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Robin Michals | COMD 1340 Photography 1

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HW 8: Final Project and Mood Board

Due April 17, 12 pm, Noon. 4 pts.

A final project proposal of 300 words min plus a gallery of images for inspiration otherwise known as a mood board.

The goal of the Final Project is to create a series of 10 related images on a theme.

You may choose to do either:

A series of portraits (not 10 pictures of 1 person but 10 pictures of 10 people) OR

A portrait of a neighborhood

OR another theme that you are passionate about: dogs, skateboarders, basketball players, street fashion to name a few possibilities.

Decide which assignment(s) you most enjoyed. What are you most interested in? Then consider: do you have people to work with? What is your schedule like and what is practical?

Final Project statement: Describe your project. What is your theme? What is the story you want to tell? What is the subject matter? Where will you shoot and when will you shoot? What kinds of techniques will you use?

Find a minimum of 6 images by 6 different photographers that show what you want your project to look like. Put them in a gallery in the post with your final project statement.

Category on OpenLab: Final Project Statement

Grading Rubric

Deliverables and dates:

Due April 17 – a 300 word final project statement posted to Openlab with “a mood board”

Due May 8: Shoot 1 – minimum of 40 images in an album on Flickr

Due May 15: Shoot 2 – minimum of 40 images in an album on Flickr

Due May 22: Shoot 3 -minimum of 40 images in an album on Flickr PLUS

  • final 10 images selected, adjusted in Lightroom, and posted to an album on Flickr
  • a presentation to the class of the final images.

Total albums: 4 – 3 shoots of a minimum of 40 photos and a final album of 10 edited and toned images

Examples:

Kalia Cruz

P1028442

Xavier Vasquez

IMG_8660

Enson Zhou

David Moya

CMD_5920

Ifetayo Forrest

DSC_0323

Week 10 – Portraits with two and three lights

For the next class

On April 17th, we will go to the Brooklyn Botanic Garden. You will need train fare but admission is free for us as a school group. Be prepared to be outside and waking for 1.5 hours.

Review Portrait Lighting Styles

Inspiration

Mamadi Doumbouya

https://www.mamadi.co

https://www.nytimes.com/2019/09/21/reader-center/mamadi-doumbouya-photo-portrait-talk.html

Focal Length

The focal length of a lens is defined as the distance in mm from the optical center of the lens to the the sensor when the lens is focused on infinity. This varies on the camera and the lens.

Focal length controls: Magnification and angle of view

Focal length is described as short, normal ie close to human vision, or long.

Wide Angle Distortion-created when using a wide-angle lens AND the camera is very close to the subject. The object close to the lens appears abnormally large relative to more distant objects, and distant objects appear abnormally small and hence more distant – distances are extended. 

Focal length and proximity to the camera affect how a person’s face looks in a photograph. A wide focal length and proximity between the subject and the camera create wide angle distortion and will distort a person’s features.

Think about selfie sticks. What are they for but to get the camera away from your face? This makes the photograph look more complimentary to the subject. This is really important with a cameraphone because it has a wide angle lens. The center of the lens and the sensor cannot be very far apart given the thin design of cellphones.

When working with a crop-frame sensor, approximately 65 mm will be the most flattering to your subject.

Lights

  There are three basic types of lights (these are the physical lights not portrait lighting styles):

  1. The Main or Key Light-This light provides the brightest illumination and casts the shadows

2. The Fill Light-this light brightens the shadows. It can be a reflector or an actual light.

This video shows how to use a reflector as the fill light.

3. The Separation Light or Background Light-creates separation between the subject and the background. This light can be aimed at the background or it can be aimed at the subject. If the later, it would be called a hair light. If accenting the edge of the face or shoulders, this light would be called a rim light or a kicker.

3-point Lighting

– standard lighting for portraits, video and film, uses all three: a main light, a fill light and a background light.

Lab Exercise

Lab 9: Two and Three Light Portraits

Homework

HW 8: Final Project Statement and Mood Board

Class Schedule:

April 17-Brooklyn Botanic Garden

April 24-Spring Break

May 1-Painting with Light

HW 7: Window Light Portraits

Due April 10, 12 pm, Noon. 4 pts.

Create a series of 30 portraits of at least 3 different subjects using window light or outdoor diffused light.

For each subject, shoot some in front view, some in three quarter view and some in profile.

Use the window as front light, side light and back light. When you are working with a window, you can’t move the light source so you and the subject must move.

You should be near or next to a window during the day. 

The window can be in the photo or you can just use the light from the window.

Pay attention what is in the frame and make sure the background adds to the photo and is not distracting.

Your photos should use light and expression to be expressive. No props. If you have curtains or venetian blinds, you may use them as elements in the photos.

Experiment with different expressions and gestures and different framing (how much of your subject is in the frame.)

Upload the 30 photos to OpenLab and put them in an album. Send your best 3 – the best of each subject- to the class group.

Examples from previous semesters


Lab 8: One-Light Portrait Styles

Set up:

  • The subject should be at least 4 or 5 feet in front of the backdrop to avoid casting a shadow.
  • Use 65mm focal length when you are using a camera with a cropped frame sensor, 85 mm for a full-frame sensor
  • Focus on the subject’s eyes.

The key or main light is the light that casts the shadows.

Working with just the key light:

Front view:

Photograph your subject with:

  • Rembrandt light – the light is at a 45 degree angle to the subject. Look for the key triangle -a triangle of light on the darker side of the face to position the light.

    Do not place the light too high because this will cause shadows around the subject’s eye sockets.
  • Split light – the light is at a 90 degree angle to the subject. One side of the face is dark but light does fall on the other side.
  • Front light (butterfly) – Light falls on the subject from the camera position.

     

Three-quarter view:

  • The model’s face is turned to a 45 degree angle from the camera.

Photograph your subject with:

  • broad lighting by placing the light on the side of the visible ear. There will be a broad highlight on the subject’s hair. This works for subjects wearing glasses.
  • short lighting by placing the light on the side of the invisible ear. 

Profile:

The model turns their face at a 90 degree angle to the camera. Place light like a side light. The subject faces the light BEING VERY CAREFUL NOT TO LOOK DIRECTLY INTO THE LIGHT. 

Put your 20 best photos into an album on Flickr. Make sure to represent each one of these lighting styles. Send your 2 best to the class group.

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