The Art of Visual Memory

Professor Woolley | BAM 70500-02 | FALL23

DEC 05 | Week 14

To-Do Before Class

  • Final Project Work in Progress
  • READ: All American Girl – Robin Ha

Topic: Final Project Work in Progress

Objectives

  • To review Project Progress
  • To support artists

Activities

CRITIQUE: Work in Progress on FINAL PROJECT

7:30 PM Almost American Girl – Robin Ha (GUEST SPEAKER!)



Due Next Week

  1. FINAL ART – *see schedule*
    • POST your work in progress to DISCORD
  2. REVIEW: Lettering Resources Page
  3. Continue Diary IF IT IS HELPFUL

NOV 28 | Week 13

To-Do Before Class

  • Final Project Work in Progress

Topic: Final Project Work in Progress

Objectives

  • To review Project Progress
  • To support artists

Activities

Warm Up!

Reading Discussion: Magic Fish & Shawn Tan

Upcoming Reading:

12/05: Almost American Girl – Robin Ha (GUEST SPEAKER!)

DEMO: Sandy’s Lettering Hack

CRITIQUE: Work in Progress on FINAL PROJECT

Review Assignments and Expectations for Next Week’s Class



Due Next Week

  1. FINAL ART – *see schedule*
    • POST your work in progress to DISCORD
  2. REVIEW: Lettering Resources Page
  3. Continue Diary IF IT IS HELPFUL

NOV 21 | Week 12

To-Do Before Class

  • READ: The Arrival
  • READ: The Magic Fish

Topic: Final Project & Magic and Metaphor

Objectives

  • To continue exploring page-building & layout techniques
  • To share working methods
  • To review individual Project Progress

Activities

Warm Up!

Reading Discussion: Stitches

Upcoming Reading:

11/28: American-Born Chinese – Gene Luen Yang, First Second Books

12/05: Almost American Girl – Robin Ha

DEMO: Sandy’s Lettering Hack

Myth, Magic, and Metaphor

  • The Arrival

Here is an in-depth analysis of The Arrival and how it uses comics language to create this wordless epic, and another about Shawn Tans’ surrealist work in general.

The Magic Fish

Here are some of Trung Nguyễn ‘s processwork and style sheets.

Activity: Using Shawn Tan’s The Arrival, David Small’s Stitches, and Katie Green’s Lighter than My Shadow as examples, draw your main character’s inner world.

Stuck for where to begin? Check out Sterling Hundley on IDEATION

CRITIQUE: Work in Progress on FINAL PROJECT

Review Assignments and Expectations for Next Week’s Class



Due Next Week

  1. FINAL ART – *see schedule*
    • POST your work in progress to DISCORD
  2. REVIEW: Lettering Resources Page
  3. Continue Diary IF IT IS HELPFUL

NOV 7 | Week 10

To-Do Before Class

Topic: Final Project & Working with Multiple Pages

Objectives

  • To continue exploring page-building & layout techniques
  • To share working methods
  • To review individual Project Progress

Activities

Warm Up!

Reading Discussion: Stitches

REVIEW: Reading List **Guest Speaker Next Week**

WORKING WITH MULTIPLE PAGES

Activity: 8 page Mini Comic!

PRINTABLE GUIDE!

CRITIQUE: Work in Progress on FINAL PROJECT

DEMO: Sandy’s Lettering Hack

Review Assignments and Expectations for Next Week’s Class



Due Next Week

  1. IF YOU HAVE NOT ALREADY DONE SO UPLOAD COMPLETED PDF DRAFT for FINAL PROJECT
  2. BEGIN FINAL ART – *see schedule*
    • POST your work in progress to DISCORD
  3. Reading: Stitches – Blam! Black Lives Always Mattered!: Hidden African American Philadelphia of the Twentieth Century – Produced by the Charles L. Blockson Afro-American Collection with the support of the Pew Center for Arts & Heritage. 
  4. Prepare Questions in advance for our Guest
  5. REVIEW: Lettering Resources Page
  6. Continue Diary IF IT IS HELPFUL

OCT 31 | Week 9

To-Do Before Class

  • Continue working on FINAL PROJECT
  • READ: Hey Kiddo

Topic: Final Project Check-in

Objectives

  • To continue exploring page-building & layout techniques
  • To share working methods
  • To review individual Project Progress

Activities

Warm Up!

Reading Discussion: Hey Kiddo

REVIEW: Reading List

CRITIQUE: Work in Progress on FINAL PROJECT

DEMO: Inking techniques

DISCUSS: Lettering

Review Assignments and Expectations for Next Week’s Class



Due Next Week

  1. UPLOAD COMPLETED PDF DRAFT for FINAL PROJECT – *see schedule*
    • POST your work in progress to DISCORD
  2. Reading: Stitches – David Small, W. W. Norton & Company
  3. REVIEW: Lettering Resources Page
  4. Continue Diary IF IT IS HELPFUL

OCT 24 | Week 8

To-Do Before Class

  • Continue working on FINAL PROJECT
  • READ: A Child’s Life and Other Stories – Phoebe Gloeckner, Frog Books

Topic: Final Project Check-in

Objectives

  • To continue exploring page-building & layout techniques
  • To share working methods
  • To review individual Project Progress

Activities

Warm Up!

Reading Discussion: A Child’s Life and Other Stories – Phoebe Gloeckner

Review Homework: Author Chris Tebbett’s analysis of the Matrix

DEMO: Light Box Transfer and Inking techniques

CRITIQUE: Work in Progress on FINAL PROJECT

Review Assignments and Expectations for Next Week’s Class



Due Next Week

  1. FINISH LAYOUT FOR YOUR FINAL PROJECT – *see schedule*
    • POST your work in progress to DISCORD
  2. Reading: Hey Kiddo
  3. Continue Diary IF IT IS HELPFUL

OCT 17 | Week 7

To-Do Before Class

  • Continue working on FINAL PROJECT
  • READ: Cece Bell – El Deafo
  • READ: Robyn Chapman – Chapters 1-3

Topic: Point of View

Objectives

  • To continue exploring page-building & layout techniques
  • To share worknig methods
  • To introduce the concept of Point Of View in illustration

Activities

Warm Up!

Reading Discussion: NONE

Share: FIBDA 2023

DISCUSS: Class Catch-Up

LECTURE: Page Layout Part 2

**TEMPLATES**

LECTURE: INTRODUCE Point of View as a Storytelling Technique

WATCH: Author Chris Tebbett’s analysis of the Matrix

INTRODUCE WEEK 7 HOMEWORK

IN-CLASS EXERCISE: THR WRONG PLANET – borrowed from Jessica Abel

CRITIQUE: Work in Progress on FINAL PROJECT

Review Assignments and Expectations for Next Week’s Class



Due Next Week

  1. WEEK 7 HOMNEOWRK on POINT OF VIEW:
    • Choose short scene from any film in which you admire the storytelling. Using Chris Tebbetts Matrix analysis as a model, please label / list the director’s choice of shots. You can choose to complete this exercise in a variety ofways: You can label video clip as Tebbets did, you can screen shot and label, you can do simplified sketches using the Brunetti method, OR you can even just watch and list them in written form. The point of this exercise is to pay careful attention and consider WHY the director chose the POINT OF VIEW used in each shot.
    • POST this exercise when complete to DISCORD for discussion.
  2. CONTINUE LAYOUT FOR YOUR FINAL PROJECT – *see schedule*
    • POST your work in progress to DISCORD
  3. Reading: REVIEW Art of the Storyboard by DON BLUTH
  4. Reading: A Child’s Life and Other Stories – Phoebe Gloeckner, Frog Books
  5. Continue Diary IF IT IS HELPFUL

SEPT 26 | Week 5

To-Do Before Class

  • Homework 3 – 4 panel comic DUE for critique. 
  • READ: Smile by Reina Telgemeier

Topic: Page Building & Layout

Objectives

  • To introduce page-building & layout techniques
  • To introduce a variety of comic writing techniques
  • To explore comics mediums and processes.

Activities

Warm Up!

Reading Discussion: SMILE by Reina Telgemeier – Karen

CRITIQUE: Finished 4-panel Comic

CRITIQUE GUIDE:

  • Clarity
  • Story Structure
  • Reading Order
  • Rhythm
  • Writing
  • Uniqueness
  • Craft

DISCUSS: Class Roles

DISCUSS: PROJECT PROPOSAL Q&A

LECTURE: PANEL AND PAGES

Key Concept Reminder:

  • Closure
  • Panel
  • Gutter
  • Tier
  • Reading Order
  • Z Formation
  • Script
  • Thumbnail
  • Page Layout
  • Caption
  • Dialogue
  • FX

DEMO SARA LAYOUT PROCESS

STUDIO TIME: Begin to layout your final project

Review Assignments and Expectations for Next Week’s Class



Due Next Week

  1. PROPOSAL for FINAL PROJECT (5 -7 minutes plus Q & A – 10 minutes each)
  2. BEGIN LAYOUT – *see schedule*
  3. Reading: Drawing Words and Writing Pictures by Robyn Chapman , UNIT 2 Page Building
  4. Reading: Cece Bell – ElDeafo
  5. Continue Diary IF IT IS HELPFUL

SEP 19 | Week 4

Topic

Intro to Ink

Activities

DISCUSSION: Lighter than My Shadow by Katie Green – Sandy & Morgan

DISCUSSION: Final Project Work in Progress Check-in

Lecture: “The Perfect Pen” Materials Introduction

DEMO: Introduction in Ink & Materials- Sandy



Due Next Week

  • READ: Smile by Reina Telgemeier.  

YES, this is a kid’s book. ENJOY! 🙂 

Reina Telgemeier has won 3 Eisner Awards for her auto-biographical works SMILE, GUTS, and SISTERS and her books hang out regularly on the NYT bestseller list and are gobbled up by kids of all ages and genders.  What’s the appeal?   

We are looking for a class reading discussion leader for next week. 

  • Homework 3: Finished 4 Panel Comic Due. 

Continue to post your progress on Discord.  But please be sure to bring your final work to class so that we can hang them up for discussion.  

  • Please be prepared with your supplies for a group work session next week.  We will continue to explore materials and working processes in class. 
  • Feel free to continue your diary – But remember it’s a tool to help you, so please also, take a break from it or reinterpret the assignment to suit your needs.  It’s not your main priority. NO STRESS.
  • Be sure to meet with me, your Prof. one-on-one regarding the final.

WEEK 3 | SEP 12

Topic: The Comic Strip: Multi-Panel Storytelling

Objectives

  • To understand the concept of multi-panel storytelling.
  • To consider the concepts of time and action in sequential art.
  • To consider the ways words and images interact in comics.
  • To familiarize students with the typical workflow of working professional comic-book artists.
  • To familiarize students with materials and to introduce inking techniques.

Activities

Warm Up Drawing SELF PORTRAIT 4min

Adrian Tomine cartoonist profile

Student Lead Reading Response 20 min

CRITIQUE: 1-panel comic

LECTURE: Visual Metaphor

DISCUSSION: Chapters 3 & 4 of Understanding Comics

LECTURE: TIME as it relates to comics:

  • Gutter, Sequence, and & Closure

DRAWING ACTIVITY: Action in Comcis & TIME LORD!

LECTURE: Traditional Comics Workflow

LECTURE & DEMO: Supplies & Processes

CRITIQUE: Workshop final project ideas

Review Assignments and Expectations for Next Week’s Class



Due Next Week

  • In Sketchbook (aim for 5) DAILY DIARY PAGES
  • Begin Homework 2 4-Panel Comics (aim for 2-3 ideas)
  • FINAL PROJECT: CHOOSE 1 scene from your final project outline. By next week’s class, break this scene down to its individual beats.
  • List or sketch these beats. Don’t worry about layout, quality of drawing, or style.

READ: Jessica Abel Chapters 1, 2 & 3 Drawing Words and Writing Pictures

*READ: Lighter than my Shadow – Katie Green, ONI press*

*Please note the order on the reading list has changed, with the purpose of inspiring students who are working with abstract concepts in their narratives.

Week 2 | SEP 05

Topic: WORDS + IMAGE = MEANING

Activities

Warm Up Drawing 5 min

Student Lead Reading Response 20 min

REVIEW CRITIQUE GUIDE:

  • Clarity
  • Story Structure
  • Reading Order
  • Rhythm
  • Writing
  • Uniqueness
  • Craft

SHARE: Homework 1 – Self Portraits 20 min

DISCUSS: Our First Character – an exploration of self / personal voice. 

REVIEW: Lynda Barry’s Diary Format.

LECTURE: THE LANGUAGE an Over View of Comics Grammar:

  • Reading Order
  • Panel
  • Gutter
  • Tier
  • Flow and Eye Track
  • Beats and Timing
  • Point Of View
  • Shot Choice
  • Pagination/ Page Turn

LECTURE: WORDS + IMAGE = MEANING, SHOW OR TELL!

DISCUSSION: What are some of the ways words and images interact in comics? Where do we see writing in comics? How might the meaning of a drawing change when combined with different words?

IN CLASS ACTIVITIES: New Yorker Captions

LECTURE: The 1 Panel COMIC

IN-CLASS ACTIVITY: Ivan Brunetti meets – Overheard in NY!

SHARE: 2-3 Final Project Ideas 30 min

Due Next Week

Homework:

  • In Sketchbook (aim for 5) DAILY DIARY PAGES
  • Complete 1-Panel Comics (aim for 3-5) based on your diary observations.
    • Use the Language of comics purposefully. Consider how text and image interplay. Consider how a scene reads from differing points of view and uses text in different ways. What happens when information is conveyed through dialogue? Through captions? Through background text embedded in illustrations?
    • Bring your 1-panel comics to a level you consider FINISHED – They can be simple, or more detailed; Stylized or more realistic. Try using ink to finalize and tighten the rough pencil lines.
    • FULL DESCRIPTION BELOW
  • Workshop your 2-3 FINAL PROJECT IDEAS. By next week’s class, you should close in on one you would like to pursue and have a rough outline.

READ: Jessica Abel – What is a Graphic Novel (Print me and hang me up!)

READ: Jessica Abel Chapters 1 & 2 Drawing Words and Writing Pictures

READ: Chapters 3 & 4 Understanding Comics

READ: The Realist – Asaf Hanuka

OPTIONAL ACTIVITY: DISCORD ONBOARDING (over zoom)

**DISCUSSION ON DISCORD**

Week 1 | AUG 29

Class Info: Tuesday 6:30-8:30

CUNY Graduate Center room 6417

To-Do Before Class:

Topic: INTRODUCTIONS & FINDING YOUR VOICE 

Activities 

ICE BREAKER ACTIVITY: Ivan Brunetti Cartooning Style 

*NO SOUL FITS INSIDE A STICK FIGURE!*

ACTIVITY: Lynda Barry 3 min Self Portraits in Brunetti Style. 

DISCUSS: What’s Your Why? Class Introductions.

Who am I?

Philosophy:

Comics are language. Every language can be learned.  You’ll find this course is front-loaded with language acquisition tools and idea generation tools.   My goal is to get you ready to share your personal narratives in sequential art format as quickly as possible.

DISCUSS: What is Sequential Art? (a.k.a Comics) Class Relationship with Comics

Broad Overview of Genres and Styles – Biography and Memoir in Sequential Art.

Comics are a language with a distinct Grammar Set.  It’s made up of Sequential Reading (left -right up down), of grammatical parts which are composed of BOTH words and images.

(Realistic drawing is NOT a requirement.) 

ABOUT THIS COURSE:

Review academic policies, syllabus, calendar, and async resources

Craft, Community, and Culture!

  • Course Structure
  • Reading VS. Making
  • Reading List
  • Critique and Discussion: Class Discord
  • In-class activities (Like the one we just did!)
  • FINAL PROJECT
  • Grading Policy: EFFORT, TIME, CARE, GROWTH, STORY, CRAFT, CLARITY (not rendering.)

DISCUSS: Do we need to DRAW to make comics? NO! (…but it helps.)

Value of a sketchbook. Why work and write by hand?

Optional DRAWING ASSIGNMENT. (Since this is not a drawing class!)

DISCUSS: Our First Character – an exploration of self / personal voice.  What is VOICE in Comics? What you choose to say and how you choose to say it!

DISCUSS: Value of Daily Diary for Life Writing

INTRODUCE: Lynda Barry’s Diary Format – Share Mine – Create Template

ACTIVITY: Meet the Artist / Comics Selfie / Share Mine

(Begin in class if time allows)

Consider the different ways text and image interact on a page.  Consider your personal visual style or play with styles you find interesting and experiment!

Create a “meet the artist” page in your sketchbook with a comic version of yourself as a method of exploring your voice.  Challenge yourself to try multiple ways of using words + images together. 

Infographics, cross sections, embedded text (in the background or on an item?), maps, dialogue, signage, sound effects, and captions, are all options. 

OPTIONAL ACTIVITY: DISCORD ONBOARDING

Due Next Week

Homework:

  • In Sketchbook (aim for 5) DAILY DIARY PAGES
  • Complete your Meet the Artist / Artist Selfie   *KEEP IT SIMPLE*
  • 2-3 FINAL PROJECT IDEAS

READ: Lynda Barry Making Comics Excerpt

READ: Chapters 1 & 2 Understanding Comics

READ: Inventing Comics by Dylan Horrocks

READ: Dear Sophie, Love Sophie – By Sophie Lucido Johnson

**DISCUSSION ON DISCORD**

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