Robin Michals | COMD 1340 Photography 1 DO97

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“New York Street one” by Suzanne Stein.

A photograph that really speaks to me and I think is visually engaging is a photograph from Suzanne Stein’s photo album “New York street one”. This photograph shows a woman, perhaps homeless laying down on the ground with a lit cigarette in her mouth and a Budweiser (Beer) standing right by her side, she is laying down against this wall with the words “The rich Killd NYC” printed on it. I totally agree with the phrase. The rich take and keep on taking and keep on spending their money in wrong ways instead of helping those in need like this woman. Suzanne Stein’s photographs show what the raw, ungentrified NYC is like. All the homeless people in the streets, the families struggling to get home walking through a sea of people, the hardworking, the different minorities. I think the intention of this photographer was to wake people up, show them what the big city is really like and she did an awesome job.

In the photograph I chose, Suzanne uses the rule of thirds to take it, as we can see the woman is on the right side of the frame instead of in the middle which gives the photograph a better look and does not make it as boring and plain. She also takes the picture from a straight angle and a little close so she could fill in the frame a little bit more and not have extra stuff in the background. Also, something I noticed was the triangular shape created by the woman’s arm while she rests her head and that caught my attention.

1 Comment

  1. rmichals

    You describe the impact and intention of Stein’s work well.

    This photo captures suffering and in some ways it seems strange to talk about its composition. But good composition helps even when the subject matter and the message are strong. An off-center composition is always more visually compelling than a centered one. Stein shoots from eye-level. She is down on the ground with this woman. The woman knows she is taking the photo. She is not shooting from above or a superior position. I think this is an important part of how Stein gives her subject some dignity despite the obvious misery.

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