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Robin Michals | COMD 1340 Photography 1

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Lab 11: Painting with Light

Working with a light or lights, draw an image over time in the frame. Experiment with thin and thick lines, abstraction, words, and images.

Using a speedlite or a monolight, add a person to your shot. fire the flash and then with a long exposure keep drawing into the shot. The more the subject and the light painting interact, the more successful your photos will be.

Upload a minimum of 20 images to Flickr. Send your best two to the class group.

Week 12 – Painting with Light

Painting with light is drawing with light over the course of a long exposure.

Inspiration: Atton Conrad

Sprint Campaign: http://lightpaintingphotography.com/?s=sprint 

Tripod use

  • Spread the legs out and make sure the tripod is stable. Use the height from the legs before using the neck of the tripod. Put one leg forward and the two legs on your side.
  • Put the plate on the camera and make sure that the lens arrow is pointing towards the lens. Insert the plate into the locking mechanism and make sure that the camera is secure.
  • Use the camera timer and DO NOT TOUCH the camera or the tripod during the exposure.

Considerations for painting with light: 

1. Use a tripod 

2. Use Manual as the shooting mode.

3. Set the ISO to 100

4. Set the aperture to f/11 as a starting point to get a wide range of depth of field. 

5. Set the shutter speed to 2″ as a starting point.

6. Use manual focus. Make sure the subject is in focus. To do this shine a light on the subject and use auto focus. Then flip the lens back to MF. Remember that if the distance of the subject to the camera changes, you need to refocus!

Mixing Strobe Lights or Flash with Painting with Light 

The aperture controls the exposure of whatever is lit by the strobe lights. 

The shutter speed controls the illumination of the background. 

Lab

Lab 11: Painting with Light

Homework

Final Project

Final Project Statement

I plan to capture the different street photography for my final project.
that involves capturing candid moments of everyday life in public places, typically in urban environments. It often focuses on people, architecture, and the details of city life. Times Square in New York City is one of the most diverse tourist destinations in the world. Visitors from all walks of life, ethnicities, and cultures can be found exploring the bustling streets, enjoying the vibrant lights, and taking in the multitude of attractions. The diversity of tourists in Times Square reflects the global appeal of the city itself, drawing people from every corner of the globe. You can encounter tourists from Europe, Asia, Africa, the Americas, and beyond, each bringing their unique perspectives and experiences to the iconic location. This diversity adds to the richness of the Times Square experience, making it a truly global melting pot of cultures and backgrounds.

During my spring break, I am going to spend some time shooting photos around the area of Times Square. I will try to spend more time shooting photos in the city while at the same time doing videography as my current hobby, where I shoot videos of my dance crew friends covering a song. I mostly shoot videography almost every week in my life and we do this for fun the videos that I shoot are uploaded onto YouTube.

Flowers and plants

Theme for my project is going to be flowers and their environment  and the way I’m going to do this is by going to the botanical garden and capturing photos of different plants and flowers from similar environments. The first step is that by visiting different exhibits and capturing photos of each in their own climate I will be able to see a common mood. I want to be able to capture the mood of each of the plants and flowers. I want to be able to show if there’s a similarity between the physical appearance of the plant and environment. The way I’m also going to do this is by capturing similar plants but in different climates and conditions. The way I’m going to do this is by capturing close ups of each of the flowers. I also want to get medium shots and long shots. The purpose of this is to focus on each of them. Also to bring out the details with the close ups. In the long shots my main objective is to show how most of the plants interact in the same environment or conditions to be exact. I will shoot inside these exhibits but also I am going to be outside focusing on different species of plants. The reason for this is to also show the change in climate since its spring. This will be the best time to be able to capture these species of plants at their peak. I’m also going to try and go on rainy days to see how they differ in appearance and what it evokes. I’m also going to try and play with the aperture to bring out the detail and the feeling of texture more vividly in each of the close ups. Also we are exposed to different species of plants but we don’t know much about them so I hope to learn alot about each species of plants.

Final Project Statement

I am intrigued by the emotional roller coaster individuals embody through life changing experiences. This idea presented itself to me as I’m in my own journey to detect my emotions so I may articulate them to another person or for my personal growth. I plan to capture these intimate moments with different close people in my life. I will ignite a conversation and ask them to express themselves. During these conversations, I may ask the subject if I could start taking pictures. I will also ask them to take their portraits beofre and after the conversation is done. I hope to translate these emotions through photographs. To do so, I will experiment with lighting and angles to try to mimic the mood if necessary. I may ask the subject to be seated in a designated area or we may be in a busy street. I want them to feel comfortable and at ease in front of the camera.

I am looking for raw emotions. This doesn’t necessarily mean it has to be dark, on the contrary when going through difficult times or any life altering decisions whether we made them ourselves or life has done it for us, the outcome may be alleviating. We as humans may look back at them and smile, laugh, feel a sense of relief, calmness and gratitude after it has all been said and done.

I’ve been inspired by the photographer Brandon Stanton who has been taking photos of people in the streets of New York City for years. He has shared long captions to accompany the emotions we are seeing. Each person tells a personal story.

I’ve always loved candid photos but during this project I hope to make it more intentional. This may feel more like a therapy session than a portrait being taken. But that is what I enjoy, having conversations that stay with me. It doesn’t have to have some form of a great epiphany but it’s what I long for.

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