Author: rmichals (Page 1 of 8)

Review Global Corrections

Global corrections adjust the entire file. In the Lightroom, it includes the controls under Light, Color and Effects. In Lightroom classic, this includes everything in the basic panel: White balance, Tone and Presence.

Download and tone both files. Put the corrected versions in an album on Flickr.

Local corrections

After you make global corrections, sometimes you will want to make corrections to part of your image. Generally, the brightest part of the image commands the most attention. Sometimes that is not where you want your viewer to look first so shifting the exposure of parts of your image can create the image you want.

Masking

Lightroom masking allows you to select part of the scene and correct it. It can select “the subject” or specific people. It can select the sky. You can manually select areas with the brush or object tool.

Example 1

This is an image I shot at the Dance Bloc Festival of The Dynamite Experience.

Image one is the file as shot.

Image two uses a subject mask.

Image three uses a second mask created with the brush to reduce the brightness of the crouching figure.

Example 2

Use masks to make local corrections on the files below.

Lab exercises

Adjust the 6 photos above.

Working with your partner, you both adjust one of their photos and compare the results. Then you both adjust one of your photos and compare the results.

Put your results, a total of 8 photos, in an album on Flickr for today’s lab credit.

Homework

Final Project – 20 pts

Due May 21:

3 albums each of a minimum of 40 photos

1 album of the 10 best photos adjusted in Lightroom

a 3-5 min presentation of the final project – projected from the album on Flickr.

Presentation Guidelines

1. Start by introducing yourself and your project. Then outline the big picture with a few sentences sentence such as, ” I photographed variations on the theme of windows. Most of the photos were taken in downtown Brooklyn.
2. If you are showing 10 images, you have about 30 seconds to describe each photo. Tell us what your intention was, what interested you about the photo we are looking at, and give us information we may need to know to understand the photo. Tell us what makes it visually interesting ie the use of shallow depth of field or some other feature.
3. How do you get to Carnegie Hall? Practice.
4. Do not tell us about what you did to the photo in Lightroom.

Late coursework will NOT be accepted after today May 14 at midnight. Final projects will not be accepted after May 21.

Next week

On May 13, class will start with a quiz. Topics include: shutter speed, aperture, depth of field, perspective, portrait lighting styles, light roles: main, fill, separation or background.

Examples

@dont_smile_nyc

https://www.instagram.com/dont_smile_nyc/

Reminder: Focus

When shooting a portrait, the subject’s eyes must be in focus. Full stop. Period.

Considerations for any portrait:

1. Use a vertical orientation.

2. Focus on the model’s eyes.

3. Keep the background clean and without distraction.

Considerations for outdoor portraits

1. Work with the model in shade or place the model with the sun BEHIND their head.
2. Do not use direct sunlight on the model’s face.

3. Use a reflector or flash as the main light.

On-camera Flash

You can dial the flash down and use it directly to raise the light on the subject’s face or bounce it off a reflector.

Ambient Light-the existing light that you cannot control

Fill Flash-brightens shadows

Built-in flash-part of the camera and throws light about 6 to 10 feet

External flash-added to the camera on the hot shoe and can throw light 15 to 20 feet 

E–TTL (Evaluative-Through The Lens) is a Canon EOS flash exposure system that uses a brief pre-flash before the main flash in order to obtain a more correct exposure.

Use M or manual.

1/1 is full power. If you are pointing the flash right at the model, try 1/64 and adjust from there.

Use Zoom to spread or focus the light. Wide angle numbers (smaller numbers) spread the light. Higher numbers focus the light.

High speed sync-allows the camera to be set at shutter speeds higher than the camera sync speed 

Lab 12

Outdoor Portraits

Homework

Final Project