Homework #1 Michael Estrada

What I have found striking of this image was , how the patience in this image is being treated. it reflects how medicine has been improved over time. It got my attention because this image shows someone having a surgery . I think it was a common act where the surgeon did not have a specific place where to do this surgery or the patient could go like a hospital or a right place to do the surgery. We can also see the lack of hygiene during a clinical surgery, as we see there is a dog being walking around which might represent the lack of cleanliness and a mother or wife who suffers of pain more than a man who is being treated maybe with no anesthesia at all . It also shows a surgeon with no glove or special tools for doing a well surgical process as now days. I am seeing someone putting its own hand in a open wound trying to move or find something inside the patient. This image shows same contrast, feelings and reality as the images seen in class. through this master piece of drawing we can see how the history of medicine has been improved since long time ago where there was no camera of any relating media as there are plenty of them today.

Homework #1

L0032442 CARSON: Patients waiting to see doctor Credit: Carson, Rosemary/The Wellcome Library, London. Wellcome Images images@wellcome.ac.uk http://wellcomeimages.org Patients waiting to see the doctor, with figures representing their fears. Oil 4e/62/1997 By: Rosemary CarsonPublished: 1997. Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

L0032442 CARSON: Patients waiting to see doctor
Credit: Carson, Rosemary/The Wellcome Library, London. Wellcome Images
images@wellcome.ac.uk
http://wellcomeimages.org
Patients waiting to see the doctor, with figures representing their fears.
Oil
4e/62/1997 By: Rosemary CarsonPublished: 1997.
Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

This image stood out to me because of the first top half of the image. This image is a little different than what we’ve been looking at in class so far. This is an oil painting that at first glance the images look like demons or some kind of evil spirits. The artist painted them in red which is what stuck out to me. Upon reading the title, the image made perfect sense to me. It is titled “Patients waiting to see doctor”.  These figures are suppose to represent their fears which is an awesome image to me.  The people in the image aren’t clearly drawn. There are no facial features, on any of the humans, but you can see some features on the “fears” floating above.

I think people do feel like this when they go to the doctor, which is why many people don’t visit the doctor as frequently as they should. They fear what the outcome of the experience might be. I think this image is a perfect representation of how many people feel and the anxiety they experience .

homework #1

 

http://wellcomeimages.org/indexplus/email/292864.htmlA verger's dream: Saints Cosmas and Damian performing a miraculous cure by transplantation of a leg. Oil painting attributed to the Master of Los Balbases, ca. 1495.
This painting captured my attention. The painting is called a vergers dream: Saint Cosmas and Damian performing a miraculous cure by transplantation of leg.This is an oil painting. The painter had used a variety of colors to make this painting vibrant. The green drapery looks elegant in the background. Since this is all a dream, the verger is sleeping peacefully. He is draped with white and red sheets. The two saints dressed in colorful robes stand on the side of the bed. There are golden circles at the back of their heads. One saint has a limb in his hand while the other saint is holding a circular yellow box, as if the tools needed for the transplant. There is an angel behind the saints who is praying. There are two more angels in the room, they are kneeling on the other side of the bed. All the angels have colorful wings. One angel is holding a candle in his hand and the other angel has the Verger’s limb that is being replaced from the knee. Presence of candle in the angel’s hand suggests that it is night time and also the title of the painting says that it is a dream. Since this a miracle, we do not see any blood in the scene. The saint who is performing the miracle is attaching a dark colored limb to the vergers body, probably from someone who is already dead. verger’s leg must be diseased.

Andrea Ibarra – Wellcome Image

 

V0017247 A birth-scene. Oil painting by a French (?) painter, Ă…bo, Sw Credit: Wellcome Library, London. Wellcome Images images@wellcome.ac.uk http://wellcomeimages.org A birth-scene. Oil painting by a French (?) painter, Ă…bo, Sweden (later Turku, Finland), 1800. 1800 Published:  -  Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

V0017247 A birth-scene. Oil painting by a French (?) painter, Ă…bo, Sw
Credit: Wellcome Library, London. Wellcome Images
images@wellcome.ac.uk
http://wellcomeimages.org
A birth-scene. Oil painting by a French (?) painter, Ă…bo, Sweden (later Turku, Finland), 1800.
1800 Published: –
Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

This image caught my attention immediately because I can appreciate a birth scene, not a typical one. In this modern world, you don’t see often a home birth. This image was published in 1800, in this time there was no medical equipment and medical care for this occasion. In this image you can see three people focus in the birth of a child. I can tell the man in the left is the doctor or the experienced midwife, and the old lady in the right is the mom who is very worried about her daughter and the grandchild on the way. The third person in this picture I believe is the sister who is more calmed and is helping the midwife. This image describes the essence of human life. Giving life is the most beautiful thing a human being has done. In the history of man, animal or any species known to man giving life is the most important accomplishment.

L0021970 An operator extracting a tooth. Oil painting by an unidentif Credit: Wellcome Library, London. Wellcome Images images@wellcome.ac.uk http://wellcomeimages.org An operator extracting a tooth. Oil painting by an unidentified painter, 16--, after Theodor Rombouts. Paintings and other records from the 16th to the early 20th centuries capture performers in action. In the 17th century, travelling actors worked in troupes as a support act to specialist tooth-drawers who were themselves part of the act. These operators often had craft skills, experience, and expensive specialist instruments, like those shown on the table in this painting. Because they worked outside the guild system of locally established surgeons, the latter often tried to protect their own business by dubbing the interlopers as charlatans or quacks and taking them to court. However, the travelling dentists performed a useful service, were often brilliant entertainers, and were therefore a very popular and welcome presence at fairs and markets.  In this painting, the leader of the troupe, near the centre, is a roving dental specialist, performing or pretending to perform a tooth extraction. He is surrounded by his companions who pretend to be casual bystanders. The composition was the invention of the short-lived Flemish painter Theodor Rombouts (1597-1637). He had worked in Italy where he learnt the technique (called Caravaggesque) of composing horizontal groupings of half-length figures in action, as here. Such paintings usually illustrate some illusion or deception: here the man in the right foreground is being gulled by all the other people, in an attempt to get him to volunteer to have a bad tooth extracted, or to buy a medicine to ease the pain. Oil 1600-1699 By: Theodoor RomboutsPublished: [16--] Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

L0021970 An operator extracting a tooth. Oil painting by an unidentif
Credit: Wellcome Library, London. Wellcome Images
images@wellcome.ac.uk
http://wellcomeimages.org
An operator extracting a tooth. Oil painting by an unidentified painter, 16–, after Theodor Rombouts.
Paintings and other records from the 16th to the early 20th centuries capture performers in action. In the 17th century, travelling actors worked in troupes as a support act to specialist tooth-drawers who were themselves part of the act. These operators often had craft skills, experience, and expensive specialist instruments, like those shown on the table in this painting. Because they worked outside the guild system of locally established surgeons, the latter often tried to protect their own business by dubbing the interlopers as charlatans or quacks and taking them to court. However, the travelling dentists performed a useful service, were often brilliant entertainers, and were therefore a very popular and welcome presence at fairs and markets.
In this painting, the leader of the troupe, near the centre, is a roving dental specialist, performing or pretending to perform a tooth extraction. He is surrounded by his companions who pretend to be casual bystanders. The composition was the invention of the short-lived Flemish painter Theodor Rombouts (1597-1637). He had worked in Italy where he learnt the technique (called Caravaggesque) of composing horizontal groupings of half-length figures in action, as here. Such paintings usually illustrate some illusion or deception: here the man in the right foreground is being gulled by all the other people, in an attempt to get him to volunteer to have a bad tooth extracted, or to buy a medicine to ease the pain.
Oil
1600-1699 By: Theodoor RomboutsPublished: [16–]
Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

Fear is instilled in us as children that if you eat too much candies and chocolate your teeth will turn rotten and fall out or the dentist will have to pull them out, and when you have a tooth ache or a loose tooth it is a common practice to pull those teeth out more quickly by tying one end of a string around your tooth and the other to a doorknob and then slamming the door shut to yank the tooth out. Either way of having your teeth removed are unpleasant. The image here shows an “operator” extracting the tooth of a young man, the reason probably being a toothache or rotten tooth as aforementioned. The procedure is being made a spectacle for 8 other men who are probably trying to learn the technique. This image stood out to me mainly because of the comical aspect, the operate has a smirk on his face while the man sitting on the right has a distinguishably perplexed look on his face as he is trying to figure out what is really happening. The patient himself looks far from comfortable and is looking directly up at the operator as if he wants him to stop. He is even trying to wave his hand in discomfort but the operator is pinning his arm down to the table. Compared to the images we have looked at in class this one is certainly on the brighter side; because having a tooth pulled is something most people have experienced it’s more relatable than an image of the plague of the coming of Jesus Christ.

 

Wellcome Home Work

V0016791 A surgeon bleeding the arm of a young woman: she is being co Credit: Wellcome Library, London. Wellcome Images images@wellcome.ac.uk http://wellcomeimages.org A surgeon bleeding the arm of a young woman: she is being comforted by another woman. Coloured etching by T. Rowlandson (?), 1784. 1784 By: Thomas RowlandsonPublished:  -  Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

V0016791 A surgeon bleeding the arm of a young woman: she is being co
Credit: Wellcome Library, London. Wellcome Images
images@wellcome.ac.uk
http://wellcomeimages.org
A surgeon bleeding the arm of a young woman: she is being comforted by another woman. Coloured etching by T. Rowlandson (?), 1784.
1784 By: Thomas RowlandsonPublished: –
Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

The Wellcome image I chose was from 1784.  It is an engraving by Thomas Rowlandson and it depicts a young woman being bled by a doctor.  There are three figures in the image. Two are female and one is male. The central figure is female and is interacting with both other figured. The make figure is to the central figured right and is holding the central figures arm. The figure on the left is also female and is embracing the central figure and holding a bowl in the cereal figured lap that is collecting blood.

The make figure is presumably the doctor.  He wears a blue coat, yellow vest and white pants and shirt. The central figure wears a pink dress and the left figure wears a yellow dress. There are only nine distinct colors in the image. The colors are black, yellow, pink, white, blue, gray, beige brown and white. All the figures gave the same shade of hair and skin. The yellow of the dress and the best ate identical. Although the image portrays a woman being bled, there is no red. The blood is represented by black lines falling neatly from the central figures arm into the bowl.  The entire scene is very calm and civilized, there is no mess. It portrays blood letting as a simple , relatively painless procedure, reflecting the attitude of the time.

Eleana Zeng – Homework #1: Wellcome Images

The image that I chose from Wellcome Images is called “A Chinese lady (Lo Wanshun) from Canton (Guangzhou) sitting on a couch with a tumor on her left cheek.” This portrait was painted by Lam Qua in 1836.

This image captured my attention because the size of the tumor on the woman’s left cheek stood out to me. The tumor is situated beneath her left ear and it extends forward to her cheeks and nose and goes down to her neck. The woman is sitting gracefully on the wooden bench with both hands on her lap and her legs crossed. She is wearing a blue robe with black collars and a purple skirt. Her foot seems to be bound based on the shape and the type of shoe she was wearing. Her hair is put up into a simple hairdo with two hair ornaments sticking out from the back. She is wearing a jade bangle on both her wrists and a dangle earring on her right ear. Based on her appearance, it seems like she is in her late 30s to early 40s and she should be married and has children.

To me, the striking part of this image is the woman’s expression. Although the left side of her face is disfigured, she doesn’t seem all that sad. Her eyes show tiredness but she has a slight smile for the portrait. Perhaps she has hope that she will receive the right treatment for her tumor at Canton Hospital. This image is very similar to the image we saw in class where two sisters has a deformity in their left eye. Both images depict a physical deformity as a result of some disease or medical condition.

L0037319 Credit: Wellcome Library, London A Chinese lady (Lo Wanshun) from Canton (Guangzhou) sitting on a couch with a tumour on her left cheek.

L0037319 Credit: Wellcome Library, London
A Chinese lady (Lo Wanshun) from Canton (Guangzhou) sitting on a couch with a tumour on her left cheek.

 

 

Homework #1: Wellcome Images Database

V0017575 "Anxious moments": a sick child, its grieving parents, a nur Credit: Wellcome Library, London. Wellcome Images images@wellcome.ac.uk http://wellcomeimages.org "Anxious moments": a sick child, its grieving parents, a nursemaid and a medical practitioner. Oil painting attributed to John Whitehead Walton, 1894. By: John Whitehead WaltonPublished:  -  Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

V0017575 “Anxious moments”: a sick child, its grieving parents, a nur
Credit: Wellcome Library, London. Wellcome Images
images@wellcome.ac.uk
http://wellcomeimages.org
“Anxious moments”: a sick child, its grieving parents, a nursemaid and a medical practitioner. Oil painting attributed to John Whitehead Walton, 1894.
By: John Whitehead WaltonPublished: –
Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

The picture I chose is called “Anxious moments” it is an oil painting attributed to John Whitehead Walton from the year 1894. This painting depicts a scene of a sick child with her grief-stricken parents. A medical practitioner and a nursemaid are at the bedside.

This painting portrays mixed emotions. This painting takes place in the evening because there is a lamp at the bedside table and a glow from the door that looks like the sun is setting outside. The medical practitioner has rushed over and dropped his hat and cane on the floor. He is intent on assessing the child, while the parents are in obvious distress as they are trying to cope with the situation. The nursemaid has possibly given the child some medicine or water because she is holding a bottle while caressing the child and looking intently at the medical practitioner for further instructions. Based on the fact that this painting is from the 19th century, care is provided at home for children, I can assume that the family had no choice but to call the medical practitioner over to get the child checked. The mother is caring and cannot bear to look and see what could possibly be going wrong with her child. The father is patiently waiting and his expression is troubled and helpless, as he looks at the child in hopes that everything will be okay.

Focusing in on the child; she glows while her surroundings are dim. This gives the painting a feeling of innocence from the child. Her expression is peaceful and without any signs of distress. Despite the surroundings being so dark, looking solely at the child in the picture, it is uplifting. The child is neither suffering nor does it look like she has any form of severe illness.

The reason I found this particular painting striking is because it portrays the value of family and how medicine interacts with family ties. No matter how time goes on, whether it is the 19th century or the 21st century, the bond that families have will never change. Each individual in this picture represents the role that each title holds. When a child is sick, the entire family is involved with the healthcare providers. This compares to the imagery that we have discussed in class because it has a complimenting surroundings that reflect the central idea of the image. When we look at this painting we can see how colors, lighting, and facial expressions can give us so much meaning to the painting. It represents the knowledge and system of delivering care at the time the imagery was created. It speaks for itself as does the imagery we have discussed in class.

Homework #1 Wellcome Image

L0026689

The Wellcome Image I chose is titled “An old man diagnosed as suffering from senile dementia” by J. Williamson, ca. 1890. This image captured my attention because it depicts the last stages of our life: old age. Not only is this lithograph portraying old age but also as described by the title, “… as suffering from senile dementia”. This image captures a sense where there is no control of our cognitive thoughts hence senile dementia; no sense of present awareness can be seen. The old man also has a slumped body language, which for me represents sadness, discontent and a sense of tiredness. The old man is not even facing J. Williamson. His eyes show unhappiness but also a sense of unawareness and blankness. The wrinkles under his eyes seem sad and deep. The lines on his face show he has been through a lot in life. This image seems to have been taken during the winter season as seen by the subject’s clothing such as the winter hat, sweater and what looks like a scarf around his neck. This image reminded me of the readings we had to do during week two of class from Martin Kemp’s, “Medicine in View: Art and Visual Representation”. It showed an image of a woman who was filled with envy; a portrait by Théodore Géricault titled Woman Exhibiting the Monomania of Envy (facing). This image was created as a means to study the subject as well as to diagnose and treat them afterwards.

Homework #1

The image I chose from Wellcome Images does not have an artist’s name but it was “taken from the Apocalypsis S. Johannis cum glossis et Vita S. Johannis; Ars Moriendi (circa 1420 to 1430), which were gynaecological texts that included information about conception, pregnancy, and childbirth”.  This image is an ink and watercolor illustration that shows a caesarean section in medieval times. The woman on the table is still cut open, bleeding and dead. The nurse is holding the baby that was just born in a blanket. The surgeon, although doesn’t look like a typical surgeon is holding a knife, a knife that you would cut a piece of meat with. This picture is not easy to look at, especially for a woman. Most women, who underwent a C-section in medieval times, did not make it due to the severe bleeding that occurred. Sterile techniques were not in place, allowing infection to play a big role in death. This image relates to the images we saw in class with the woman and child at the doctor’s office. Similar to those images, we can conclude that back then doctor offices did not look sterile, proper or how we would expect them to look. Physicians looked like ordinary people.  As you can see in this drawing, the room has no surgical supplies besides the butcher knife. There is also no means of sedation or pain medication. The amount of pain, infections and blood loss experienced by the mother was more than enough to guarantee death after the birth of a child.