Category: Class Topics (Page 1 of 3)

Review Global corrections

Global corrections adjust the entire file. In the Lightroom, it includes the controls under Light, Color and Effects. In Lightroom Classic, this includes everything in the basic panel: White balance, Tone and Presence.

Download and color correct the three files.

Local corrections

After you make global corrections, sometimes you will want to make corrections to part of your image. Generally, the brightest part of the image commands the most attention. Sometimes that is not where you want your viewer to look first so shifting the exposure of parts of your image can create the image you want.

Masking – The Brush

The important thing in this photo by Bryan Rodriguez is the face of the card player. However the cards are brighter and demanded too much attention. Using a mask created with the brush, I darkened the cards. Creating a second mask, I lightened the face of the card player a little more. The goal was to bring more attention to the person’s face and less to the overly bright cards.

Masking – Subject, Sky, Person

Lightroom masking allows you to select part of the scene and correct it. It can select “the subject” or specific people.

This is an image I shot at the Dance Bloc Festival of The Dynamite Experience.

Image one is the file as shot.

Image two uses a subject mask.

Image three uses a second mask created with the brush to reduce the brightness of the crouching figure.

Use masks to make local adjustments on all three files.

Lab exercises

Adjust the 6 photos above.

Working with your partner, you both adjust one of their photos and one of your and compare.

Put your results, a total of 8 photos, in an album on Flickr for today’s lab credit.

Homework

Final Project – 20 pts

Due December 20th:

3 albums each of a minimum of 40 photos

1 album of the 10 best photos adjusted in Lightroom

a 3-5 min presentation of the final project – projected from the album on Flickr.

Presentation Guidelines

1. Start by introducing yourself and your project. Then outline the big picture with a few sentences sentence such as, ” I photographed variations on the theme of windows. Most of the photos were taken in downtown Brooklyn.”
2. If you are showing 10 images, you have about 30 seconds to describe each photo. Tell us what your intention was, what interested you about the photo we are looking at, and give us information we may need to know to understand the photo. Tell us what makes it visually interesting ie the use of shallow depth of field or some other feature.
3. How do you get to Carnegie Hall? Practice.
4. Do not tell us about what you did to the photo in Lightroom.

Late work will be accepted until December 20th at 11:59pm. Coursework will not be accepted after that time.

There will be a quiz next week on Dec 6.

Possible topics: outdoor portraits, light direction and quality, contrast, studio basics, portrait lighting styles, main, fill and background lights

Inspiration: Atton Conrad

Sprint Campaign: http://lightpaintingphotography.com/?s=sprint 

Tripod use

• Spread the legs out and make sure the tripod is stable. Use the height from the legs before using the neck of the tripod. Put one leg forward and the two legs on your side.
• Put the plate on the camera and make sure that the lens arrow is pointing towards the lens. Insert the plate into the locking mechanism and make sure that the camera is secure.
• Use the camera timer and DO NOT TOUCH the camera or the tripod during the exposure.

Considerations for painting with light: 

1. Use a tripod 

2. Use Manual as the shooting mode.

3. Set the ISO to 100

4. Set the aperture to f/11 as a starting point to get a wide range of depth of field. 

5. Set the shutter speed to 4″ as a starting point.

6. Use manual focus. Make sure the subject is in focus. To do this shine a light on the subject and use auto focus. Then flip the lens back to MF. Remember that if the distance of the subject to the camera changes, you need to refocus!

Mixing Strobe Lights or Flash with Painting with Light 

The aperture controls the exposure of whatever is lit by the strobe lights. 

The shutter speed controls the illumination of the background. 

Lab

Painting with Light

Homework

Final Project

No class next week on November 22. Happy Thanksgiving!

For the next class

On November 29th, if you have a flash light bring it in. You can also use your phone but you might want to have a charger so you aren’t left with a dead phone all day.

Review Portrait Lighting Styles

Focal Length

The focal length of a lens is defined as the distance in mm from the optical center of the lens to the the sensor when the lens is focused on infinity. This varies on the camera and the lens.

Focal length controls: Magnification and angle of view

Focal length is described as short, normal ie close to human vision, or long.

Wide Angle Distortion-created when using a wide-angle lens AND the camera is very close to the subject. The object close to the lens appears abnormally large relative to more distant objects, and distant objects appear abnormally small and hence more distant – distances are extended. 

Focal length and proximity to the camera affect how a person’s face looks in a photograph. A wide focal length and proximity between the subject and the camera create wide angle distortion and will distort a person’s features.

Think about selfie sticks. What are they for but to get the camera away from your face? This makes the photograph look more complimentary to the subject. This is really important with a cameraphone because it has a wide angle lens. The center of the lens and the sensor cannot be very far apart given the thin design of cellphones.

When working with a crop-frame sensor, approximately 65 mm will be the most flattering to your subject.

Lights

  There are three basic types of lights (these are the physical lights not portrait lighting styles):

1. The Main or Key Light-This light provides the brightest illumination and casts the shadows

2. The Fill Light-this light brightens the shadows. It can be a reflector or an actual light.

This video shows how to use a reflector as the fill light.

3. The Separation Light or Background Light-creates separation between the subject and the background. This light can be aimed at the background or it can be aimed at the subject. If the later, it would be called a hair light. If accenting the edge of the face or shoulders, this light would be called a rim light or a kicker.

3-point Lighting

– standard lighting for portraits, video and film, uses all three: a main light, a fill light and a background light.

Inspiration

Mamadi Doumbouya

https://www.mamadi.co

https://www.nytimes.com/2019/09/21/reader-center/mamadi-doumbouya-photo-portrait-talk.html

Lab Exercise

Two and Three Light Portraits

Homework

Final Project

From last week

Portrait Lighting Styles

There are a 5 basic lighting styles for portrait photography. Each style is defined by how light falls on the face.

1. Rembrandt Light – the model is face forward, main light is at 45 degrees and casts a light on the opposite side of the face to form a triangle on the cheek.

2. Broad Light-model’s face in 3/4 view-light falls on the side of the face with the visible ear. Good for controlling the reflections on glasses.

3. Short Light-model’s face is in 3/4 view, the light falls on the side of the face with the features. (Not on the side with the visible ear.)

Both of these are examples of short light.

4. Butterfly Light, Clamshell or beauty or glamour light-model is face forward, front light.

Photographer: Matthew Jordan Smith, Model: Tyra Banks

5. Split Light-model is face forward, the main light is at 90 degrees to the camera and falls on one side of the face. 

Left: Photographer-Yousef Karsh, Winston Churchill, 1941

Right: Photographer-Nadav Kandar, Donald Trump, 2016

Yousef Karsh

https://karsh.org/overview/portraits/#thumbnails

Nadav Kandar

https://www.nadavkander.com/portraits/portraits/single

Grammies 2022

Lab

Portrait Lighting Styles

Homework Assignment

HW 9: Environmental Portraits

Review:

Lighting Quality

Diffused– light hits the subject from all directions and the shadows are soft

Direct– light hits the subject from one angle and the shadows are crisp with sharp edges

Lighting Direction

Front light – light comes from near the camera position.

Side light – light come from 90 degrees to the camera position.

Back light – light comes from behind the subject and aims towards the camera.

Contrast

Contrast: The measure of difference between bright areas (highlights) and dark areas (shadows) in a photo

High contrast : Large difference between highlights and shadows. Mostly lights and darks without many mid tones  

Low contrast :  Little difference between lights and darks. Mostly mid tones.              

Inspiration

View:

http://filippodrudi.com/project-thefork.html

Other terms to know

Ambient Light-The light that is already there sometimes called available light

Continuous Lights-Always on, may be incandescent, halogen, fluorescent, LED

Strobe Lights – lights that fire when the exposure is made

Strobes have two bulbs:

• the modeling light which helps you see where the light will fall
• the flash bulb that fires when you press the shutter release

A trigger on the camera uses radio waves to tell the receiver to fire the light. The power pack stores the power used to make the exposure.

Modifiers

In studio photography, we put modifiers on the flash heads to change the quality of the lights. Two basic categories of modifiers are:

1. Softboxes- these spread and diffuse the light. The light hits the subject from many directions making the shadows softer.
2. Grids – these concentrate and focus the light. The light hits the subject from one direction making the light harsher and the shadows sharper.

Lab Exercises

Stuffed Animals

HW 8: Final Project Proposal and Mood Board

Final Project