excerpt here. I note that he was a Stuyvesant HS student, which I assume is the elite public HS in NYC since …..a long time(?) I believe Thelonious Monk was a student there. I know a couple of people who graduated there, and they are impressive.

My point—Gilyard was a high achieving student. Yes, he was “interrupted” by getting into drugs and crime. But he had to have had a strong foundation in traditional “academics.” So it’s not surprising to me he went on to be a professor and a writer.

For instance, to me, the excerpt we read is “standard written English.”

Not to say our students couldn’t do the same thing, or go on to be successful. But many of the students who have difficulty at City Tech do not have a strong “academic” foundation. We all know it’s easy to teach students who already have the “basics.”

Thus, we return to the same problem as from the beginning. How to engage the student who is not already motivated and “prepared” in a traditional academic sense.

Literacy Narrative Assignment–draft, James Wu

Literacy narrative for NYCCT 1101

Draft of 5 (?) week unit—4-1-2020

James Wu

What is writing?

Readings

Frederick Douglass, Excerpt from Autobiography of Frederick Douglass “Learning to Read and Write”

What is the value of reading and writing?

How does slavery dehumanize the so-called masters?

Do some additional research on Douglass.

 

Ernest Hemingway. 2 short stories about writing. “Now I Lay Me”; “I Guess Everything Reminds You of Something.”

What is Hemingway’s idea of writing? How does memory play a role in writing?

Try using his method in your reflection or in your literacy narrative.

 

Camilo Jose Cela. Short excerpt from Family of Pascual Duarte p.82-86

Discussion questions to follow.

 

Keith Gilyard, Excerpt from Voices of the Self

Have you encountered obstacles in your education?

Do you think Gilyard made bad choices?

Compare and contrast your experience to Gilyard’s.

 

Student writing

a.  4 short reflections on each reading—post to OpenLab.

 b.  Write your own literacy narrative (1500-2000 words)

What do think is the relationship between reading and writing? What is your current writing practice, including text, email, social media, etc.? What goals do you have in becoming a better writer? What social, family, emotional, economic obstacles have you met in pursuing your education?

What has been your response to those obstacles?