ARCH3522 NYC Arch, FA2019

Professor Montgomery

Page 4 of 27

Short Writing Assignment: Final Reflection

Describe the impact of studying New York City Architecture outside of the classroom.

Should more students get this opportunity?

I believe that studying the architecture in New York City was impactful in that it allowed us to experience the city structures with our own eyes instead of looking at a photograph of it inside the classroom. For me, it widened my experience  of observation when it seeing specific buildings up close, studying them, understanding their purpose, and interacting with them. A person can learn a lot from a building just by standing inside it, near it, or by looking at it from a far; you have a sense of perception and are able to interpret the structure for yourself. During this class, I felt like I could immerse myself into the spaces we visited. Despite the many inconveniences of convening to a selected building and all the possible circumstances that could happen due to delays and weather, this class was considerably enjoyable; an experience like no other.

I definitely think that students who want to see those city structures for themselves should have a class dedicated to doing just that. As mentioned before, a person can learn from a building just by interacting with it; they can notice the details, the materials, the craftsmanship: the attributes that make the building what it is. They can even sketch the buildings themselves and draw the details that pop out to them. I highly recommend the skill set of using a GPS on your phone and having a friend in the class who can help guide you should you get lost. Students who are interested in architecture should learn about architecture through this unique opportunity.

 

Short Writing Assignment Weeks 11, 13, and 14

Short Writing Assignment Week 11: Lincoln Center relation to surrounding city

This short writing assignment will pertain to the public plaza of Lincoln Center and its relation to the city surrounding it. The Lincoln Center is of the Post Modernism movement; a style that takes classical architectural features from the ancient Greeks and Romans and changes it into a new style. These features may include piers, vaults, and stone masonry. The Lincoln Center became an urban space within a public space. This center changed how the citizens interacted with the public space. Because of the influence of the Lincoln Center on the citizens, buildings were built together, not scattered in multiple parts of the city. This was all a result of urban planning and renewal in the 1930s; where the federal government funded towards improving the urban planning of the city.

Short Writing Assignment Week 13: Michael Kimmelman critique of Hudson Yards and Battery Park City’s layout

This short writing assignment will pertain to the Hudson Yards critique by Michael Kimmelman and the layout of Battery Park City. In Michael Kimmelman’s critique on Hudson Yards, published on March 14th 2019, states the grandeur of Hudson Yards’ appearance, how expensive it’s construction was, and how this “office park” will affect the economy. The Hudson Yards can be see from the highline, near the Whitney Museum of American Art. It has 14 acres of public space, and is made up of multiple buildings: 10 Hudson Yards Tower, 15 Hudson Yards Tower, 30 Hudson Yards Tower, 35 Hudson Yards Tower, 50 Hudson Yards Tower, 55 Hudson Yards Tower, a shopping mall, The Shed, and the Vessel. The construction of the western side of the yards is yet to be completed. Kimmelman states that Hudson Yards lacks harmonization of its parts: the buildings together do not have a relation in size and in scale. Battery Park City is located along side the Hudson river. It is a neighborhood filled with apartments, restaurants, a memorial, and parks. It is lively with many activities and even has a harbor. I found its layout to be really interesting in that it had a unique movement of scenes with its diverse areas with each of their own purposes. I enjoyed the change in scenery as I went from the neighborhood, to the park, and then to the harbor.

Short Writing Assignment Week 14: MoMA garden and surrounding city structures

This short writing assignment will pertain to the MoMA garden and the city structures surrounding the garden. The Museum of Modern Art (or MoMA) has a garden will a glass curtain wall facade. This garden is spacious and has bodies of water as well. Looking around the garden, one can see various types of buildings with Post Modernism and Late Post Modernism styles, one of them being the AT&T Building designed by Philip Johnson. The AT&T Building was a Post Modernism style building with vertical and horizontal emphasis. I thought the garden was stunning in its appearance and was a space where one can see buildings of different times come together to make a timeline of building styles.

Week 14 – MoMA

Let me start by saying that MoMA is Is an art exhibition itself. It’s a museum that embraces space versus human therefore every room in each of its passageways offers authenticity. Its circulation portrays art, because it not only has horizontal but vertical circulation as well therefore allowing the visitor to choose an make its own path. It also allows the visitor to soak in the view of motion.

Which leads me so the fact that the garden although being a private space belonging said the museum is the part of the museum that acts as a public space. although the day of my visit to MoMA I was unable to explore the garden due to the weather; I could have also envisioned the play of movement and the art of tranquility. The garden is a very modern one allowing you to taking views of the city and different perspectives of different buildings. it also serves as a place of reflection due to the small pond that’s it’s in it. I viewed upon as a mini version of a reflecting pool. I guess I embraced this belief by the colors and the presence of nature in the garden. The color of the structure mimics peace and somewhat invisibility yet knowing you’re not alone. MoMA does a great job with the interaction of interior to the exterior space. The garden is also a port of natural light into the museum and also allows visitors to see actions and reactions from inside out and from the outside in.

The Woolworth Building – Research Paper

 

Fareez Mohammed

Professor Jason Montgomery

History of NYC Arch 3522

December 11, 2019

The Woolworth Building

 

 

Introduction

 

One of the earliest skyscrapers designed in New York City was the Woolworth Building designed by Cass Gilbert. Gilbert designed other buildings such as the United States Supreme Court building in Washington, DC, the state capitols of Minnesota in St. Paul, and in West Virginia and the Saint Louis Art Museum and Public Library (Totten & National Trust, 2015).

The construction of the Woolworth Building started in 1910. The building officially opened on April 24, 1913. In 1913 the Woolworth building was one of the tallest building in the world measuring 60 stories high and 792 feet above the ground (Totten & National Trust, 2015).. It is still considered to be one of the tallest buildings in New York City . Throughout history, it has transformed from a commercial building to a residential building. This building contains office spaces, a health club, a social club, a barbershop, restaurants, and a shopping arcade when it was first completed. (Jacobs, 2017).

One aspect of the historical significance of the Woolworth Building is its use of steel frame construction that makes possible the building’s vast height (Herman 1). This building is important to study because it is both a National Historic Landmark and a New York City designated landmark. In 1939 the first Jazz recording for Original Dixieland Jazz Band was recorded in the Woolworth Building. In the late 20th century Kellex Corporation developed nuclear weapons for the Manhattan Project in this building ((Levine, 2018). The Woolworth Building also rented property to different educational schools such as Fordham University Graduate School, other Business Schools, Law Schools, Sociology departments, and Social Service departments were also located there. In 2012 the top 30 floors of the building were sold to the Witkoff Group. The Wikoff Group turned the office floors into a residential area for people to live in.

I chose to write about the Woolworth building because of its striking appearance. I admired the Neo Gothic architectural features showcased on the exterior of the building such as the flying buttresses and the thirteen different terra cottas. I have always had a deep appreciation for the early American skyscrapers. Skyscrapers have allowed cities to expand upward instead of outward. Skyscrapers enable people to reach to the Sky. The Woolworth Building is an icon for New York City. I was mesmerized by the building’s sheer height and how it was the tallest building in existence when it was constructed. Cass Gilbert is my favorite architect because his classical designs displayed in architectural work. This building used high tech technology in an innovative way.

 

General Context

The first skyscraper in New York City was the Tower Building (Figure 1). The architect who designed this building was Bradford Gilbert, and construction began April 17, 1888. The building was 11 stories tall and it was 128 ft in height.  Stone and brick were some of the main materials that were used for this building, because after the Great Fire in 1835 they had to think about the materials that were going into the building to prevent what happened from wood-frame construction. The Tower Building is not a load bearing masonry structure. The next tallest building in New York City was the Little Singer Building, it was designed by Ernest Flagg in 1904. It was the tallest building in the world in 1908 when it was completed. The building was in Lower Manhattan, in the Financial District.  The building facade was made from red steel, steel, and reddish terra cotta. Red steel is manufactured with no rush or it can also be a red coating on the steel. The Woolworth Building then became the tallest building in the world in 1913. The Woolworth was the tallest building until the Chrysler building was built. In 1930 the height of the Chrysler building measured 319 m tall with 77 floors. The skyscraper is characterized by its Art Deco-Style, the roof has a decorative metal cladding that was not common during this era.  In 1931 the Empire State Building later became the tallest skyscraper measuring 443 m tall with 102 floors. The skyscraper is composed of a distinguished Art-Deco facade. This building was completed in record time under fifteen months.

The Woolworth Building was designed as a vertical thrust unlike earlier skyscrapers in New York and Chicago that are horizontality orientated (“Gilbert, Woolworth Building” 2019). The Woolworth Building heavily influenced later skyscrapers such as the Empire State Building and the World Trade Center “The Woolworth Building at 100” 2018).

The Empire State Building measured 1, 454 ft. with the antenna, the roof height was 1,250 ft. The Chrysler Building measured 1,046 ft. and the 40 Wall Street Building 925 ft. (“The Empire State Building: Race to the Sky” 2019). As a result, the Woolworth building looks shorter compared to other buildings in Lower Manhattan.

 

 

 

 

 

Figure 1. The Tower Building was the first skyscraper in New York City, it was 7-stories tall and pointed archer on top of the building as seen in the photo.

 

Figure 2. 1The Little Singer Building was the was next tallest building in New York City. The roof of the building is flat, and it was the next tall skyscraper in New York City in 1904.

 

Figure 3. The Chrysler building roof has a decorative metal cladding that was not common during this era.

 

Figure 4. For the Empire state Building the way it the ended the roof was by adding an Antenna which made the building 1,454 Feet (443.2 m) tall. stands a total of 1,454 feet (443.2 m) tall, including its antenna.

 

The Woolworth building remains in the top 40 tallest buildings in New York City. In 1915 the Woolworth building received the Medal of Honor in San Francisco. Fifty-three years after the building was officially opened the building became a National Landmark. The skyscraper later became a New York City Landmark in 1983.

The general architectural period surrounding the Woolworth Building was characterized by the revival of old architecture and Historicist Skyscrapers (Miller, 2014). In 1910 American homes featured neoclassicism with different architectural styles such as Bungalow, Prairie School, and Queen Anne (Miller, 2014). Skyscrapers became very popular during this period. The Woolworth Building contributed to the start of the “architectural race” where architects attempted to build higher than before (Miller, 2014).

The Woolworth Building is in Lower Manhattan between 233 Broadway and Park Place. The base of the building is extended over the full block on Broadway in the middle of Park Place and Barclay Street (Harvey, 2016). The building was constructed across the street to the Post office and near the main passageway to the shopping center in the past. The Woolworth Building was also close to City Hall Park. In the 1920s and 30s, the Woolworth Building had a 400-square-foot observatory where visitors were enthralled by the picturesque view that they could see in every direction. The observatory allowed tourists to see a panorama view of the coastal shoreline, the geographic area of lower Manhattan, East River, and New Jersey (Alexander, 2017). In this century the Woolworth Building is considered to be short compared to the surrounding building.

 

*Building environment(micro) The Woolworth Building was constructed opposite the Post office and near the main passageway to the shopping center. It was also close to City Hall Park (Sutton, 2013).

 

*Key relaxed building (Macro) The Woolworth Building West side view of the coastal region (Sutton, 2013).

 

Theoretical Context

Frank Woolworth wanted the building to be designed with Neo-Gothic style because he wanted the skyscraper to have a luxurious look showing his wealth and success. The Gargoyles on the building came from European medieval architecture which was eye-catching. The lobby had regal mosaics and stained glass which was from early Christian art and architecture.

The theoretical underpinning design for the Woolworth Building was based on Louis Sullivan’s vertical aesthetic. Vertical aesthetic emphasizes vertical components and downplays horizontal features (Koeper 2019).  Gilbert uses this concept of building vertically for the construction of the Woolworth building. The vertical aesthetic is also characterized by “deep decorative frieze and a projecting cornice” (Koeper 2019). The cornice of the Woolworth building is the decorative trim on the exterior ledge of the building. According to the book Skyscraper Gothic Medieval Style and Modernist Buildings architect Cass Gilbert examines Sullivan’s ideas of vertical and “modern theoretical underpinnings” as a feature for skyscrapers. Woolworth and Gilbert also use Beaux-Art designs with baroque Gothic elements (Murphy & Reilly, 2017).

The Woolworth Building creates a precedent that other building designers followed. Gilbert used steel frame construction techniques for the Woolworth building (“Gilbert, Woolworth Building” 2019). The steel frame construction enables the building to gain height and stability.

 

Building Analysis

The Woolworth building used a Neo-Gothic architectural style, it has arches and flying buttresses, and on the top of the building there are gargoyles. The facade is made from the light gray, limestone-colored glazed, terra-cotta facade. Gilbert also had an idea to design eight different types of terra cotta motifs designed for the window spandrel, each had a different style but were all Neo-Gothic architecture. In 1977 and 1981 the building had renovations which removed and replaced the Terra-Cotta panels with concrete panels. The lower portions of the Woolworth Building are limestone. The height of the building is 792 Feet | 241 Meters which is 1.3 Million Gross Square Footage. The Woolworth Building had over 2,000 offices which ranged from 11′ feet to 20′ feet high.

The structure of the building was made from 24,000 tons of steel girders. The building sits on top of bedrock for its foundation. The materials that were used for this building were 17,000,000 bricks, 87 miles of electrical wire, the plumbing had 53,000 pounds of bronze and iron hardware, 3,000 steel doors, 7,500 tons of terra cotta which was used for the building facade, and 28,000 tons of hollow tile (Herman & Herman). The exterior of the building included subtle hues of color and a picturesque white terracotta façade.

The lobby is made from Syros-veined marble, sculptures, and architectural touches. The ceiling is vaulted and painted with Mosaic Art on the wall. When you enter the building the first thing you see is a Mosaic laid tile on the wall which makes the room appear brighter. The bronze decor in the lobby, aesthetically pleasing. The building’s inner exterior has luxurious gold-decked plaster coffered ceilings, sculptures, and mosaics. There are a few amenities in the building as well, such as a barbershop, restaurant, and a social club. On the 57th Floor there is an observatory, but it is now closed for viewing. There is a private swimming pool located in the basement, which is used for the owners of the building and private clients.

 

Figure 5 Interior lobby

 

Mr. Woolworth wanted to install air cushions into the elevator shafts after the construction has finished in order, to provide a much safer and more protected ride for passengers when taking the elevator. The building’s elevator was tested to make sure it was safe to ride. The way they tested this was by putting a ballast of 7,500 pound of weight in the elevator dropping from the forty-sixth floor to the first floor. It was a successful test and the air cushions were very strong which helped make it safer for passengers (History.com Editors, 2010). The building has a total of 34 elevators, which is 13,200,000 cubic sq.  The elevator system that was used was “Otis Elevator Company” which provided the building with very high-speed elevators that went (210 m) per minute. During the 1900s that was considered very fast and safe at that rate (History.com Editors, 2010).

 

 

Figure 6. This is one of the general plans that was used in The Woolworth Building, as we can see in the photo it is the 51St floor.

 

Figure 7. This is one of the cross sections of The Woolworth Building, in the image it is 750 feet tall.

 

 

Figure 8. This image shows us three sides of The Woolworth Building elevation. It is a very beautiful building as we can see.

 

 

 

 

 

Historical Evaluation

            The Woolworth Building has significance because of the historical events that occurred in the building. For example, Kellex Corporation had offices for the top-secret Manhattan Project which dealt with nuclear weapons. (“Manhattan, NY”). The Woolworth Building nickname is, The “Cathedral of Commerce”, which had a cathedral style lobby. The Woolworth skyscraper is considered to be an icon because it was the tallest building from 1913-1930 and it has a magnificent inner and exterior appearance (Jacobs, 2017). Numerous skyscrapers after the Woolworth building used this as a blueprint model for their own skyscraper designs.

Structure

The Woolworth building is innovative because it was one of the first skyscraper to utilize steel frame construction techniques. The Woolworth Building used fireproofing techniques. The building’s inner structure is composed of steel beams enclosed with terra cotta clay material that is heat resistant (Saraniero 2019).  The bottom exterior level of the building contains limestone which also is a fire repellent material (Saraniero 2019). The decorative ceiling is made from painted plaster coffered; it is noncombustible. Another innovative feature of the Woolworth building was the elevators. The building had the quickest elevators in the world (Saraniero 2019). It is a self-sufficient building with its own water supply, electrical power, and fire protection techniques. During the opening ceremony of the building, President Woodrow Wilson used an innovative technique to illuminate the building. From the White House, he clicked a button to light up both the exterior floodlights and interior floors of the building (Boys, 2018).

The Woolworth Building is different compared to other buildings during this period. For example, the sheer purpose of Chicago skyscrapers was commercial office use only (“Gilbert, Woolworth Building” 2019). The Woolworth building had offices and other uses such as a health club, social club, restaurant, and shopping arcade (History.com Editors, 2010). The Chicago skyscrapers were horizontality orientated with a separation between the tower and the base. However, the Woolworth skyscraper has no separation of the tower and base, so it continuously flows vertically. During this time other buildings used wood as a primary material in construction. The Woolworth skyscraper was the second tallest structure in the world, the first being the Eiffel Tower in Paris.

The Woolworth Building created a subsequent architectural design by starting the first race of the sky (“Race for the Sky – Part 1” 2014). Skyscrapers such as the Empire State Building, Chrysler Building, and the 40 Wall Street Building competed with each other to have the tallest structure. The architects kept restructuring the building by adding additional floors and altering the building’s design. The winner of the race to the sky was the Empire State building.

Conclusion

Overall, it may be stated that the Woolworth building is a remarkable icon for New York City because it was one of the earliest skyscrapers that utilized revolutionary technology and set precedent standards for future skyscrapers. The building massing and detailing design is elegant. The Neo-Gothic style of the building creates a unique design for the building. The building inspired a movement with “the race to the sky” where building designers re-thought the concepts of how skyscrapers are supposed to look and function.

 

 

 

 

 

Works Cited

Alexander, H. (2017, September 20). Penthouse in New York’s Woolworth Building goes on sale for $110 million. Retrieved from https://www.telegraph.co.uk/news/2017/09/20/penthouse-new-yorks-woolworth-building-goes-sale-110-million/.

Boys, B. (2018, April 24). The Woolworth Building at 100: How they partied in 1913, with the “highest dinner ever held in New York”. Retrieved from http://www.boweryboyshistory.com/2013/04/the-woolworth-building-at-100-how-they.html.

Dailey, J. (2014, August 21). Mega Floorplan Porn: Floorplan of Woolworth Building’s $110M Penthouse, Revealed! Retrieved from https://www.yahoo.com/news/news/mega-floorplan-porn-floorplan-woolworth-150456490.html?ref=gs&nf=1.

Empire State building. #Manhattan #NYC: Empire state, Empire state building, Vintage new york. (n.d.). Retrieved from https://www.pinterest.com/pin/48835977180274586/?lp=true.

“Gilbert, Woolworth Building.” Khan Academy, Khan Academy, 2019,

https://www.khanacademy.org/humanities/art-1010/architecture-20c/a/gilbert-woolworth-

building.

Harvey, I. (2016, December 28). A photographic journey of the construction of the Woolworth Building, New York. Retrieved from https://www.thevintagenews.com/2016/12/29/a-photographic-journey-of-the-construction-of-the-woolworth-building-new-york/.

Herman, M., & Herman, M. (n.d.). Cass Gilbert, Woolworth Building. Retrieved from https://smarthistory.org/gilbert-woolworth-building/.

History.com Editors. (2010, April 22). Woolworth Building. Retrieved from https://www.history.com/topics/landmarks/woolworth-building.

Koeper, H.F. “Louis Sullivan.” Encyclopédia Britannica, Encyclopédia Britannica, Inc., 30 Aug. 2019, https://www.britannica.com/biography/Louis-Sullivan.

Levine, L. (2018, May 7). Going nuclear: The Manhattan Project in Manhattan. Retrieved from https://www.6sqft.com/going-nuclear-the-manhattan-project-in-manhattan/.

“Manhattan, NY.” Atomic Heritage Foundation,

https://www.atomicheritage.org/location/manhattan-ny.

Miller, M. (2014, February 17). AD Classics: Woolworth Building / Cass Gilbert. Retrieved from https://www.archdaily.com/477187/ad-classics-woolworth-building-cass-gilbert.

Murphy, K. D., & Reilly, L. A. (2017). Skyscraper gothic: medieval style and modernist buildings. Charlottesville: University of Virginia Press.

Jacobs, S. (2017, March 16). Take a rarely seen look inside New York’s famed Woolworth Building, which is now home to multimillion-dollar condos. Retrieved from https://www.businessinsider.com/inside-new-york-citys-woolworth-building-2017-3.

 

Saraniero, Nicole. “5 Places to Spot the Woolworth Building’s Innovative Fireproofing

Methods.” Untapped Cities, 13 Aug. 2019, https://untappedcities.com/2018/08/22/5-places-to-spot-the-woolworth-buildings-innovative-fireproofing-methods/.

 

Schuyler, Montgomery. “The Woolworth Building.” Priv. Print., 1913.

 

Sutton, Philip. “The Woolworth Building: The Cathedral of Commerce.” The New York Public Library, The New York Public Library, 23 Apr. 2013,

https://www.nypl.org/blog/2013/04/22/woolworth-building-cathedral-commerce.

“The Empire State Building: Race to the Sky.” Pucuda Leading Edge, 29 Aug. 2019,

 

https://netting.com/the-empire-state-building-race-to-the-sky/.

 

Totten, N., & National Trust. (2015, September 23). Five Buildings Designed by Cass Gilbert: National Trust for Historic Preservation. Retrieved from https://savingplaces.org/stories/five-buildings-designed-by-cass-gilbert#.Xf08VEdKhhF.

 

“The Woolworth Building at 100: How They Partied in 1913, with the ‘Highest Dinner Ever

Held in New York.’” The Bowery Boys: New York City History, 24 Apr. 2018, http://www.boweryboyshistory.com/2013/04/the-woolworth-building-at-100-how-they.html.

 

“The Woolworth Building.” The New York Landmarks Conservancy,

http://www.nylandmarks.org/events/circle_tours/woolworth_building/.

 

 

Figures

 

Figure 1.

“Tower Building (New York City).” Wikipedia, Wikimedia Foundation, 17 Aug. 2019,

https://en.wikipedia.org/wiki/Tower_Building_(New_York_City)#/media/File:A_history_of_real_estate,_building_and_architecture_in_New_York_City_during_the_last_quarter_of_a_century_(1898)_(14587355647).jpg.

 

Figure 2. New York Architecture Images- The Little Singer Building,          http://www.nyc-architecture.com/SOH/SOH001.htm.

Figure 3. Van Alen, The Chrysler Building. (n.d.). Retrieved from https://www.khanacademy.org/humanities/art-1010/architecture-20c/a/van-alen-chrysler-building.

 

Figure 4. “Empire State Building. #Manhattan #NYC: Zeppelin, Empire State Building, Vintage New York.” Pinterest, https://www.pinterest.com/pin/48835977180274586/?lp=true.

Figure 5. Figure Lobby Woolworth Building Lobby Tours NYC: WoolWorthTours. (n.d.). Retrieved from https://woolworthtours.com/.

 

Figure 6. Dailey, Jessica. “Mega Floorplan Porn: Floorplan of Woolworth Building’s $110M Penthouse,  Revealed!” Yahoo! News, Yahoo!, 21 Aug. 2014, https://www.yahoo.com/news/news/mega-floorplan-porn-floorplan-woolworth-150456490.html?ref=gs&nf=1.

 

Figure 7. The Woolworth Building [cross-section, with floors labeled], from The Woolworth Building (Highest in the World), illustrated with details f…: Woolworth building, Building drawing, Building. (n.d.). Retrieved from https://www.pinterest.ru/pin/362750944971431827/.

 

Figure 8. Studio Esinam, New York Elevations. (n.d.). Retrieved from https://theposterclub.com/product/studio-esinam-new-york-elevations/.

 

Describe the impact on your education of studying New York City architecture out of the classroom. Should more students get this opportunity? Why or why not?

I like this class it is very benefit official to me because we went on trips weekly learning about the different types architectural building in New York City.

I greatly benefited from studying architecture outside of the classroom. The weekly class trip taught me about the different types architectural building in New York City. I believe more students should get the opportunity for studying building through observing them firsthand. Than in the classroom student are only able see and learn about building looking at 2-dimensional drawing. However, by partaking in the class trips student such as myself can see the buildings in 3 dimensions. I am able see how the different elements interact with the buildings.

The outdoor trips are more engaging than inside a classroom. The architectural structures that we learn about from the textbook become real when see it in person. Studying outside the classroom making me more engaged and motived to learn. I can explore building from different angles and see how the open space interacts with the environment. I was very motivated to attend class every week because I was going to a new location to learn new facts. Through the outdoor classes I was able to enjoy the fresh air and exercise while traveling to places all over NYC. Another benefit is the free places I get to learn from as a student.

Overall I am happy I took this class to learn more about the outdoors of New York City, instead of staying in a classroom.

Week 15 – Class Reflection

As a former student who has nearly reached the end of this class. I can say this is one of those classes that offered a different experience to the student. It really embraced the resources to its best capacity. In this case the resource is the city being students of New York City. It’s an architectural advantage to be able to observe, and to comprehend structures that have been built in this city throughout different periods in time. It’s a unique experience being able to enter most of these buildings and rather than reading about them, rather than seeing a picture through the internet and rather than just seeing an elevational image of a structure; we are able to understand circulation and understand performance areas and the interpretation each architect or designer had for the space. One of the most important traits of this class I would say is the comprehension of being able to comprehend how a structure could fit in with its surrounding and how it could embrace its surrounding. Also, we did not only learn about structures but about street landscape and formation. I learned about what can be criticized as bad architecture despite it’s pleasing aesthetics.

So, should more students be able to get this opportunity? I say, “definitely!”. Being in the city with arguably the best skyline in the world is something to embrace, knowledge to pass on and responsibility of being a New York City architecture student. At the end of the day if your able to understand the drives and live up to the expectations of this city, you can make it anywhere else. Observing the mechanisms of how professors direct their classes to achieve success. This class definitely expressed passion,  and sacrifice but most importantly taught me the value “that whatever good things we build end up building us.”

Week 10

This short writing is about postmodernism architecture and what it brings for its time. It focuses on one of the most iconic building in midtown Manhattan which is the Lipstick Building.

 

Post modernism is a concept, idea, or practice also can be related to simplicity. It’s a movement started in 1960’s as a response to formality and lack of variety of modern architecture. Rosalind Krauss, defined postmodernism as a break with the aesthetic field of modernism and a new concept of space and time. It began as an international style, the first examples started in the 1950’s and become more significant in the 1970’s and continues to influence present-day architecture. It can also be described as neo-electric because it brings back ornament to some design replacing the aggressively bland modern style. It is simply the rejection of strict rules that binds modernist style and seeks a different meaning, and expression or articulation in the use of building concept and forms. Many architects Help shape the postmodernism period for example Philip Johnson and John Burgee.

 

The lipstick building officially named “53rd at third” is New York’s most distinctive architecture; its shape and color are impossible to confuse with any other skyscraper. Glass was really important to philip johnson’s design and also to other architects in that period of time. The lipstick building is a graceful elliptical shape completely different from it surroundings. The building is the second post-modern contribution of the architect Philip Jonson on the Manhattan skyline, after the AT&T building he built two years earlier. That oval form also means that all the offices located in the perimeter of the plan are corner offices. The 138 meters high building consists of three oval cylinder placed on top of each other, from the top to the bottom Creating a spiral movement as it rises. According to Philip Johnson the continues columns going all around the perimeter of the building is a reminder of the Baroque period which make the form very fashionable. Its shape along with the fact that the building’s floor decreases as it gains height and the red tone granite that covers it have made the start of the name lipstick.

 

Inside the building there’s a large lobby of 9 meters high which appeared really hollow for an open space with a lot of Set backs. The reason why was because the elevators and emergency stairs are located at bottom of the building and not in the typical central position. Other than that the lobby as a huge post-modern hall, a series of kiosks and a cafeteria that has adopted the official name of lipstick CafĂ©. The rest of the building is used entirely to house offices of different companies.

Final Reflection

I feel that it was a huge impact on me studying New York City architecture outside the classroom because it was helpful to see the building up close in person. Every class going outside meeting in front of the building we will talk about was good and interesting. For example foe being outside the class would have been better than meeting in class and just talking about the building and looking at images of them and talk about it, for me personally that would have been boring and I would have been distracted or not pay that much attention to the images. On the other hand, going to the building we are talking about, looking at it walking around it inside it and seeing how it looks on the block and how it relates to the site and the surrounding buildings was very helpful for me. I feel that future upcoming students that will take this class should have the opportunity to go and meet outside the classroom each week because it will be very helpful for the student. It will be easy to talk about the building, look at it and analyze it in person rather than looking at it via images from google or other websites. I also feel that it will be very helpful to compare buildings to each other in person rather than via images and drawings, I feel that in person you will look and see more details than images or drawings won’t show you and that will make it more interesting to look at and discuss about it. For me having this class meet outside the classroom each week was very helpful and beneficial for me I felt I learned better that way and it was very cool experience.

Week 14

This short writing is about my visit to MoMa in Manhattan. It focuses on Yoshio Taniguchi’s redesign and the phenomenal experiences the museum itself offers the public and its surrounding.

Some people says that MoMa is Manhattan itself. Beside my visit to the museum I decided to read some article to learn more about the place, and most of the material that I explore really pivot on the fact that the museum was built around a beautiful sculpture garden. It is true that the garden give you a reflection of central park and the museum built around it represents the city with buildings of various function and purpose. Located in Midtown Manhattan it’s always been hard to see the Museum of Modern Art. Neither 53rd not 54th street is wide. It was redesign by a Japanese architect called Yoshio Taniguchi, and from my observation he really capture the essence of the city by recreating it through MoMa’s architecture. But I don’t think the garden itself is only the strength of the museum. The interior is quite amazing, it was design in such way to create a lot movement, and an exciting experience for the people. From what I saw the ground floor area is an expansive public gathering space, open to the public and spawning the entire street level of the Museum, including The Abby Aldrich Rockefeller sculpture Garden. It offers many ways to expand our understanding of the early development of modernism, and also exposed a vast constellation of creative architects and designers. The collection has been built on the recognition that architecture and design are allied and interdependent arts. The Museum exposed the architecture collection through models, drawing, and photographs, and includes the Mies Van der Rohe Archive. The exterior design really Screams simplicity and modesty with it’s granite and glass façade. Taniguchi did a great job by envisioned the garden as the Museum’s core, providing view from each of the surrounding buildings. The Museum is quite remarkable, Along 54th street the symmetrical Volumes are clothed in black granite, dark gray glass, and aluminum showing a connection to the site across.

Week 13

This short writing is based on rather hudson yards is a great urban environment or not. It also answer the question of “Is this the neighborhood New york deserves?”

Hudson yards is the largest mixed-use private real estate venture right now. Its design which is a reminder of the Rockefeller Center contains millions of square feet of offices, stores, restaurant, and cultural attractions.The design also show that high-rise developments need large public plazas to avoid feeling oppressive. Hudson yards is basically built on a platform above railroad tracks. That also proved that its architects had nowhere to go but up. The shed is one of many attraction this place has
to offer with its art performance / exhibition venue and its retractable roof. Also the Vessel which is a mechanism composed of 154 stairways occupy precious space for the people. Somehow Hudson Yards follows the model of Rockefeller Center, with its prominent retail concourses. It was built by a private firm, the Related companies, with Stephen Ross in charge of the project.But to Michael Kimmelman Hudson yards is a perfect example of a skin-deep view of architecture as luxury branding. To him all the building standing on that area act like a logo for itself and presents no appearance of human scale. He wrote“With its focus on the buildings’ shiny envelopes, on the monotony of reflective blue glass and the sheen of polished wood, brass, leather, marble and stone, Hudson Yards glorifies a kind of surface spectacle as if the peak ambitions of city life were consuming luxury goods and enjoying a smooth, seductive, mindless materialism.”

Is this the neighborhood New york deserves?

No, The area may have beautiful monument that creates amazing experience for the people but lacking in so wrong way to show a great urban design. The area should be design to create more connection with people instead its focuses by showing of luxury as if the goal of city life were materialism.

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