Georges Méliès and his influence on modern film industry.
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Author: Olya Gasparyan (Page 1 of 2)
80s Design is Alive, Well, and Living in 2019” by Nadja Sayej, published in PRINT, March 6, 2019
Prompts
- How or where are the principles of “collage” and “mixed media” used today?
- In what ways do we see the 80’s aesthetic / ideologies in
Roland Barthes’ “Rhetoric of the Image” essay from Image – Music – Text, Translated by Stephen Heath. Hill and Wang, 1977. (excerpt)
Questions
- Define and identify the three types of messages that Barthes breaks down in the Panzani advertisement (linguistic, coded iconic, non-coded iconic).
- How
Hall, Sean. This Means This, This Means That : A User’s Guide to Semiotics, Laurence King Publishing, 2012 (Chapters 1 & 2) pgs 21-67.
Questions
- Using an example, define Saussure’s terms sign, signifier, and signified in your own words.
- How are signs
This semester has been going great so far. I’m trying my best to keep on top of all I need to get done and make sure I’m making good use of my time. I’m feeling inspired and prepared to take on any obstacles that may … Read More
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Paul Rand “Good Design Is Good Will” 1987 from Graphic Design Theory: Readings From the Field page 64-69 and Steven Heller’s “Underground Mainstream” in Design Observer 2008.
Prompts
- In your opinion, is there a difference between “underground” and “mainstream” today? Why?
Typography as a Radical Act in an Industry Ever-dominated by White Men by Silas Munro, Eye on Design, 2019
Prompts
- What stood out to you the most in this reading?
- How do we change the commercial design field to include a diversity of voices and
Apollo 14 poster from 1971
The Apollo 14 poster honors the accomplishment of the Apollo 14 mission, which was the third manned voyage to the moon in 1971, and commemorates its successful conclusion. It includes information on the mission, the mission emblem, and a picture … Read More
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