In the article it speaks about how no brand is truly different but what separates each ad for the brand is the image attached to the brand. In the Chanel No. 5 ad, they decided to use a model Catherine Deneuve; she is in no way related to the product but her face being used causes the viewer to attach certain qualities to the product. The company Babe took a different approach and went with a tomboy style, they still used a famous model but took her out of the typical setting you would find in perfume ads. I agree with the author of this article I think images sell the brand not just the name. Strong images are key when building a brand, if you consistently release ads with great images and concepts people will then attach great qualities to your brand .
Category Archives: Reading Responses
Khyriel Palmer_Differentiation
She is arguing about the fact that when ever you see a Chanel perfume ad (or any perfume ad for that matter) is always displaying a feminine figure. Like those who would be in a dress or classy famous person. Simply letting the fan base of the model help sale the product. Her argument is that not every ad has to be feminine, just cause its geared towards women doesn’t mean that it has to be classy. For example, “its position in a system of signs where it signifies flawless French beauty, which makes it useful as a piece of linguistic currency o sell Chanel.” The other ad has another famous person in a karate uniform showcasing a similar product. They used this technique to appeal to the more typical feminine style connected with modeling.
I agree with her argument because i believe that you cant just use one based standard way or selling/ advertising a product. Granted those ways may work most of the time, but to fully grasp the attention of every consumer, you sometimes need to think outside of the box.
Reading Response 2: Differentiation Wilbert Perez
This form of advertising utilizes a meaning or appearance that their subject is known for in it’s significant industry, and applies the motive that the corresponding product will be just as “good”. In direct relation, the subject is the exemplifying aspect of the product and will represent this product to the world and the market’s audience. It is not creating a new meaning for it’s product, but using a meaning that is very known and dear to us(audience) and one that we can relate to.
Judith Williamson: Decoding Advertisements
Judith Williamson makes several interesting points regarding differentiation in advertising. The first is that there is very little distinction between products in any given category. This means that one brand of cigarette or hand soap is essentially the same as the next. It is up to marketing to emphasize what makes each brand unique from the rest; as often as not, this distinction is an arbitrary one.
She continues by saying that there are occasionally products that are unique, but that they typically don’t need the same level of advertising that other, more commonplace products need.
Her primary examples draw from the world of perfume advertising. A classic example is Chanel No. 5. The ad for this perfume is simply that of an image of Catherine Deneuve looking into the camera and a bottle of the perfume with its logo on the bottom of the page. There is no real connection between Catherine Deneuve and Chanel No. 5 . This ad wants you, the viewer, to draw a connection between the glamorous, sophisticated actress and the perfume. Perhaps the viewer will feel that if she uses Chanel No. 5, she too will be glamorous and sophisticated. The ad works because the viewer is already familiar with the image of Catherine Deneuve.
Williamson contrasts the ad for Chanel with one of a brand of perfume called Babe. The image for this ad is in striking contrast to the Chanel ad. In this one, another actress named Margaux Hemingway is practicing karate with her hair tied back. The values associated with this product are distinctly different from Chanel because they are using a very tomboyish, unusual image to sell the product.
At their very core, Babe and Chanel No 5 are essentially the same product. They are both bottles of perfume with a similar chemical makeup. But they hope to sell to consumers by appealing to different values, thus standing out in a very saturated marketplace.
Peter Conquet RR2
Judith Williamson makes a valid point. There isn’t a very big difference between products in the same category. They all do the same thing but are all positioned to different people even if the end result is the same. Judith uses to ads for perfume for different companies as an example of positioning the same product in a different way. Chanel uses Catherine Deneuve’s face as a comparison to Chanel No. 5. The beauty and ideals that Catherine stands for are reflected to be the same as what Chanel No. 5 stand for. For the new perfume babe they use Margaux Hemingway. She signifies youth, and a tomboy style. Both of these products are chemicals in a bottle but are positioned to reach two different audiences. Chanel is trying to position itself as sophisticated beauty while babe is positioning itself to not be the normal cliche of beauty. Babe’s perfume position speaks more a younger audience and gives the product more of a emotional feel. Chanel keeps it classy and is positioned for a older women. Now this doesn’t meant that the ads still don’t speak to the competitors target audience. Women who are young might want to be older and use Chanel thinking of the association it brings to them. Older women might use babe because they want to feel young and be different. I agree with Judith Williamson because the products aren’t very different, in the end its all how you position the product to your audience that defines the feel for your product.
Differentiation
State Judith Williamson’s thesis about differentiation in advertising in your own words.
Do you agree or disagree with her analysis? Support your argument with evidence.
Josh Rojas Mirrors and Windows
COMD Advanced Photography
Josh Rojas
1/28/15
The Szarkowski’s Mirrors and Windows thesis is comparing the way a person views a certain idea versus the way it actually it is in the real world. Both of the photos are set in some type of suburban area. The main focus of the photos is children although there is a large age gap. The first photo is very detailed I think every thing placed in the picture has a purpose. The background is very dark but the car lights are pointing at the girl on the lawn. The second photo is very dull and empty but the child in white draws your attention. The artist may be trying to depict how they feel about growing about in the suburbs versus the way the world views it. The first photo is the mirror and the second is the window. The first photo shows a lot more emotion in the faces of the subjects the second doesn’t show much emotion but shows this is what it is.
Tera Cunningham Mirrors & Windows Response
Mirrors is more of an eviction of emotion from the photo. It is more intimate and your personal view of things. Where as Window is more of a realist way of looking at things. It shows that there is a world out there with different views other than your own. The Crewdson photo is a mirror and the Winogrand is a window. Crewdson is a mirror because it evokes emotion. It shows more feelings and gives a more intimate view with the viewer. From the anger on the mothers face to the shock on the daugheters face. There is body language from the half naked girl standing with her head hung low in sadness or disappointment. The Winogrand is a window because it shows things in everyday life. It doesn’t give off emotion, it’s showing you children in a drive way. It makes you think about why the kids are outside, what were they doing, it has interesting scenery in the background. Theres no just one point of focus like the Crewdson. In the Crewdson the lighting is frontlit where as the Winogrand is diffused light. The tone in the Crewdson is high key and the Winogrand is high contrast.
Mirrors and Windows ( Antonio Griffith )
Robert Frank meaning on the mirror idea means that people are going to experience different outcome on the same life situation. Not everyone is going to experience how to tie their shoe, or how to drive a car. We all have different people and things we interact with so we will definitely experience things different. Even though we have different experience we can still relate to the problem. Basically what I am trying to say it that the mirror concept in photographs will have something that is always going to be reflected back into our idea of life. As for the meaning on the window concept from Robert Frank it means that idea of freedom and endless possibilities.
Crewdson
In the photograph with the three females, the mom and her two daughters is a mirror concept from Robert Frank because he is creating a story that is in his head. He created a real life conflict with mom and daughter. Robert is basically making a mirror image on life that could possibility happen to you or not. I would say the mirror concepts are situations that make the viewer stuck on that one area on the photograph as for the window concept it have you wondering about every other subject matter in the photo with a sense of freedom.
Winogrand
In the photograph with the baby running out the house garage is a window concept from Robert Frank before this idea is like you looking out the window and seeing what is real. This window concept is not planned as much in his head. The window concept you can say is him capturing life or things as it is already without much planning and it still have you thinking what is going on. From the images I have seen today from Robert his window images always involve scenery landscapes with a subject matter. The scenery landscape style gives a sense of freedom to the point you wonder what is beyond life in the sky. Robert two window concept photographs I have seen is always giving me perspective and a sense of freedom. It gives me a sense of free thought to analyze the photo any how I want. As for a mirror concept you get one or less possibility on what you can say is going on because most things are planned.
Mirrors and Windows
I think that Crewdson’s photo can be defined metaphorically speaking as a mirror; since there are emotions that the author want them to be expressed through the photo such as:the embarrassment that we see in the girl that is almost naked. if we notice it , Crewdson use a lot of darkness around of the subject trying to pointed her out.
The Winogrand photo is the windows since it shows the reality of the moment; he didn’t manipulate the scene for this photo, it was a moment that he captured.