Author Archives: Jason W. Ellis

Videos and Photos from the Tenth Annual City Tech Science Fiction Symposium on “Image in SF”

large audience are listening to a presenter speak at the front of the 100-seat classroom

The 10th Annual City Tech Science Fiction Symposium on “Image in SF” was a great success!

If you missed it, you can watch each session in the videos embedded below.

The original call for papers is here and the program with participant bios can be found here.


Videos of the 10th Annual City Tech Science Fiction Symposium

9:00AM Opening Remarks
Jason Ellis and Justin F. Vázquez-Poritz


9:20AM Paper Session 1
Moderator: Kel Karpinski
Jason Ellis, “10 Year Retrospective”
Mary Billyou, “Pocket Paperback & Pulp Magazine Covers of Important LGBTQIA+ Texts in the City Tech Science Fiction Collection”
Frank Wu, “Images of Aliens and Strange Creatures in Astounding and Analog Science Fiction and Fact


10:50AM Paper Session 2
Moderator: Wanett Clyde
Richard Rivera, “Cli-Fi and Community Alliance and Reporting Environmental Systems (CARES)”
Jason Ellis, “City Tech SF Collection”
Jim Keen, “Hallucinated Cities: Designing Cognitive Environments Through Image and Imagination”


1:10PM Student Panel: “‘Never did I behold a vision so horrible’: Frankenstein Reimagined”
Moderator: Vivian Zuluaga Papp
Gal Ben Baruch, Gilberto Martinez, Michael Peterkin Jr., Yudesh Ramphal, Chandler Wu, Kaiwei Yu, and Elijah Zindoga


2:10PM Analog/Asimov’s Artists and Writers Panel
Moderator: Emily Hockaday
Donato Giancola
Aleksandra (Ola) Hill
Kris Dikeman
Frank Wu


4:00PM Keynote Address: “Is Contemporary Science Fiction Strange Enough?”
Moderator: Leigh Gold
Keynote Speaker: Carlos Hernandez


Photos of Carlos Hernandez from the Keynote Address

man wearing a sweater speaking in front of a whiteboard and gesturing with his hands
man wearing a sweater speaking in front of a whiteboard and gesturing with his hands
man wearing a sweater speaking in front of a whiteboard and gesturing with his hands
man wearing a sweater speaking in front of a whiteboard and gesturing with his hands
man wearing a sweater speaking in front of a whiteboard and gesturing with his hands

Program for the 10th Annual City Tech Science Fiction Symposium on Image and SF, Tue., Dec. 2, 2025

Date and Location

The 10th Annual City Tech Science Fiction Symposium will take place in the City Tech Academic Building at 285 Jay Street in downtown Brooklyn, New York on Tuesday, December 2, 2025 from 9:00am to 5:00pm in Room A-105.

The event is free and open to the public. Pre-registration for this in-person event is not required. Participants and attendees who are not affiliated with the college will need to sign-in at the security desk before entering. Room A-105 is down the hallway to the right of the turnstiles on the right side (street-facing side of the building).

Program

9:00AM Opening Remarks

Jason Ellis and Justin F. Vázquez-Poritz

9:15AM Break

9:20AM Paper Session 1

Moderator: Kel Karpinski

Jason Ellis, “10 Year Retrospective”

Mary Billyou, “Pocket Paperback & Pulp Magazine Covers of Important LGBTQIA+ Texts in the City Tech Science Fiction Collection”

Frank Wu, “Images of Aliens and Strange Creatures in Astounding and Analog Science Fiction and Fact

10:40AM Break

10:50AM Paper Session 2

Moderator: Wanett Clyde

Jason Ellis, “City Tech SF Collection”

Jim Keen, “Hallucinated Cities: Designing Cognitive Environments Through Image and Imagination”

Richard Rivera, “Cli-Fi and Community Alliance and Reporting Environmental Systems (CARES)”

12:10PM Lunch

1:10PM Student Panel: “‘Never did I behold a vision so horrible’: Frankenstein Reimagined”

Moderator: Vivian Zuluaga Papp

Gal Ben Baruch, Dante Florian, Jonathan Kayumov, 

Gilberto Martinez, Michael Peterkin Jr., Matthew Ramirez, Yudesh Ramphal, Chandler Wu, Kaiwei Yu, and Elijah Zindoga

2:00PM Break

2:10PM Analog/Asimov’s Artists and Writers Panel

Moderator: Emily Hockaday

Donato Giancola

Aleksandra (Ola) Hill

Kris Dikeman

Frank Wu

3:50PM Break

4:00PM Keynote Address: “Is Contemporary Science Fiction Strange Enough?”

Moderator: Leigh Gold

Keynote Speaker: Carlos Hernandez

Participants

Savonne Andrews designed this year’s event poster. He is a graphic designer specializing in branding and visual storytelling. He believes that thoughtful creative decisions develop lasting memories in our mind without us realizing. His mission is to craft interactive art experiences that inspire large audiences through his experience in animation and writing. Connect with him on linkedin.com/in/savonneandrews and savonnea.myportfolio.com.

Jill Belli is Associate Professor of English at New York City College of Technology, CUNY, where she happily teaches science fiction and utopian studies often. She’s working on long-standing projects on well-being & happiness in education and writing & revising in speculative fiction. Newer interests include nature writing, healing & illness, tarot & astrology as storytelling / intuitive literacy, and grief. Learn more about Jill and her interdisciplinary research and teaching: jillbelli.org.

Gal Ben Baruch is a BTech in Emerging Media Technology student at City Tech.

Mary Billyou is a writer and lens-based artist who examines the archive, social practice, and the resonances of landscapes. She is currently attaining a dual degree in Information Studies and History at CUNY Queens College and is working as an archival research assistant on the City Tech Science Fiction Collection.

Wanett Clyde is the Collections Management Librarian at CUNY’s New York City College of Technology, where in addition to managing the library’s collection she oversees the university archives. Her research seeks to explore the intersection of Black history and fashion history, drawing out under credited African-American contributors, their critical innovations and accomplishments, and other meaningful connections in the overlapping research spheres.

Kris Dikeman lives and works in New York City. Her stories have appeared in Sybil’s Garage, All Hallows, Lady Churchill’s Rosebud Wristlet, Strange Horizons, and Year’s Best Fantasy 9. She is currently at work on a novel about life, love, and zombie hordes in Manhattan. You can read more of her work at her website: www.krisdikeman.com.

Jason W. Ellis is an Associate Professor of English at the New York City College of Technology, CUNY, where he coordinates the City Tech Science Fiction Collection. He published the OER Yet Another Science Fiction Textbook, and co-edited The Postnational Fantasy: Postcolonialism, Cosmopolitics and Science Fiction (McFarland, 2011) and a special issue on Star Wars: The Force Awakens of New American Notes Online, and talked with Dr. Neil deGrasse Tyson about the relationship between SF and society on StarTalk Radio.

Dante Florian is an AAS in Computer Engineering Technology student at City Tech.

Donato Giancola is a freelance artist whose oil paintings over a 33 year career have graced the covers of over three hundred novels, appeared in scores of exhibitions, and landed him numerous peer honors notably including three Hugo Awards, and twenty-three Chesley Awards, and the prestigious Hamilton King Award from the Society of Illustrators. Formative years in the early nineties were spent as the studio assistant to the preeminent figure painter Vincent Desiderio, and long days of study in the museums of New York. 

Donato recognizes the significant cultural role played by visual art and makes personal efforts to contribute to the expansion and appreciation of the narrative genre that extend beyond the commissions of his clients.  To those ends he taught at the School of Visual Arts in New York City for twenty-five years and now mentors artists online and appears at various institutions, universities, workshops, and events worldwide where he performs demonstrations, exhibits work, and lectures on his aesthetics.

Donato is currently engaged on multiple fronts with his genre themed works for exhibition, book projects for J.R.R. Tolkien’s Middle-earth, ongoing commercial book assignments, and explorations on his developing themes of Empathetic Robots and astronauts.

Donato lives and works with his wife in Brooklyn, New York.

Leigh Gold (she/her) is a Doctoral Lecturer in the English Department at City Tech. She teaches composition, fiction, poetry, women’s studies, and American literature. Her doctoral work explored mourning in the work of Else Lasker-Schüler using several theoretical approaches, among them feminist, trauma, and poetic theories.  Since then, she has deepened her focus on interdisciplinary work such as writing about Ursula K. Le Guin, Mary Shelley, Octavia Butler, Judith Merril, Eastern philosophies and ethics, trauma and healing in women’s science fiction, and the role of the body in poetry. Leigh contributed an essay to the 2025 anthology Jewish Women Writers Create Science Fiction: Gender, Temporality–and Yentas, edited by Marleen S Barr. She also writes fiction and poetry and is developing new courses on journal writing and dreams in literature. She is thrilled to be a part of this wonderful Symposium and grateful to have been a part of all of the Symposia over the past ten years!

Carlos Hernandez is the New York Times best-selling author who wrote the critically acclaimed short story collection The Assimilated Cuban’s Guide to Quantum Santeria (Rosarium, 2016), the novel Sal and Gabi Break the Universe (Disney Hyperion, 2019), which won the 2020 Pura Belpré Award, and its sequel, Sal and Gabi Fix the Universe. He’s also written dozens of short stories, poems, and works of drama, usually in the SFF mode. Recently, Carlos has written several comics for Marvel, including the characters America Chavez, Spider-man, Spider Punk, and Miles Morales.

Carlos earned his Ph. D. in English, with an emphasis in Creative Writing, from Binghamton University in 2000. He is Professor of English at the City University of New York (CUNY), where he teaches Composition, Creative Writing, Science Fiction, and other courses at BMCC, and, at the CUNY Graduate Center, teaches in the Interactive Technology and Pedagogy Program, where his academic interests have centered around game-based learning in postsecondary environments. 

That work in particular has led Carlos to work extensively in game writing and game design. He has served as lead writer and a game designer on the CRPG Meriwether, as a writer and designer for the installation art of Mary Miss, and as literary curator on the Apple Arcade game Dear Reader, among other video games. As a co-founder of the CUNY Games Network and of the Board Game Designers Group of New York, he’s contributed to the development of many board and card games, both educational and commercial. With his wife, author C. S. E. Cooney, he released in 2025 GM-less roleplaying game Negocios Infernales, published by Outland Entertainment. 

Aleksandra (Ola) Hill is a Polish-Canadian writer and the founder and editor-in-chief of khōréō, a quarterly magazine of speculative fiction by immigrant and diaspora writers. Her stories have appeared in Analog, Writer’s Digest, Uncharted Magazine, and others. In a past life, she was a computational biologist fascinated by machine learning. You can find her slinking around NYC bookstores and online at www.aleksandrahill.com.

Emily Hockaday is the senior managing editor of Analog Science Fiction and Fact and Asimov’s Science Fiction Magazine. She coedited the horror anthology Terror at the Crossroads with Jackie Sherbow and is the editor of the speculative poetry anthology Heartbeat of the Universe. Hockaday is the author of Naming the Ghost, Blood Music, and In a Body. She has received grants from the De Groot Foundation, Café Royal Cultural Foundation, NYFA City Artist Corps, and Queens Council on the Arts. You can find her at www.emilyhockaday.com.

Kel R. Karpinski (they/he) is the IT/ILL Librarian and Associate Professor at the New York City College of Technology, CUNY. Their research focuses on mid-century queer films and novels as they relate to sailors and hustlers in Times Square and how these texts map queer desire onto the city. Kel is also a zine maker and a NY Queer Zine Fair organizer.

Jonathan Kayumov is an AAS in Computer Information Systems student at City Tech.

Jim Keen is an architect, illustrator, and speculative fiction author exploring how visual design and spatial systems shape narrative and cognition. With over 25 years of experience leading civic and cultural architecture projects across North America, Europe, and Asia, he brings a unique design sensibility to speculative worldbuilding. His hand-drawn architectural illustrations have been featured by Apple, and his Alice Yu series—set in a fractured 2055 New York—treats the city as a cognitive system that drives behavior, memory, and story. Keen’s creative process blends sketching, 3D modeling, and generative AI to develop environments that don’t just reflect fictional realities but shape them. His current research investigates how images and designed spaces act as recursive tools for exploring trauma, control, and emergent narrative logic in science fiction.

Lucas Kwong is a writer, musician, and associate professor of English at New York City College of Technology. He’s written at eschatontwist.substack.com, Institute for Christian Socialism’s Bias Magazine, Public Books, Journal of Narrative Theory, and Victorian Literature and Culture. His podcast series, Monster In The Mirror, is a spinoff of Straight White American Jesus. His music can be found at brotherkmusic.com.

Gilberto Martinez is a BTech in Computer Engineering Technology student at City Tech.

Vivian Zuluaga Papp is a Doctoral Lecturer in the English Department here at City Tech. She has a BA in English from Columbia University, an MA in British and American Literature from Hunter College, and her Ph.D. is in Eighteenth-Century British Literature from Fordham University. Previously, she taught classes in Satire, Women in Science Fiction, Afrofuturism, and Imaginary Travel Narratives while a Postdoctoral Teaching Fellow at Fordham University.  She has also taught a course on Mary Shelley’s Frankenstein and The Last Man for the Rosenbach Museum in Philadelphia, Pa. Her research interest is in the field of visual epistemology in seventeenth-century scientific texts and early forms of the novel. She is the author of a short science fiction story “Catbot’s in the Cradle,” which was published in Behind the Yellow Wallpaper: New Tales of Madness, and has a chapter entitled “Picturing Air: The Rhetoric of Nondescription in Robert Boyle’s New Experiments Physico- Mechanicall and Daniel Defoe’s A Journal of the Plague Year” included in Histories of Science: Natural Philosophy in the Eighteenth-Century World (UVA Press) available now.

Michael Peterkin, Jr. is a BFA in Communication Design student at City Tech.

Matthew Ramirez is an AAS in Communication Design student at City Tech.

Yudesh Ramphal is an AAS in Environmental Control Technology student at City Tech.

Richard Rivera is a PhD Student in the CUNY Graduate Center’s Environmental and Geological Sciences program. He is dedicated to building community resilience against climate threats. With a background that includes service in the U.S. Navy as a rescue swimmer and engineer, bringing a multi-disciplined, mission-oriented approach to safeguarding vulnerable populations in NYC. His work now focuses on hydro-magnetic, environmental justice and citizen science, with particular attention to highly vulnerable areas like East Harlem. He aims to empower residents with tools like NOAA’s mPING app (and flood tools that are being developed) to bridge the gap between hyperlocal experience and national forecasting. His mission is to translate complex climate data into actionable strategies, ensuring communities are prepared, informed, and resilient in the face of an ever changing planet.

Justin F. Vázquez-Poritz is the Dean of the School of Arts and Sciences at New York College of Technology, CUNY.

Chandler Wu is a BTech in Mechanical Engineering Technology student at City Tech.

Frank Wu is a science fiction author and artist living near Boston, Massachusetts. His art has won four Hugo Awards, and his stories have appeared in Analog magazine eight times. Most recently, his novella co-written with Jay Werkheiser, “Under the Moons of Venus: A Tale of a Princess Altivolant”, an Edgar Rice Burroughs-inspired frolicsome sword-and-planet adventure, appeared in the July-August 2025 issue of Analog.

Kaiwei Yu is a BTech in Computer Engineering Technology student at City Tech.

Elijah Zindoga is a BTech in Mechanical Engineering Technology student at City Tech.

Symposium Co-Organizers

This year’s symposium was co-organized by Jill Belli, Wanett Clyde, Jason W. Ellis, Leigh Gold, Kel Karpinski, Lucas Kwong, and Vivian Zuluaga Papp.

Special Thanks

We would like to thank Analog Science Fiction and Fact and Asimov’s Science Fiction for providing magazine issues to give to attendees, and a special thank you to Emily Hockaday for organizing the artists and writers panel.

Science Fiction Collection

The New York City College of Technology, CUNY (City Tech) holds an extensive collection of genre literature and scholarship focusing primarily on Science Fiction, and secondarily on Mystery and Horror. Inaugurated in 2016 as the City Tech Science Fiction Collection, it contains over 600 linear feet of magazines, anthologies, novels, monographs, and scholarly journals. Thanks to its founding anonymous donor, it features near-complete runs of the major SF magazines. The collection has continued to grow thanks to donations from David Mead, Aaron Barlow, and Charlie Seelig.

The City Tech Science Fiction Collection is held in the Archives and Special Collections of the Ursula C. Schwerin Library. In addition to the collection serving as a locus for an annual symposium on Science Fiction and supplementing student research in City Tech’s ENG2420 Science Fiction course, it is a public collection, so scholars are invited to visit and make use of the collection’s holdings in their research.

Notably, the collection includes a library of texts that contains more than 4,000 science fiction magazine issues from complete or near-complete titles, including Amazing Stories, Astounding/Analog, Fantastic, Future, Galaxy, Galileo, If, Imagination, Isaac Asimov’s Science Fiction Magazine, Magazine of Fantasy and Science Fiction, Omni, Spaceway, Thrilling Wonder Stories, Vertex, and Worlds of Tomorrow. An inventory is available at https://openlab.citytech.cuny.edu/sciencefictionatcitytech/librarycollection/.  

To inquire about the collection’s holdings or arrange a visit, contact Collections Management Librarian Wanett Clyde (wclyde@citytech.cuny.edu) and Jason Ellis (jellis@citytech.cuny.edu).

The annual City Tech Science Fiction Symposium is held each year in celebration of the collection, which in turn provides the foundation for exploring different themes and issues through interdisciplinary conversations. We have been honored by symposia keynote addresses by Samuel R. Delany, Mike Flynn, Jonathan W. Gray, Ximena Gallardo C. and Ann Matsuuchi, Jeremy Brett, Ytasha L. Womack, Marleen S. Barr, and this year, Carlos Hernandez.

Archives and Special Collections @ NYCCT Open House for New York Archives Week 2025

several professionals standing and talking in a library

On Thursday, Oct. 16 from 3:00pm-4:00pm, we hosted four visitors to the Archives and Special Collections @ NYCCT Open House for New York Archives Week 2025.  It was organized and setup by Wanett Clyde, Kel Karpinski, Jennifer Hoyer, and Keith Muchowski. For the event, they displayed artifacts from the archive, including artwork, photos, student newspapers, and books. During the event, Jason Ellis gave a presentation on the City Tech Science Fiction Collection. Our discussions ranged from maintaining archives, challenges to growing special collections, sustainability, and practical advice for entering the field.

professionals sitting at desks in a classroom adjacent to a library's special collections and archives

a classroom with books and photos on display on desks, a powerpoint title slide is displayed on the smartboard

a drawing of people using a library is on an easel and student newspaper clippings are on a bulletin board

artwork of a man using a vintage copy machine in a library hangs above student newspaper clippings

a wide shot of metal library shelves filled with books and magazines, it is the city tech science fiction collection

Call for Papers: The Tenth Annual City Tech Science Fiction Symposium on Image in SF

a grid of science fiction magazine covers depicting astronauts, aliens, spaceships, abstract artwork

Call for Papers: Image in Science Fiction: The Tenth Annual City Tech Science Fiction Symposium

Deadline for CFP: Friday, Oct. 31, 2025

Date and Time of Event: Tuesday, December 2, 2025, 9:00AM-5:00PM EST

Location: Academic Building A-105, New York City College of Technology (City Tech), CUNY

Organizers: Jill Belli, Wanett Clyde, Jason W. Ellis, Leigh Gold, Kel Karpinski, Lucas Kwong, and Vivian Zuluaga Papp


Science Fiction (SF) is an image driven genre. Whether described in text, see the “dull yellow eye” in Mary Shelley’s Frankenstein (1818)); rendered in the two-dimensional art of magazines like Analog; or brought to life in film, TV, and video games, SF imagery continually confirms Gérard Klein’s observation that “science fiction does not proceed directly from science, nor from philosophy, but from the “images (eikons) and representations (eidons)” that these disciplines “unknowingly” produce (“From the Images of Science to Science Fiction,” 2000). SF images abound; how those images are understood and interpreted iterates to infinity.

The Tenth Annual City Tech Science Fiction Symposium explores the many aspects, configurations, and meanings of the image in SF. We invite proposals for 10-20 minute scholarly paper presentations or 40-60 minute panel discussions related to the topic of image in SF broadly construed. Please send a 250-word abstract with title, brief 100-150-word professional bio, and contact information to Jason Ellis (jellis@citytech.cuny.edu) by Friday, October 31, 2025

Topics with a connection to image in SF might include but certainly are not limited to:

  • image across modalities: textual, visual, interactive, etc.
  • images of race, ethnicity, sex, gender, sexuality, and other aspects of identity
  • images meant to shape understanding of stories and/or sell them (e.g., magazine covers, in-text illustrations, movie posters, trailers)
  • advertising images in and around SF (e.g., advertising to sell SF as well as non-SF advertising around SF ranging from Big Tobacco to the Johnson Smith Co.
  • fandom’s use, adaptation, and transformation of images 
  • image and politics
  • image and meaning
  • image and representation
  • SF and photography
  • SF, simulacra, and simulation
  • Generative AI and SF

The event will be held in person at the New York City College of Technology (City Tech), CUNY in downtown Brooklyn, New York. 

This event is free and open to the public as space permits: an RSVP will be included with the program when announced on the Science Fiction at City Tech website (https://openlab.citytech.cuny.edu/sciencefictionatcitytech/). Free registration will be required for participation.

The event is sponsored by the School of Arts and Sciences at the New York City College of Technology, CUNY.

The Annual City Tech Symposium on Science Fiction is held in celebration of the City Tech Science Fiction Collection, an archival holding of over 600-linear feet of magazines, anthologies, novels, and scholarship. It is in the Archives and Special Collections of the Ursula C. Schwerin Library (Library Building, L543C, New York City College of Technology, 300 Jay Street, Brooklyn, NY 11201). More information about the collection and how to access it is available here: https://openlab.citytech.cuny.edu/sciencefictionatcitytech/librarycollection/.

Videos and Photos from the Ninth Annual City Tech Science Fiction Symposium on SF, Artificial Intelligence, and Generative AI

an audience listens to a panel of writers read their work in a large auditorium-style classroom

The 9th City Tech Science Fiction Symposium on SF, Artificial Intelligence, and Generative AI was a resounding success! It was well attended and the discussions followed after it despite it being our first event back in person since the beginning of COVID. Below, you will find videos of each session and a selection of photographs by Andrew Porter, the Hugo-winning editor and publisher.


Videos

9:00AM Opening Remarks
Jason Ellis and Justin F. Vázquez-Poritz


9:20AM Paper Session 1
Moderator: Wanett Clyde
Jason Ellis, “A History of Generative AI in SF”
Jacob Adler, “The End Zone: A.I. as a Commentary on the Human Condition in 17776”
Martijn J. Loos, “A Plea for Theory: The Relationship Between Real-World AI and its Representation in Science Fiction”


10:50AM Paper Session 2
Moderator: Kel Karpinski
Virginia L. Conn, “The Tyranny of Neutrality in AI 2041”
Nathan Lamarche, “Monotheistic Ethics in Caprica: The Consequences of AI Development on Queer Futurity”
Adam McLain, “Computational Poetics: Franny Choi’s Soft Science and the Dialogues to Come”


1:10PM Student Panel
Moderators: Jill Belli and Vivian Zuluaga Papp
Lucas Felipe
Journey Ford
Malik Joseph
Christine Retirado
Ronald Hinds


2:10PM Asimov’s/Analog Writers’ Panel
Moderator: Emily Hockaday
Sarah Pinsker
Mercurio D. Rivera
Sakinah Hoefler
Matthew Kressel


4:00PM Keynote Address
Speaker:
Marleen S. Barr, “Science Fiction/AI/Feminism: A Temporal Progression”
Moderator: Leigh Gold


Photos by Andrew Porter

five people sitting on a panel during a reading

Above L to R: Matthew Kressel, Mercurio D. Rivera, Sakinah Hoefler, Sarah Pinsker, and Emily Hockaday

a woman in a yellow sweater reads prepared remarks while holding a microphone

Above: Emily Hockaday

five people sitting on a panel during a reading

Above L to R: Matthew Kressel, Mercurio D. Rivera, Sakinah Hoefler, Sarah Pinsker, and Emily Hockaday

an audience listens to writers read their work

Above L to R: Matthew Kressel, Mercurio D. Rivera, Sakinah Hoefler, Sarah Pinsker, and Emily Hockaday

close up of a woman reading a story on a panel

Above: Sakinah Hoefler

five people sitting on a panel during a reading

Above L to R: Matthew Kressel, Mercurio D. Rivera, Sakinah Hoefler, Sarah Pinsker, and Emily Hockaday

wide shot of a large audience listening to a group of writers read their work

Above L to R: Matthew Kressel, Mercurio D. Rivera, Sakinah Hoefler, Sarah Pinsker, and Emily Hockaday

five people sitting on a panel during a reading

Above L to R: Matthew Kressel, Mercurio D. Rivera, Sakinah Hoefler, Sarah Pinsker, and Emily Hockaday

five people sitting on a panel during a reading

Above L to R: Matthew Kressel, Mercurio D. Rivera, Sakinah Hoefler, Sarah Pinsker, and Emily Hockaday

a woman reading a paper presentation, another woman sitting to her left

Above L to R: Marleen S. Barr and Leigh Gold

two men sitting on a panel

Above: Mercurio D. Rivera and Matthew Kressel

a woman seen between a group of other people

Above: Sakinah Hoefler

closeup of a man's face

Above: Matthew Kressel

Program for The Ninth Annual City Tech Science Fiction Symposium on SF, Artificial Intelligence, and Generative AI

Date and Location

The Ninth Annual City Tech Science Fiction Symposium will take place in the City Tech Academic Building at 285 Jay Street in downtown Brooklyn, New York on Tuesday, December 10, 2024 from 9:00am to 5:00pm in Room A-105.

The event is free and open to the public. Pre-registration for this in-person event is not required. Participants and attendees who are not affiliated with the college will need to sign-in at the security desk before entering and walking down the hallway to the right to room A-105.


Program

9:00AM Opening Remarks

Jason Ellis and Justin F. Vázquez-Poritz

9:15AM Break

9:20AM Paper Session 1

Moderator: Wanett Clyde

Jason Ellis, “A History of Generative AI in SF”

Jacob Adler, “The End Zone: A.I. as a Commentary on the Human Condition in 17776”

Martijn J. Loos, “A Plea for Theory: The Relationship Between Real-World AI and its Representation in Science Fiction”

10:40AM Break

10:50AM Paper Session 2

Moderator: Kel Karpinski

Virginia L. Conn, “The Tyranny of Neutrality in AI 2041”

Nathan Lamarche, “Monotheistic Ethics in Caprica: The Consequences of AI Development on Queer Futurity”

Adam McLain, “Computational Poetics: Franny Choi’s Soft Science and the Dialogues to Come”

12:10PM Lunch

1:10PM Student Panel

Moderators: Jill Belli and Vivian Zuluaga Papp

Lucas Felipe

Journey Ford

Malik Joseph

Christine Retirado

Ronald Hinds

2:00PM Break

2:10PM Asimov’s/Analog Writers’ Panel

Moderator: Emily Hockaday

Sarah Pinsker

Mercurio D. Rivera

Sakinah Hofler

Matthew Kressel

3:50PM Break

4:00PM Keynote Address

Moderator: Leigh Gold

Speaker:

Marleen S. Barr

“Science Fiction/AI/Feminism: A Temporal Progression”


Participants

Jacob Adler has been part of the CUNY system for a number of years now, most recently as the Cataloging and Metadata Librarian for the Lloyd Sealy Library at the John Jay College for Criminal Justice. In September 2024, he contributed to Space, the Feminist Frontier, a scholarly book publication about feminist topics related to the Star Trek franchise. Since 2022 he has been involved with providing educational material about artificial intelligence, including creating academic research guides and delivering presentations in CUNY and throughout the Westchester Library System. Other than AI, his interests include media history, fiction writing, and tabletop role-playing games.

Marleen S. Barr is known for her pioneering work in feminist science fiction scholarship and has recently retired from teaching English at the City University of New York. She has won the Science Fiction Research Association Award for Lifetime Contribution to Science Fiction Scholarship. Barr is the author of Alien to Femininity: Speculative Fiction and Feminist Theory, Lost in Space: Probing Feminist Science Fiction and Beyond, Feminist Fabulation: Space/Postmodern Fiction, and Genre Fission: A New Discourse Practice for Cultural Studies. Barr has edited many science fiction critical anthologies and co-edited the science fiction issue of PMLA. She is the author of the novels Oy Pioneer! and Oy Feminist Planets: A Fake Memoir.   Her When Trump Changed: The Feminist Science Fiction Justice League Quashes the Orange Outrage Pussy Grabber is the first single authored Trump short story collection. It is followed by This Former President: Science Fiction as Retrospective Retrorocket Jettisons Trumpism. Her latest critical anthology is Jewish Women Writers Create Science Fiction: Gender, Temporality–and Yentas.

Jill Belli is Associate Professor of English at New York City College of Technology, CUNY, where she happily teaches science fiction and utopian studies often. She’s working on long-standing projects on well-being & happiness in education and writing & revising in speculative fiction. Newer interests include nature writing, healing & illness, tarot & astrology as storytelling / intuitive literacy, and grief. Learn more about Jill and her interdisciplinary research and teaching: jillbelli.org.

Wanett Clyde is the Collections Management Librarian at CUNY’s New York City College of Technology, where in addition to managing the library’s collection she oversees the university archives. Her research seeks to explore the intersection of Black history and fashion history, drawing out under credited African-American contributors, their critical innovations and accomplishments, and other meaningful connections in the overlapping research spheres.

Virginia L. Conn is a Teaching Assistant Professor at Stevens Institute of Technology. She researches depictions of the “new socialist human” in socialist science fiction and how those depictions guided policy decisions in Mao-era China, Soviet Russia, and East Germany. She is currently working on her book manuscript, which offers a literary-material account of the relationship between socialist literary policies and the concurrent sociopolitical and technological drive to create the “new human” in daily life. She is also the managing editor of the Science Fiction Research Association Review.

Jason W. Ellis is an Associate Professor of English at the New York City College of Technology, CUNY, where he coordinates the City Tech Science Fiction Collection. He published the OER Yet Another Science Fiction Textbook, and co-edited The Postnational Fantasy: Postcolonialism, Cosmopolitics and Science Fiction (McFarland, 2011) and a special issue on Star Wars: The Force Awakens of New American Notes Online, and talked with Dr. Neil deGrasse Tyson about the relationship between SF and society on StarTalk Radio.

Lucas Felipe is a student at City Polytechnic High School of Engineering, Architecture, and Technology.

Journey Ford is an Entertainment Technology student at the New York City College of Technology, CUNY.

Leigh Dara Gold is a Doctoral Lecturer in the English Department at City Tech. She currently teaches composition, fiction, poetry, women’s literature, and several other literature classes. Her doctoral work, completed at NYU in 2011, explored mourning in the work of Else Lasker-Schüler using several theoretical approaches, among them feminist, trauma, and poetic theories.  Since then, she has deepened her focus on interdisciplinary work such as writing about Ursula K. Le Guin, Mary Shelley, Eastern philosophies and ethics, trauma in women writers of science fiction, including Octavia Butler, and the role of the body in poetry. Leigh contributed an essay to an anthology edited by Marleen S Barr about Jewish women science fiction authors which was just published.  She is currently also writing fiction and poetry about women, writing, and philosophy. She is thrilled to be a part of this wonderful Symposium and that some of her amazing students are a part of it this year!

Ronald Hinds is a Professional and Technical Writing student at the New York City College of Technology, CUNY.

Emily Hockaday is the senior managing editor of Analog Science Fiction and Fact and Asimov’s Science Fiction Magazine. She coedited the horror anthology Terror at the Crossroads with Jackie Sherbow and is the editor of the speculative poetry anthology Heartbeat of the Universe. Hockaday is the author of Naming the Ghost, Blood Music, and In a Body. She has received grants from the De Groot Foundation, Café Royal Cultural Foundation, NYFA City Artist Corps, and Queens Council on the Arts. You can find her at www.emilyhockaday.com.

Sakinah Hofler is a fiction writer, poet, and playwright. She’s a proud recipient of the 2023 Analog Award for Emerging Black Voices. Her work has been published both domestically and internationally, and her plays have been produced by places such as Cincinnati Playhouse in the Park and the University of Cincinnati’s College-Conservatory of Music. A former chemical engineer for the United States Department of Defense, she currently teaches writing at Princeton University. She resides in Newark, NJ with her wonderful husband and adorable son.

Malik Joseph is a student at City Polytechnic High School of Engineering, Architecture, and Technology.

Kel R. Karpinski (they/he) is the IT/ILL Librarian and Associate Professor at the New York City College of Technology, CUNY. Their research focuses on mid-century queer films and novels as they relate to sailors and hustlers in Times Square and how these texts map queer desire onto the city. Kel is also a zine maker and a NY Queer Zine Fair organizer.

Matthew Kressel is a multiple Nebula and World Fantasy Award nominated author and coder. His many works of short fiction have appeared in Analog, Asimov’s, Lightspeed, Clarkesworld, Tor.com/Reactor, Beneath Ceaseless Skies, and many other publications and anthologies, including multiple Year’s Bests. Eighteen of his stories will be included in his debut collection, Histories Within Us, coming from Senses Five Press in February. His far-future novel Space Trucker Jess is coming in 2025 from Fairwood Press. And his Mars-based novella The Rainseekers is forthcoming from Tordotcom in early 2026. Alongside Ellen Datlow, he runs the Fantastic Fiction at KGB reading series in Manhattan. And he is the creator of the Moksha submissions system, used by many of the largest fiction publishers today.

Nathan Lamarche is a Master of Arts in English student at the University of Alberta. Their current studies focus on writing centres and composition theory, Indigenous and queer fiction storytelling, and the relational impacts of technology on our perspectives of the self, with a keen interest on the development of AI technology through the anthropomorphisation of social-oriented technologies and services and their impacts on society, the parallel between Generative AI and monotheistics ethics, and AI’s disproportionate impact on cultural and queer marginalisation. They have received several awards and scholarships, including the Sarah Nettie Christie Scholarship, the Belcourt Brosseau Métis Awards, and The Kerry Wood Memorial Award in Arts.

Vivian Li designed this year’s event poster. She is a graphic designer specializing in branding and visual storytelling, but more than anything she’s just another human who wants to make the world a brighter and more connected place through thoughtful design. She believes that in a world increasingly driven by technology and AI, design has the power to bring a vital human touch to the exciting digital landscape. Her mission is to craft visuals that resonate emotionally, adding warmth and personality to fast-paced modern experiences. Connect with her at: https://www.linkedin.com/in/vivian-l-8a177b19b/.

Martijn J. Loos is a Dutch PhD candidate at New York University’s department Comparative Literature. He has a RMA in Comparative Literary Studies from Utrecht University and has taught at University College Tilburg. He works at the intersection of science fiction and philosophy, with a special emphasis on the relationship between the (political) real and the science-fictional. He has published on, amongst others, H. P. Lovecraft, Octavia E. Butler, Ray Bradbury, and Ted Chiang. He enjoys Belgian beers and anything involving laser guns.

Adam McLain is a graduate student in the English department and law student at the School of Law at the University of Connecticut. He studies dystopian literature, legal theory, and sexual justice. They received bachelor’s in English from Brigham Young University, a master’s of theological studies from Harvard University, and a master’s in English from University of Connecticut.

Vivian Zuluaga Papp is a Doctoral Lecturer in the English Department here at City Tech. She has a BA in English from Columbia University, an MA in British and American Literature from Hunter College, and her Ph.D. is in Eighteenth-Century British Literature from Fordham University. Previously, she taught classes in Satire, Women in Science Fiction, Afrofuturism, and Imaginary Travel Narratives while a Postdoctoral Teaching Fellow at Fordham University. Her research interest is in the field of visual epistemology in seventeenth-century scientific texts and early forms of the novel. She is the author of a short science fiction story “Catbot’s in the Cradle,” which was published in Behind the Yellow Wallpaper: New Tales of Madness, and has a chapter coming out in a Science Studies anthology on real and imagined visual manifestations of the “unseeable” in Daniel Defoe’s A Journal of the Plague Year and Robert Boyle’s New Experiments Physico-Mechanicall, Touching the Spring of the Air and Its Effects.

Sarah Pinkser is the author of over sixty works of short fiction, one novella, two novels, and two collections. Her work has won four Nebula Awards (Best Novel, A Song For A New Day; Best Novelette, “Our Lady of the Open Road,” Best Novelette, “Two Truths And A Lie,” Best Short Story, “Where Oaken Hearts Do Gather,”), two Hugo Awards (“Two Truths And a Lie” and “Where Oaken Hearts Do Gather”), the Philip K Dick Award, the Locus Award, the Eugie Foster Award, and the Theodore Sturgeon Award, and been nominated for numerous Nebula, Hugo, Locus, and World Fantasy Awards. Her fiction has been translated into almost a dozen languages and published in magazines including Asimov’s, Strange Horizons, Fantasy & Science Fiction, and Uncanny and in many anthologies and year’s bests. Sarah’s first collection, the Philip K Dick Award winning Sooner or Later Everything Falls Into the Sea: Stories, was published by Small Beer Press in 2019, and her first novel, A Song For A New Day, was published by Penguin/Random House/Berkley in  2019. Her latest book is We Are Satellites, published in 2021. Her second collection, Lost Places, was published by Small Beer Press in  2023 and was followed by the Tordotcom novella Haunt Sweet Home in September 2024. She is also a singer/songwriter with four albums on various independent labels (the third with her rock band, the Stalking Horses). She lives in Baltimore, Maryland and can be found online at sarahpinsker.com and x.com/sarahpinsker.

Christine Retirado is a Communication Design student at New York City College of Technology, CUNY.

Mercurio D. Rivera is a writer whose short fiction has won readers’ awards for Asimov’s and Interzone magazines and has appeared in markets such as The Magazine of Fantasy & Science Fiction, Lightspeed, i09, Nature, Black Static, and various anthologies, podcasts, and “best of” collections. His novel Wergen: The Alien Love War (published by NewCon Press), which was nominated for the Arthur C. Clarke Award, tells stories of unrequited love set against the backdrop of humanity’s complicated relationship with an enigmatic alien species. And his Asimov’s story “Beyond the Tattered Veil of Stars,” was podcast by Dust Studios, and features Gillian Jacobs (of Community) and Justin Kirk (of Weeds), and is available anywhere you listen to podcasts.

Justin F. Vázquez-Poritz is the Dean of the School of Arts and Sciences at New York College of Technology, CUNY.


Symposium Co-Organizers

This year’s symposium was co-organized by Jill Belli, Wanett Clyde, Jason W. Ellis, Leigh Gold, Kel Karpinski, and Vivian Zuluaga Papp.


Science Fiction Collection

The New York City College of Technology, CUNY (City Tech) holds an extensive collection of genre literature and scholarship focusing primarily on Science Fiction, and secondarily on Mystery and Horror. Inaugurated in 2016 as the City Tech Science Fiction Collection, it contains over 600 linear feet of magazines, anthologies, novels, monographs, and scholarly journals. Thanks to its founding anonymous donor, it features near-complete runs of the major SF magazines. The collection has continued to grow thanks to donations from David Mead, Aaron Barlow, and Charlie Seelig.

The City Tech Science Fiction Collection is held in the Archives and Special Collections of the Ursula C. Schwerin Library. In addition to the collection serving as a locus for an annual symposium on Science Fiction and supplementing student research in City Tech’s ENG2420 Science Fiction course, it is a public collection, so scholars are invited to visit and make use of the collection’s holdings in their research.

Notably, the collection includes a library of texts that contains more than 4,000 science fiction magazine issues from complete or near-complete titles, including Amazing Stories, Astounding/Analog, Fantastic, Future, Galaxy, Galileo, If, Imagination, Isaac Asimov’s Science Fiction Magazine, Magazine of Fantasy and Science Fiction, Omni, Spaceway, Thrilling Wonder Stories, Vertex, and Worlds of Tomorrow. An inventory is available at https://openlab.citytech.cuny.edu/sciencefictionatcitytech/librarycollection/.  

To inquire about the collection’s holdings or arrange a visit, contact Collections Management Librarian Wanett Clyde (wclyde@citytech.cuny.edu) and Jason Ellis (jellis@citytech.cuny.edu).

The annual City Tech Science Fiction Symposium is held each year in celebration of the collection, which in turn provides the foundation for exploring different themes and issues through interdisciplinary conversations. We have been honored by symposia keynote addresses by Samuel R. Delany, Mike Flynn, Jonathan W. Gray, Ximena Gallardo C. and Ann Matsuuchi, Jeremy Brett, Ytasha L. Womack, and this year, Marleen S. Barr.

Call for Papers: The Ninth Annual City Tech Science Fiction Symposium on SF, Artificial Intelligence, and Generative AI

A browser window displaying ChatGPT 4o mini. It is being asked, "Can science fiction literature tell us about the promise and peril of Artificial Intelligence?"

Call for Papers: 
Science Fiction, Artificial Intelligence, and Generative AI: The Ninth Annual City Tech Science Fiction Symposium

EXTENDED DEADLINE FOR CFP:
FRIDAY, NOVEMBER 15, 2024

Deadline for CFP: 
Friday, November 8, 2024

Date and Time of Event: 
Tuesday, December 10, 2024, 9:00AM-5:00PM EST

Location: 
Academic Building, New York City College of Technology, CUNY

Organizers: 
Jill Belli, Wanett Clyde, Jason W. Ellis, Leigh Gold, Kel Karpinski, and Vivian Zuluaga Papp

=====

“Motive,” the construct said. “Real motive problem, with an AI. Not human, see?”

“Well, yeah, obviously.”

“Nope. I mean, it’s not human. And you can’t get a handle on it. Me, I’m not human either, but I respond like one. See?”

“Wait a sec,” Case said. “Are you sentient, or not?”

“Well, it feels like I am, kid, but I’m really just a bunch of ROM. It’s one of them, ah, philosophical questions, I guess …” The ugly laughter sensation rattled down 

Case’s spine. “But I ain’t likely to write you no poem, if you follow me. Your AI, it just might. But it ain’t no way human.”

–McCoy “Dixie Flatline” Pauley conversing with Case in William Gibson’s Neuromancer (1984)

=====

William Gibson’s Neuromancer (1984) captures some of the anxiety today regarding AI. Less like Skynet and its cybernetic soldiers in Terminator (1984), the passage above gets the heart of the subtleties of Artificial Intelligence (AI) that we are now confronting with Generative AI (much like McCoy Pauley’s ROM or read only memory construct) and the pursuit of AGI or Artificial General Intelligence (akin to the novel’s Wintermute and Neuromancer). Various forms and degrees of AI are transforming human culture and relationships in ways both obvious (e.g., ChatGPT) and obscure (e.g., facial recognition, credit scoring, policing, and carceral sentencing). And like Gibson’s imagined future, the megarich of today are developing and deploying AI for their own capitalistic and ideological ends. While their motives are challenging enough to decipher, those of the eventual AGI systems they create will be even more so.

It is with these concerns in mind that we convene this year’s Ninth City Tech Science Fiction Symposium on the topic of Science Fiction, Artificial Intelligence, and Generative AI. Science Fiction offers a spectrum of AI perspectives from hopeful to warning. On the one hand there is Murray Leinster’s helpful if mischievous “A Logic Named Joe” (1946), but on the other, there is AM in Harlan Ellison’s “I Have No Mouth, and I Must Scream” (1967). Together, we will examine the many connections between SF and AI: anticipation, caution, education, inspiration, prediction, representation, and more.

We invite proposals for 10-20 minute scholarly paper presentations or 40-60 minute panel discussions related to the topic of Science Fiction, Artificial Intelligence, and Generative AI. Please send a 250-word abstract with title, brief 100-150-word professional bio, and contact information to Jason Ellis (jellis@citytech.cuny.edu) by Friday, November 8, 2024

Topics with a connection to Science Fiction, Artificial Intelligence, and Generative AI might include but certainly are not limited to:

  • How is AI represented in SF? 
  • What is the history of AI in SF?
  • Does AI differ in SF across media (e.g., print, film, television, video games, etc.)?
  • How does AI affect individuals and society in SF?
  • How does SF approach AI Ethics including and beyond Asimov’s Laws of Robotics?
  • What are some of the unintended consequences of AI explored in SF, and what might we learn from those?
  • What are the utopian and dystopian possibilities of AI in SF?
  • What examples exist of teaching with AI in SF? Are there lessons for pedagogy today?
  • How does AI’s energy consumption figure into SF and Climate Fiction?
  • Are there mundane examples of AI in SF?
  • What can SF teach AI developers and users?
  • How is Generative AI depicted in SF?
  • How is Generative AI disrupting SF work practices (e.g., cover and interior art, writing, production workflows, etc.)?
  • Can AI make SF?
  • AI? What, me worry?

The event will be held in person at City Tech in downtown Brooklyn, New York. 

Analog Science Fiction and Fact will also announce the winner of their second Analog Award for Emerging Black Voices at this year’s symposium (https://www.analogsf.com/about-analog/analog-emerging-black-voices-award/).

This event is free and open to the public as space permits: an RSVP will be included with the program when announced on the Science Fiction at City Tech website (https://openlab.citytech.cuny.edu/sciencefictionatcitytech/). Free registration will be required for participation.

The event is sponsored by the School of Arts and Sciences at the New York City College of Technology, CUNY.

The Annual City Tech Symposium on Science Fiction is held in celebration of the City Tech Science Fiction Collection, an archival holding of over 600-linear feet of magazines, anthologies, novels, and scholarship. It is in the Archives and Special Collections of the Ursula C. Schwerin Library (Library Building, L543C, New York City College of Technology, 300 Jay Street, Brooklyn, NY 11201). More information about the collection and how to access it is available here: https://openlab.citytech.cuny.edu/sciencefictionatcitytech/librarycollection/.

Mike Flynn (1947-2023), SF Writer and Past Symposium Keynote Speaker, Has Passed

Mike Flynn giving his keynote at the 4th annual City Tech Science Fiction Symposium.

I learned from Emily Hockaday today that Mike Flynn, the renowned science fiction writer and keynote speaker for the Fourth Annual City Tech Science Fiction Symposium, has passed away. We were honored to have him join us and share his stories at that year’s symposium celebrating 90 years of Astounding/Analog Science Fiction and Fact. Locus Magazine has an obituary here, and his family’s announcement on Facebook is here.

City Tech Foundation and Brooklyn Waterfront Research Center Members Visit the Collection

Wanett Clyde, Beth Farryn Levine, and Richard Hanley

On June 14, 2023, City Tech Foundation Executive Director Beth Farryn Levine and Brooklyn Waterfront Research Center Director and English Professor Richard Hanley visited the City Tech Science Fiction Collection while Jason Ellis and Wanett Clyde were moving eight new boxes of donated material from Charlie Seelig into the Archives and Special Collections.

Information Architecture Students Work in the Collection

Data collection forms of students in Spring 2023 ENG3970 Information Architecture

On Monday, May 8, Prof. Jason Ellis brought his ENG3790 Information Architecture students in the Professional and Technical Writing Program to the City Tech Science Fiction Collection to learn about how IA principles were employed to quickly make it accessible using DIY strategies. Also, the students gathered metadata from recently donated and shelved material for the collection’s finding aid. Many thanks to the students who were able to contribute to this invaluable City Tech research and teaching resource: Khaled Akam, Tiana Beatty, Kahini Chauhan, Jaida Clouden, Sphear Forde, Sandy Fougeres, Ronald Hinds, Khemraj Persaud, and Nikka Rosenstein.