Call for Papers: 
Science Fiction, Artificial Intelligence, and Generative AI: The Ninth Annual City Tech Science Fiction Symposium

EXTENDED DEADLINE FOR CFP:
FRIDAY, NOVEMBER 15, 2024

Deadline for CFP: 
Friday, November 8, 2024

Date and Time of Event: 
Tuesday, December 10, 2024, 9:00AM-5:00PM EST

Location: 
Academic Building, New York City College of Technology, CUNY

Organizers: 
Jill Belli, Wanett Clyde, Jason W. Ellis, Leigh Gold, Kel Karpinski, and Vivian Papp

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“Motive,” the construct said. “Real motive problem, with an AI. Not human, see?”

“Well, yeah, obviously.”

“Nope. I mean, it’s not human. And you can’t get a handle on it. Me, I’m not human either, but I respond like one. See?”

“Wait a sec,” Case said. “Are you sentient, or not?”

“Well, it feels like I am, kid, but I’m really just a bunch of ROM. It’s one of them, ah, philosophical questions, I guess …” The ugly laughter sensation rattled down 

Case’s spine. “But I ain’t likely to write you no poem, if you follow me. Your AI, it just might. But it ain’t no way human.”

–McCoy “Dixie Flatline” Pauley conversing with Case in William Gibson’s Neuromancer (1984)

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William Gibson’s Neuromancer (1984) captures some of the anxiety today regarding AI. Less like Skynet and its cybernetic soldiers in Terminator (1984), the passage above gets the heart of the subtleties of Artificial Intelligence (AI) that we are now confronting with Generative AI (much like McCoy Pauley’s ROM or read only memory construct) and the pursuit of AGI or Artificial General Intelligence (akin to the novel’s Wintermute and Neuromancer). Various forms and degrees of AI are transforming human culture and relationships in ways both obvious (e.g., ChatGPT) and obscure (e.g., facial recognition, credit scoring, policing, and carceral sentencing). And like Gibson’s imagined future, the megarich of today are developing and deploying AI for their own capitalistic and ideological ends. While their motives are challenging enough to decipher, those of the eventual AGI systems they create will be even more so.

It is with these concerns in mind that we convene this year’s Ninth City Tech Science Fiction Symposium on the topic of Science Fiction, Artificial Intelligence, and Generative AI. Science Fiction offers a spectrum of AI perspectives from hopeful to warning. On the one hand there is Murray Leinster’s helpful if mischievous “A Logic Named Joe” (1946), but on the other, there is AM in Harlan Ellison’s “I Have No Mouth, and I Must Scream” (1967). Together, we will examine the many connections between SF and AI: anticipation, caution, education, inspiration, prediction, representation, and more.

We invite proposals for 10-20 minute scholarly paper presentations or 40-60 minute panel discussions related to the topic of Science Fiction, Artificial Intelligence, and Generative AI. Please send a 250-word abstract with title, brief 100-150-word professional bio, and contact information to Jason Ellis (jellis@citytech.cuny.edu) by Friday, November 8, 2024. 

Topics with a connection to Science Fiction, Artificial Intelligence, and Generative AI might include but certainly are not limited to:

• How is AI represented in SF? 
• What is the history of AI in SF?
• Does AI differ in SF across media (e.g., print, film, television, video games, etc.)?
• How does AI affect individuals and society in SF?
• How does SF approach AI Ethics including and beyond Asimov’s Laws of Robotics?
• What are some of the unintended consequences of AI explored in SF, and what might we learn from those?
• What are the utopian and dystopian possibilities of AI in SF?
• What examples exist of teaching with AI in SF? Are there lessons for pedagogy today?
• How does AI’s energy consumption figure into SF and Climate Fiction?
• Are there mundane examples of AI in SF?
• What can SF teach AI developers and users?
• How is Generative AI depicted in SF?
• How is Generative AI disrupting SF work practices (e.g., cover and interior art, writing, production workflows, etc.)?
• Can AI make SF?
• AI? What, me worry?

The event will be held in person at City Tech in downtown Brooklyn, New York. 

Analog Science Fiction and Fact will also announce the winner of their second Analog Award for Emerging Black Voices at this year’s symposium (https://www.analogsf.com/about-analog/analog-emerging-black-voices-award/).

This event is free and open to the public as space permits: an RSVP will be included with the program when announced on the Science Fiction at City Tech website (https://openlab.citytech.cuny.edu/sciencefictionatcitytech/). Free registration will be required for participation.

The event is sponsored by the School of Arts and Sciences at the New York City College of Technology, CUNY.

The Annual City Tech Symposium on Science Fiction is held in celebration of the City Tech Science Fiction Collection, an archival holding of over 600-linear feet of magazines, anthologies, novels, and scholarship. It is in the Archives and Special Collections of the Ursula C. Schwerin Library (Library Building, L543C, New York City College of Technology, 300 Jay Street, Brooklyn, NY 11201). More information about the collection and how to access it is available here: https://openlab.citytech.cuny.edu/sciencefictionatcitytech/librarycollection/.