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Program for The Ninth Annual City Tech Science Fiction Symposium on SF, Artificial Intelligence, and Generative AI

Date and Location

The Ninth Annual City Tech Science Fiction Symposium will take place in the City Tech Academic Building at 285 Jay Street in downtown Brooklyn, New York on Tuesday, December 10, 2024 from 9:00am to 5:00pm in Room A-105.

The event is free and open to the public. Pre-registration for this in-person event is not required. Participants and attendees who are not affiliated with the college will need to sign-in at the security desk before entering and walking down the hallway to the right to room A-105.


Program

9:00AM Opening Remarks

Jason Ellis and Justin F. VĂĄzquez-Poritz

9:15AM Break

9:20AM Paper Session 1

Moderator: Wanett Clyde

Jason Ellis, “A History of Generative AI in SF”

Jacob Adler, “The End Zone: A.I. as a Commentary on the Human Condition in 17776”

Martijn J. Loos, “A Plea for Theory: The Relationship Between Real-World AI and its Representation in Science Fiction”

10:40AM Break

10:50AM Paper Session 2

Moderator: Kel Karpinski

Virginia L. Conn, “The Tyranny of Neutrality in AI 2041”

Nathan Lamarche, “Monotheistic Ethics in Caprica: The Consequences of AI Development on Queer Futurity”

Adam McLain, “Computational Poetics: Franny Choi’s Soft Science and the Dialogues to Come”

12:10PM Lunch

1:10PM Student Panel

Moderators: Jill Belli and Vivian Zuluaga Papp

Lucas Felipe

Journey Ford

Malik Joseph

Christine Retirado

Ronald Hinds

2:00PM Break

2:10PM Asimov’s/Analog Writers’ Panel

Moderator: Emily Hockaday

Sarah Pinsker

Mercurio D. Rivera

Sakinah Hoefler

Matthew Kressel

3:50PM Break

4:00PM Keynote Address

Moderator: Leigh Gold

Speaker:

Marleen S. Barr

“Science Fiction/AI/Feminism: A Temporal Progression”


Participants

Jacob Adler has been part of the CUNY system for a number of years now, most recently as the Cataloging and Metadata Librarian for the Lloyd Sealy Library at the John Jay College for Criminal Justice. In September 2024, he contributed to Space, the Feminist Frontier, a scholarly book publication about feminist topics related to the Star Trek franchise. Since 2022 he has been involved with providing educational material about artificial intelligence, including creating academic research guides and delivering presentations in CUNY and throughout the Westchester Library System. Other than AI, his interests include media history, fiction writing, and tabletop role-playing games.

Marleen S. Barr is known for her pioneering work in feminist science fiction scholarship and has recently retired from teaching English at the City University of New York. She has won the Science Fiction Research Association Award for Lifetime Contribution to Science Fiction Scholarship. Barr is the author of Alien to Femininity: Speculative Fiction and Feminist Theory, Lost in Space: Probing Feminist Science Fiction and Beyond, Feminist Fabulation: Space/Postmodern Fiction, and Genre Fission: A New Discourse Practice for Cultural Studies. Barr has edited many science fiction critical anthologies and co-edited the science fiction issue of PMLA. She is the author of the novels Oy Pioneer! and Oy Feminist Planets: A Fake Memoir.   Her When Trump Changed: The Feminist Science Fiction Justice League Quashes the Orange Outrage Pussy Grabber is the first single authored Trump short story collection. It is followed by This Former President: Science Fiction as Retrospective Retrorocket Jettisons Trumpism. Her latest critical anthology is Jewish Women Writers Create Science Fiction: Gender, Temporality–and Yentas.

Jill Belli is Associate Professor of English at New York City College of Technology, CUNY, where she happily teaches science fiction and utopian studies often. She’s working on long-standing projects on well-being & happiness in education and writing & revising in speculative fiction. Newer interests include nature writing, healing & illness, tarot & astrology as storytelling / intuitive literacy, and grief. Learn more about Jill and her interdisciplinary research and teaching: jillbelli.org.

Wanett Clyde is the Collections Management Librarian at CUNY’s New York City College of Technology, where in addition to managing the library’s collection she oversees the university archives. Her research seeks to explore the intersection of Black history and fashion history, drawing out under credited African-American contributors, their critical innovations and accomplishments, and other meaningful connections in the overlapping research spheres.

Virginia L. Conn is a Teaching Assistant Professor at Stevens Institute of Technology. She researches depictions of the “new socialist human” in socialist science fiction and how those depictions guided policy decisions in Mao-era China, Soviet Russia, and East Germany. She is currently working on her book manuscript, which offers a literary-material account of the relationship between socialist literary policies and the concurrent sociopolitical and technological drive to create the “new human” in daily life. She is also the managing editor of the Science Fiction Research Association Review.

Jason W. Ellis is an Associate Professor of English at the New York City College of Technology, CUNY, where he coordinates the City Tech Science Fiction Collection. He published the OER Yet Another Science Fiction Textbook, and co-edited The Postnational Fantasy: Postcolonialism, Cosmopolitics and Science Fiction (McFarland, 2011) and a special issue on Star Wars: The Force Awakens of New American Notes Online, and talked with Dr. Neil deGrasse Tyson about the relationship between SF and society on StarTalk Radio.

Lucas Felipe is a student at City Polytechnic High School of Engineering, Architecture, and Technology.

Journey Ford is an Entertainment Technology student at the New York City College of Technology, CUNY.

Leigh Dara Gold is a Doctoral Lecturer in the English Department at City Tech. She currently teaches composition, fiction, poetry, women’s literature, and several other literature classes. Her doctoral work, completed at NYU in 2011, explored mourning in the work of Else Lasker-SchĂŒler using several theoretical approaches, among them feminist, trauma, and poetic theories.  Since then, she has deepened her focus on interdisciplinary work such as writing about Ursula K. Le Guin, Mary Shelley, Eastern philosophies and ethics, trauma in women writers of science fiction, including Octavia Butler, and the role of the body in poetry. Leigh contributed an essay to an anthology edited by Marleen S Barr about Jewish women science fiction authors which was just published.  She is currently also writing fiction and poetry about women, writing, and philosophy. She is thrilled to be a part of this wonderful Symposium and that some of her amazing students are a part of it this year!

Ronald Hinds is a Professional and Technical Writing student at the New York City College of Technology, CUNY.

Emily Hockaday is the senior managing editor of Analog Science Fiction and Fact and Asimov’s Science Fiction Magazine. She coedited the horror anthology Terror at the Crossroads with Jackie Sherbow and is the editor of the speculative poetry anthology Heartbeat of the Universe. Hockaday is the author of Naming the Ghost, Blood Music, and In a Body. She has received grants from the De Groot Foundation, CafĂ© Royal Cultural Foundation, NYFA City Artist Corps, and Queens Council on the Arts. You can find her at www.emilyhockaday.com.

Sakinah Hoefler is a fiction writer, poet, and playwright. She’s a proud recipient of the 2023 Analog Award for Emerging Black Voices. Her work has been published both domestically and internationally, and her plays have been produced by places such as Cincinnati Playhouse in the Park and the University of Cincinnati’s College-Conservatory of Music. A former chemical engineer for the United States Department of Defense, she currently teaches writing at Princeton University. She resides in Newark, NJ with her wonderful husband and adorable son.

Malik Joseph is a student at City Polytechnic High School of Engineering, Architecture, and Technology.

Kel R. Karpinski (they/he) is the IT/ILL Librarian and Associate Professor at the New York City College of Technology, CUNY. Their research focuses on mid-century queer films and novels as they relate to sailors and hustlers in Times Square and how these texts map queer desire onto the city. Kel is also a zine maker and a NY Queer Zine Fair organizer.

Matthew Kressel is a multiple Nebula and World Fantasy Award nominated author and coder. His many works of short fiction have appeared in Analog, Asimov’s, Lightspeed, Clarkesworld, Tor.com/Reactor, Beneath Ceaseless Skies, and many other publications and anthologies, including multiple Year’s Bests. Eighteen of his stories will be included in his debut collection, Histories Within Us, coming from Senses Five Press in February. His far-future novel Space Trucker Jess is coming in 2025 from Fairwood Press. And his Mars-based novella The Rainseekers is forthcoming from Tordotcom in early 2026. Alongside Ellen Datlow, he runs the Fantastic Fiction at KGB reading series in Manhattan. And he is the creator of the Moksha submissions system, used by many of the largest fiction publishers today.

Nathan Lamarche is a Master of Arts in English student at the University of Alberta. Their current studies focus on writing centres and composition theory, Indigenous and queer fiction storytelling, and the relational impacts of technology on our perspectives of the self, with a keen interest on the development of AI technology through the anthropomorphisation of social-oriented technologies and services and their impacts on society, the parallel between Generative AI and monotheistics ethics, and AI’s disproportionate impact on cultural and queer marginalisation. They have received several awards and scholarships, including the Sarah Nettie Christie Scholarship, the Belcourt Brosseau MĂ©tis Awards, and The Kerry Wood Memorial Award in Arts.

Vivian Li designed this year’s event poster. She is a graphic designer specializing in branding and visual storytelling, but more than anything she’s just another human who wants to make the world a brighter and more connected place through thoughtful design. She believes that in a world increasingly driven by technology and AI, design has the power to bring a vital human touch to the exciting digital landscape. Her mission is to craft visuals that resonate emotionally, adding warmth and personality to fast-paced modern experiences. Connect with her at: https://www.linkedin.com/in/vivian-l-8a177b19b/.

Martijn J. Loos is a Dutch PhD candidate at New York University’s department Comparative Literature. He has a RMA in Comparative Literary Studies from Utrecht University and has taught at University College Tilburg. He works at the intersection of science fiction and philosophy, with a special emphasis on the relationship between the (political) real and the science-fictional. He has published on, amongst others, H. P. Lovecraft, Octavia E. Butler, Ray Bradbury, and Ted Chiang. He enjoys Belgian beers and anything involving laser guns.

Adam McLain is a graduate student in the English department and law student at the School of Law at the University of Connecticut. He studies dystopian literature, legal theory, and sexual justice. They received bachelor’s in English from Brigham Young University, a master’s of theological studies from Harvard University, and a master’s in English from University of Connecticut.

Vivian Zuluaga Papp is a Doctoral Lecturer in the English Department here at City Tech. She has a BA in English from Columbia University, an MA in British and American Literature from Hunter College, and her Ph.D. is in Eighteenth-Century British Literature from Fordham University. Previously, she taught classes in Satire, Women in Science Fiction, Afrofuturism, and Imaginary Travel Narratives while a Postdoctoral Teaching Fellow at Fordham University. Her research interest is in the field of visual epistemology in seventeenth-century scientific texts and early forms of the novel. She is the author of a short science fiction story “Catbot’s in the Cradle,” which was published in Behind the Yellow Wallpaper: New Tales of Madness, and has a chapter coming out in a Science Studies anthology on real and imagined visual manifestations of the “unseeable” in Daniel Defoe’s A Journal of the Plague Year and Robert Boyle’s New Experiments Physico-Mechanicall, Touching the Spring of the Air and Its Effects.

Sarah Pinkser is the author of over sixty works of short fiction, one novella, two novels, and two collections. Her work has won four Nebula Awards (Best Novel, A Song For A New Day; Best Novelette, “Our Lady of the Open Road,” Best Novelette, “Two Truths And A Lie,” Best Short Story, “Where Oaken Hearts Do Gather,”), two Hugo Awards (“Two Truths And a Lie” and “Where Oaken Hearts Do Gather”), the Philip K Dick Award, the Locus Award, the Eugie Foster Award, and the Theodore Sturgeon Award, and been nominated for numerous Nebula, Hugo, Locus, and World Fantasy Awards. Her fiction has been translated into almost a dozen languages and published in magazines including Asimov’s, Strange Horizons, Fantasy & Science Fiction, and Uncanny and in many anthologies and year’s bests. Sarah’s first collection, the Philip K Dick Award winning Sooner or Later Everything Falls Into the Sea: Stories, was published by Small Beer Press in 2019, and her first novel, A Song For A New Day, was published by Penguin/Random House/Berkley in  2019. Her latest book is We Are Satellites, published in 2021. Her second collection, Lost Places, was published by Small Beer Press in  2023 and was followed by the Tordotcom novella Haunt Sweet Home in September 2024. She is also a singer/songwriter with four albums on various independent labels (the third with her rock band, the Stalking Horses). She lives in Baltimore, Maryland and can be found online at sarahpinsker.com and x.com/sarahpinsker.

Christine Retirado is a Communication Design student at New York City College of Technology, CUNY.

Mercurio D. Rivera is a writer whose short fiction has won readers’ awards for Asimov’s and Interzone magazines and has appeared in markets such as The Magazine of Fantasy & Science Fiction, Lightspeed, i09, Nature, Black Static, and various anthologies, podcasts, and “best of” collections. His novel Wergen: The Alien Love War (published by NewCon Press), which was nominated for the Arthur C. Clarke Award, tells stories of unrequited love set against the backdrop of humanity’s complicated relationship with an enigmatic alien species. And his Asimov’s story “Beyond the Tattered Veil of Stars,” was podcast by Dust Studios, and features Gillian Jacobs (of Community) and Justin Kirk (of Weeds), and is available anywhere you listen to podcasts.

Justin F. VĂĄzquez-Poritz is the Dean of the School of Arts and Sciences at New York College of Technology, CUNY.


Symposium Co-Organizers

This year’s symposium was co-organized by Jill Belli, Wanett Clyde, Jason W. Ellis, Leigh Gold, Kel Karpinski, and Vivian Zuluaga Papp.


Science Fiction Collection

The New York City College of Technology, CUNY (City Tech) holds an extensive collection of genre literature and scholarship focusing primarily on Science Fiction, and secondarily on Mystery and Horror. Inaugurated in 2016 as the City Tech Science Fiction Collection, it contains over 600 linear feet of magazines, anthologies, novels, monographs, and scholarly journals. Thanks to its founding anonymous donor, it features near-complete runs of the major SF magazines. The collection has continued to grow thanks to donations from David Mead, Aaron Barlow, and Charlie Seelig.

The City Tech Science Fiction Collection is held in the Archives and Special Collections of the Ursula C. Schwerin Library. In addition to the collection serving as a locus for an annual symposium on Science Fiction and supplementing student research in City Tech’s ENG2420 Science Fiction course, it is a public collection, so scholars are invited to visit and make use of the collection’s holdings in their research.

Notably, the collection includes a library of texts that contains more than 4,000 science fiction magazine issues from complete or near-complete titles, including Amazing Stories, Astounding/Analog, Fantastic, Future, Galaxy, Galileo, If, Imagination, Isaac Asimov’s Science Fiction Magazine, Magazine of Fantasy and Science Fiction, Omni, Spaceway, Thrilling Wonder Stories, Vertex, and Worlds of Tomorrow. An inventory is available at https://openlab.citytech.cuny.edu/sciencefictionatcitytech/librarycollection/.  

To inquire about the collection’s holdings or arrange a visit, contact Collections Management Librarian Wanett Clyde (wclyde@citytech.cuny.edu) and Jason Ellis (jellis@citytech.cuny.edu).

The annual City Tech Science Fiction Symposium is held each year in celebration of the collection, which in turn provides the foundation for exploring different themes and issues through interdisciplinary conversations. We have been honored by symposia keynote addresses by Samuel R. Delany, Mike Flynn, Jonathan W. Gray, Ximena Gallardo C. and Ann Matsuuchi, Jeremy Brett, Ytasha L. Womack, and this year, Marleen S. Barr.

Call for Papers: The Ninth Annual City Tech Science Fiction Symposium on SF, Artificial Intelligence, and Generative AI

A browser window displaying ChatGPT 4o mini. It is being asked, "Can science fiction literature tell us about the promise and peril of Artificial Intelligence?"

Call for Papers: 
Science Fiction, Artificial Intelligence, and Generative AI: The Ninth Annual City Tech Science Fiction Symposium

EXTENDED DEADLINE FOR CFP:
FRIDAY, NOVEMBER 15, 2024

Deadline for CFP: 
Friday, November 8, 2024

Date and Time of Event: 
Tuesday, December 10, 2024, 9:00AM-5:00PM EST

Location: 
Academic Building, New York City College of Technology, CUNY

Organizers: 
Jill Belli, Wanett Clyde, Jason W. Ellis, Leigh Gold, Kel Karpinski, and Vivian Zuluaga Papp

=====

“Motive,” the construct said. “Real motive problem, with an AI. Not human, see?”

“Well, yeah, obviously.”

“Nope. I mean, it’s not human. And you can’t get a handle on it. Me, I’m not human either, but I respond like one. See?”

“Wait a sec,” Case said. “Are you sentient, or not?”

“Well, it feels like I am, kid, but I’m really just a bunch of ROM. It’s one of them, ah, philosophical questions, I guess …” The ugly laughter sensation rattled down 

Case’s spine. “But I ain’t likely to write you no poem, if you follow me. Your AI, it just might. But it ain’t no way human.”

–McCoy “Dixie Flatline” Pauley conversing with Case in William Gibson’s Neuromancer (1984)

=====

William Gibson’s Neuromancer (1984) captures some of the anxiety today regarding AI. Less like Skynet and its cybernetic soldiers in Terminator (1984), the passage above gets the heart of the subtleties of Artificial Intelligence (AI) that we are now confronting with Generative AI (much like McCoy Pauley’s ROM or read only memory construct) and the pursuit of AGI or Artificial General Intelligence (akin to the novel’s Wintermute and Neuromancer). Various forms and degrees of AI are transforming human culture and relationships in ways both obvious (e.g., ChatGPT) and obscure (e.g., facial recognition, credit scoring, policing, and carceral sentencing). And like Gibson’s imagined future, the megarich of today are developing and deploying AI for their own capitalistic and ideological ends. While their motives are challenging enough to decipher, those of the eventual AGI systems they create will be even more so.

It is with these concerns in mind that we convene this year’s Ninth City Tech Science Fiction Symposium on the topic of Science Fiction, Artificial Intelligence, and Generative AI. Science Fiction offers a spectrum of AI perspectives from hopeful to warning. On the one hand there is Murray Leinster’s helpful if mischievous “A Logic Named Joe” (1946), but on the other, there is AM in Harlan Ellison’s “I Have No Mouth, and I Must Scream” (1967). Together, we will examine the many connections between SF and AI: anticipation, caution, education, inspiration, prediction, representation, and more.

We invite proposals for 10-20 minute scholarly paper presentations or 40-60 minute panel discussions related to the topic of Science Fiction, Artificial Intelligence, and Generative AI. Please send a 250-word abstract with title, brief 100-150-word professional bio, and contact information to Jason Ellis (jellis@citytech.cuny.edu) by Friday, November 8, 2024

Topics with a connection to Science Fiction, Artificial Intelligence, and Generative AI might include but certainly are not limited to:

  • How is AI represented in SF? 
  • What is the history of AI in SF?
  • Does AI differ in SF across media (e.g., print, film, television, video games, etc.)?
  • How does AI affect individuals and society in SF?
  • How does SF approach AI Ethics including and beyond Asimov’s Laws of Robotics?
  • What are some of the unintended consequences of AI explored in SF, and what might we learn from those?
  • What are the utopian and dystopian possibilities of AI in SF?
  • What examples exist of teaching with AI in SF? Are there lessons for pedagogy today?
  • How does AI’s energy consumption figure into SF and Climate Fiction?
  • Are there mundane examples of AI in SF?
  • What can SF teach AI developers and users?
  • How is Generative AI depicted in SF?
  • How is Generative AI disrupting SF work practices (e.g., cover and interior art, writing, production workflows, etc.)?
  • Can AI make SF?
  • AI? What, me worry?

The event will be held in person at City Tech in downtown Brooklyn, New York. 

Analog Science Fiction and Fact will also announce the winner of their second Analog Award for Emerging Black Voices at this year’s symposium (https://www.analogsf.com/about-analog/analog-emerging-black-voices-award/).

This event is free and open to the public as space permits: an RSVP will be included with the program when announced on the Science Fiction at City Tech website (https://openlab.citytech.cuny.edu/sciencefictionatcitytech/). Free registration will be required for participation.

The event is sponsored by the School of Arts and Sciences at the New York City College of Technology, CUNY.

The Annual City Tech Symposium on Science Fiction is held in celebration of the City Tech Science Fiction Collection, an archival holding of over 600-linear feet of magazines, anthologies, novels, and scholarship. It is in the Archives and Special Collections of the Ursula C. Schwerin Library (Library Building, L543C, New York City College of Technology, 300 Jay Street, Brooklyn, NY 11201). More information about the collection and how to access it is available here: https://openlab.citytech.cuny.edu/sciencefictionatcitytech/librarycollection/.