Call for Papers: Science Fiction, Artificial Intelligence, and Generative AI: The Ninth Annual City Tech Science Fiction Symposium
Deadline for CFP: Friday, November 8, 2024
Date and Time of Event: Tuesday, December 10, 2024, 9:00AM-5:00PM EST
Location:Â Academic Building, New York City College of Technology, CUNY
Organizers: Jill Belli, Wanett Clyde, Jason W. Ellis, Leigh Gold, Kel Karpinski, and Vivian Papp
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“Motive,” the construct said. “Real motive problem, with an AI. Not human, see?”
“Well, yeah, obviously.”
“Nope. I mean, it’s not human. And you can’t get a handle on it. Me, I’m not human either, but I respond like one. See?”
“Wait a sec,” Case said. “Are you sentient, or not?”
“Well, it feels like I am, kid, but I’m really just a bunch of ROM. It’s one of them, ah, philosophical questions, I guess …” The ugly laughter sensation rattled down
Case’s spine. “But I ain’t likely to write you no poem, if you follow me. Your AI, it just might. But it ain’t no way human.”
âMcCoy âDixie Flatlineâ Pauley conversing with Case in William Gibsonâs Neuromancer (1984)
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William Gibsonâs Neuromancer (1984) captures some of the anxiety today regarding AI. Less like Skynet and its cybernetic soldiers in Terminator (1984), the passage above gets the heart of the subtleties of Artificial Intelligence (AI) that we are now confronting with Generative AI (much like McCoy Pauleyâs ROM or read only memory construct) and the pursuit of AGI or Artificial General Intelligence (akin to the novelâs Wintermute and Neuromancer). Various forms and degrees of AI are transforming human culture and relationships in ways both obvious (e.g., ChatGPT) and obscure (e.g., facial recognition, credit scoring, policing, and carceral sentencing). And like Gibsonâs imagined future, the megarich of today are developing and deploying AI for their own capitalistic and ideological ends. While their motives are challenging enough to decipher, those of the eventual AGI systems they create will be even more so.
It is with these concerns in mind that we convene this yearâs Ninth City Tech Science Fiction Symposium on the topic of Science Fiction, Artificial Intelligence, and Generative AI. Science Fiction offers a spectrum of AI perspectives from hopeful to warning. On the one hand there is Murray Leinsterâs helpful if mischievous âA Logic Named Joeâ (1946), but on the other, there is AM in Harlan Ellisonâs âI Have No Mouth, and I Must Screamâ (1967). Together, we will examine the many connections between SF and AI: anticipation, caution, education, inspiration, prediction, representation, and more.
We invite proposals for 10-20 minute scholarly paper presentations or 40-60 minute panel discussions related to the topic of Science Fiction, Artificial Intelligence, and Generative AI. Please send a 250-word abstract with title, brief 100-150-word professional bio, and contact information to Jason Ellis (jellis@citytech.cuny.edu) by Friday, November 8, 2024.
Topics with a connection to Science Fiction, Artificial Intelligence, and Generative AI might include but certainly are not limited to:
How is AI represented in SF?
What is the history of AI in SF?
Does AI differ in SF across media (e.g., print, film, television, video games, etc.)?
How does AI affect individuals and society in SF?
How does SF approach AI Ethics including and beyond Asimovâs Laws of Robotics?
What are some of the unintended consequences of AI explored in SF, and what might we learn from those?
What are the utopian and dystopian possibilities of AI in SF?
What examples exist of teaching with AI in SF? Are there lessons for pedagogy today?
How does AIâs energy consumption figure into SF and Climate Fiction?
Are there mundane examples of AI in SF?
What can SF teach AI developers and users?
How is Generative AI depicted in SF?
How is Generative AI disrupting SF work practices (e.g., cover and interior art, writing, production workflows, etc.)?
Can AI make SF?
AI? What, me worry?
The event will be held in person at City Tech in downtown Brooklyn, New York.
This event is free and open to the public as space permits: an RSVP will be included with the program when announced on the Science Fiction at City Tech website (https://openlab.citytech.cuny.edu/sciencefictionatcitytech/). Free registration will be required for participation.
The event is sponsored by the School of Arts and Sciences at the New York City College of Technology, CUNY.
The Annual City Tech Symposium on Science Fiction is held in celebration of the City Tech Science Fiction Collection, an archival holding of over 600-linear feet of magazines, anthologies, novels, and scholarship. It is in the Archives and Special Collections of the Ursula C. Schwerin Library (Library Building, L543C, New York City College of Technology, 300 Jay Street, Brooklyn, NY 11201). More information about the collection and how to access it is available here: https://openlab.citytech.cuny.edu/sciencefictionatcitytech/librarycollection/.
I learned from Emily Hockaday today that Mike Flynn, the renowned science fiction writer and keynote speaker for the Fourth Annual City Tech Science Fiction Symposium, has passed away. We were honored to have him join us and share his stories at that year’s symposium celebrating 90 years of Astounding/Analog Science Fiction and Fact. Locus Magazine has an obituary here, and his family’s announcement on Facebook is here.
On June 14, 2023, City Tech Foundation Executive Director Beth Farryn Levine and Brooklyn Waterfront Research Center Director and English Professor Richard Hanley visited the City Tech Science Fiction Collection while Jason Ellis and Wanett Clyde were moving eight new boxes of donated material from Charlie Seelig into the Archives and Special Collections.
On Monday, May 8, Prof. Jason Ellis brought his ENG3790 Information Architecture students in the Professional and Technical Writing Program to the City Tech Science Fiction Collection to learn about how IA principles were employed to quickly make it accessible using DIY strategies. Also, the students gathered metadata from recently donated and shelved material for the collection’s finding aid. Many thanks to the students who were able to contribute to this invaluable City Tech research and teaching resource: Khaled Akam, Tiana Beatty, Kahini Chauhan, Jaida Clouden, Sphear Forde, Sandy Fougeres, Ronald Hinds, Khemraj Persaud, and Nikka Rosenstein.
In the previous post, we finally were able to relocate all of the materials donated to the City Tech Science Fiction Collection during the pandemic into the Library’s Archives space. On Thursday, April 20, 2023, Prof. Jason Ellis was able to shelve the material thanks to the efforts of Prof. Wanett Clyde and the librarian staff to open 30 shelves for the additional material.
The first step involved cleaning each shelf of accumulated dust and letting it dry before shelving any material.
Then, each box was opened in turn and its contents shelved in the stacks. The primary objective was to get the materials out of the boxes and onto the shelves, because some of the boxes had been damaged during shipping and the materials were exposed and/or smashed together. With limited time and uncertainty about how much material there was of each type, a strategy was adopted to put like materials together: hard cover fiction, paperback fiction, and periodicals/fanzines/ephemera. Later, a photographic inventory will be made of each shelf and each item will be entered into the finding aid.
Thank you again to Charlie Seelig, Analog Science Fiction and Fact, City Tech Professor Lucas Bernard and his father Kenneth Bernard, the experimental playwright and English professor whose materials were donated, and Emeritus Professor of English at Texas A&M University-Corpus Christi and former president of the Science Fiction Research Association David Mead!
During the pandemic, we received a lot of new material for the City Tech Science Fiction Collection, including magazines, novels, collections, academic journals, and monographs. These materials were donated by Charlie Seelig (~20 boxes of EVERYTHING), Analog Science Fiction and Fact(~4 boxes of magazines from their old office space), City Tech Professor Lucas Bernard (2 boxes of material that belonged to his father Kenneth Bernard, the experimental playwright and English professor), and Emeritus Professor of English at Texas A&M University-Corpus Christi and former president of the Science Fiction Research Association David Mead (1 box of Jack Vance materials), The Special Collections and Archives in the City Tech Library unfortunately were unable to open enough shelf space for these materials, so Wanett and Jason stored everything in their offices–with most of it being in Jason’s office (see below).
This semester, however, Wanett was able to work with library staff to open up additional shelf space in the archives for the donated materials (in the photo below, the background stacks are the City Tech Science Fiction Collection).
On Tuesday, Feb. 28, 2023, Jason coordinated with Wanett to begin moving the materials one cart load at a time into the archives.
It took about two-and-a-half-hours to move 22 boxes of material into the archives. The first few cart loads were successful–an elevator ride from the fifth floor of Namm to the fourth floor, and then walk to the fourth floor of the Library Building to take the service elevator up to the fifth floor of the Library Building and a short walk to the archives room. Unfortunately, the service elevator died before the last load was delivered, so Jason toted those 40 pound boxes one at a time on the last leg of the journey. Now, all of the material has been relocated to the archives room.
The next phase of integrating the materials will involve unboxing and shelving like materials on the available shelf space, which will be followed by a photographic inventory of each shelf and inventorying the items into the finding aid, which as we know from past experience, will take the most time and energy. However, Jason has plans to bring his Professional and Technical Writing students in his Spring 2023 Information Architecture class to the archives to perform some of the inventorying work as part of a discussion of database construction, categorization, and metadata.
The Seventh Annual City Tech Science Fiction Symposium on the Archive and SF was held on Tuesday, Dec. 6, 2022 as a Zoom Webinar. You can read the full program here.
Included below are videos of each session.
Many thanks again to everyone who participated and contributed to this year’s event!
Opening Jason W. Ellis Justin Vazquez-Poritz
Paper Session 1: Archival Research Jill Belli â Moderator Jessica Aaron â âPreventing Planetary Patriarchy: Subversions of the White Manâs Ideal World in Early SF Pulpsâ Chris Leslie â âThe Republic of (Interstellar) Letters: From the Archives of Asimov and Merrilâ Gillian Polack â âStory as Archive: How Speculative Fiction Novels Both Preserve and Interpret Cultural Materialâ
Panel Discussion: A Tale of Two Archives Jason Ellis (City Tech) Matthew Frizzell (Georgia Tech) Kel Karpinski (City Tech) Alison Reynolds (Georgia Tech) Lisa Yaszek (Georgia Tech)
Panel Discussion: Georgia Techâs Sci Fi Lab: Archival Research, Octaviaâs Ancestorâs Project, and Radio Play Lisa Yaszek â Moderator Panelists: Val Barnhart Laurence Copeland Killian Vetter Edeliz Zuleta
Analog Writers Panel and the Analog Emerging Black Voices Award Emily Hockaday â Moderator Kedrick Brown Meghan Hyland Kelsey Hutton Douglas Dluzen Trevor Quachri and Emily Hockaday â Award Presentation
Paper Session 2: Archives in SF Lucas Kwong â Moderator Jacob Adler â âSummit of Knowledge: Archiving the Fantasticalâ Rhonda Knight â âA Data Thief in the Archive: Reading Sofia Samatarâs âAn Account of the Land of Witches’â Adam McLain â ââOnly an Echoâ: The Memory of the Archive and the Archive of Memory in Lois Lowryâs The Giverâ Kenrick H. Kamiya Yoshida and Ida Yoshinaga â âAn Okinawan Speculative Arts Archiveâ
Paper Session 3: Latinx SF in the Archive Leigh Gold â Moderator Matthew David Goodwin â âThe Latinx Multiverse and the Fictional Recovery of Latinx Science Fictionâ Dolores GonzĂĄlez Ortega and Valeria Seminario â âInside the Latin American Science Fiction Archive: Challenges and Contributions to a Growing Academic Fieldâ
Keynote Jeremy Brett â âMaking Space: Science Fiction Archives and the Archival Citizenâ Jason Ellis â Introduction and Moderator
The Seventh Annual City Tech Science Fiction Symposium on the Archive and Science Fiction will be held on Tuesday, December 6, 2022 from 9:00am-5:00pm EST (GMT/UTC -5 hours) online via Zoom Webinar.
To participate in this free event, attendees will need to do these two things: (1) Signup for a free Zoom account here (if you donât already have one), and (2) Register here to receive access instructions to the Zoom Webinar. Participants may register any time before or during the event!
In addition to the Zoom Webinar Chat and YouTube Live Chat, join the event conversation with the event hashtag #CityTechSF and #SFArchive and follow us on Twitter @CityTechSF.
As indicated below in the program, some symposium content is pre-recorded to offer more time for discussion on the day of the event. Pre-recorded content includes author readings and full paper presentations. Some of this content is in production and will be posted soon.
Program
9:00am-9:15am Opening Jason W. Ellis Justin Vazquez-Poritz
9:15am-10:05am Paper Session 1: Archival Research Jill Belli â Moderator Jessica Aaron – “Preventing Planetary Patriarchy: Subversions of the White Manâs Ideal World in Early SF Pulps” Chris Leslie – “The Republic of (Interstellar) Letters: From the Archives of Asimov and Merril” Gillian Polack â “Story as Archive: How Speculative Fiction Novels Both Preserve and Interpret Cultural Material”
10:05am-10:10am Break
10:10am-11:00am Panel Discussion: A Tale of Two Archives Jason Ellis (City Tech) Matthew Frizzell (Georgia Tech) Kel Karpinski (City Tech) Alison Reynolds (Georgia Tech) Lisa Yaszek (Georgia Tech)
11:00am-11:05am Break
11:05am-11:55am Panel Discussion: Georgia Tech’s Sci Fi Lab: Archival Research, Octavia’s Ancestor’s Project, and Radio Play Lisa Yaszek â Moderator Panelists: Val Barnhart Laurence Copeland Killian Vetter Edeliz Zuleta
11:55am-12:00pm Break
12:00pm-1:55pm Analog Writers Panel and the Analog Emerging Black Voices Award Emily Hockaday – Moderator Kedrick Brown Meghan Hyland Kelsey Hutton Douglas Dluzen Trevor Quachri and Emily Hockaday â Award Presentation
1:55pm-2:00pm Break
2:00pm-3:20pm Paper Session 2: Archives in SF Lucas Kwong – Moderator Jacob Adler – “Summit of Knowledge: Archiving the Fantastical” Rhonda Knight – “A Data Thief in the Archive: Reading Sofia Samatar’s ‘An Account of the Land of Witches'” Adam McLain – “‘Only an Echo’: The Memory of the Archive and the Archive of Memory in Lois Lowryâs The Giver“ Kenrick H. Kamiya Yoshida and Ida Yoshinaga – “An Okinawan Speculative Arts Archive”
3:20pm-3:25pm Break
3:25pm-4:10pm Paper Session 3: Latinx SF in the Archive Leigh Gold – Moderator Matthew David Goodwin – “The Latinx Multiverse and the Fictional Recovery of Latinx Science Fiction” Dolores GonzĂĄlez Ortega and Valeria Seminario – “Inside the Latin American Science Fiction Archive: Challenges and Contributions to a Growing Academic Field”
4:10pm-4:15pm Break
4:15pm-5:00pm Keynote Jeremy Brett – “Making Space: Science Fiction Archives and the Archival Citizen” Jason Ellis â Introduction and Moderator
Participants
Jacob Adler has worked as the Metadata/Cataloging Librarian at Bronx Community College Library since 2017. Before that he worked in a variety of cataloging positions, including in the library department of The Paley Center for Media in New York from 2010 to 2016. His interests include early television history, game design, and creative writing. He participated in the 2018 National Novel Writing Month, and hopes to turn the resultant work into a published novel in the future. He has also presented at the 2018 CUNY Games Conference, and has given presentations at the City Tech Science Fiction Symposium in 2020 and 2021.
Jessica Aaron is a third-year undergraduate student at the University of Chicago. Her research focuses on the intersection between ethics and science fiction. She received funding to conduct intensive archival research on âPlanetary Epistemology in the Science Fiction Pulpsâ from the University of Chicagoâs College Summer Institute and Quad Scholars program.
Val Barnhart is a second year Literature, Media, and Communications student in the Ivan Allen College of Liberal Arts at Georgia Tech. She works on the production team in Dr. Lisa Yaszek’s Sci-Fi Lab. Her inspiration for her work stems from a mix of real-world observations and fake-world TTRPG campaigns.
Jill Belli is Associate Professor of English at New York City College of Technology, CUNY, where she happily teaches science fiction and utopian studies often. Sheâs working on long-standing projects on well-being & happiness in education and writing & revising in speculative fiction. Newer interests include nature writing, healing & illness, tarot & astrology as storytelling / intuitive literacy, and grief. Learn more about Jill and her interdisciplinary research and teaching: jillbelli.org.
Jeremy Brett is an Associate Librarian at Cushing Memorial Library & Archives, Texas A&M University, where he is both Processing Archivist and the Curator of the Science Fiction & Fantasy Research Collection. He has also worked at the University of Iowa, the University of Wisconsin-Milwaukee, the National Archives and Records Administration-Pacific Region, and the Wisconsin Historical Society. He received his MLS and his MA in History from the University of Maryland â College Park in 1999. His professional interests include science fiction, fan studies, and the intersection of libraries and social justice.
Kedrick Brown, now residing in Cambridge, MA, is a trader and inventor who believes in the power of stories to inspire amazing forms of human cooperation. His first introduction to science fiction was watching episodes of Star Trek in Liberia, which later helped inspire him to major in physics at Rutgers as an undergraduate. Kedrick has been most inspired in his writing by science fiction works that suggest that the universe may be far more wondrous than commonly believed. He also has an MBA from Wharton and is pursuing a Masters in Design Engineering at Harvard.
Laurence Copeland is an undergraduate researcher in the Sci Fi Lab@Georgia Tech.
Douglas Dluzen, PhD, is the Director of the Professional Development and Career Office at Johns Hopkins University. He’s previously been a senior science writer and editor at the NIH and a geneticist studying the genetic contributors to aging, cancer, hypertension, and other age-related diseases. He loves to write science and science fiction while sitting on the couch with his wife Julia (who has immeasurably helped him fact-check and edit his work), son Parker, and daughter Cedar. You can find him on Twitter (for now) at @ripplesintime24!
Jason W. Ellis is an Associate Professor of English at the New York City College of Technology, CUNY, where he coordinates the City Tech Science Fiction Collection and directs the B.S. in Professional and Technical Writing Program. He coedited The Postnational Fantasy: Postcolonialism, Cosmopolitics and Science Fiction (McFarland, 2011) and a special issue on Star Wars: The Force Awakens of New American Notes Online, and talked with Dr. Neil deGrasse Tyson about the relationship between SF and society on StarTalk Radio. He holds a Ph.D. in English from Kent State University, M.A. in Science Fiction Studies from the University of Liverpool, and B.S. in Science, Technology, and Culture from Georgia Tech.
Matt Frizzell is the Assessment Librarian and Subject Specialist for Science Fiction Studies at Georgia Tech. He has a masterâs in library and information science from Florida State University and a bachelorâs in anthropology from Emory University. In his role as a Subject Specialist for Science Fiction studies he develops and curates GT’s circulating Sci-Fi collection as well as collaborating and assisting with sci-ficentric activities on campus. As the Assessment Librarian Matt Provides assessment leadership and support for pilot projects, services, and spaces to facilitate evidence-based decision making. He has presented at numerous professional conferences and published articles in library journals. His most recent article describes using program evaluation in a library context.
Leigh Gold is a Doctoral Lecturer in the English Department at City Tech. She currently teaches composition, fiction, drama, and poetry. Her doctoral work explored mourning in the work of Else Lasker-SchĂŒler. Since then she has deepened her focus on interdisciplinary work such as writing about Ursula K Le Guin, Mary Shelley and Le Guin’s intersections, Eastern philosophies and ethics in Le Guin’s work, trauma in women writers of science fiction including Octavia Butler, and the role of the body and movement in poetry; Leigh is currently working on an essay about Judith Merril for an upcoming anthology.
Matthew David Goodwin is an Assistant Professor in the Department of Chicana/o Studies at the The University of New Mexico and Assistant Director of Publications at the Southwest Hispanic Research Institute. He maintains the latinxarchive.com.
Emily Hockaday is the managing editor and poetry editor for Asimovâs Science Fiction and Analog Science Fiction and Fact. Her first full-length poetry collection, Naming the Ghost, will be out in November 2022 with Cornerstone Press. You can find her online at www.emilyhockaday.com or @E_Hockaday.
Meghan Hyland started writing to distract herself from graduate school. Since then, she’s completed her Ph.D. in computer science, served as a college professor, and worked for multiple well-known technology companies. Nowadays she lives with her two cats in the Pacific Northwest, where she still manages to distract herself, and hopefully others, with her writing.
Kel R. Karpinski is a Librarian and Assistant Professor at the New York City College of Technology, CUNY. Their research focuses on mid-century queer films and novels as they relate to sailors and hustlers in Times Square and how these texts map queer desire onto the city. They have a forthcoming article in The Journal of American Culture. Kel is also a zine maker and a NY Queer Zine Fair organizer.
Rhonda Knight is a Professor of English, Director of the Honors Program, and the James Wayne Lemke Endowed Chair in College Service and Leadership at Coker University in Hartsville, South Carolina. Rhonda was Cokerâs 2018 recipient of the South Carolina Independent Colleges and Universitiesâ Excellence in Teaching Award. She has published articles on subjects from Sir Gawain to Doctor Who. She has co-edited two collections, Stage Matters: Props, Bodies and Space on the Shakespearean Stage (2018) and Who Makes the Franchise?: Essays in Fandom and Wilderness Texts in Popular Media (2022). She serves on the Board of Advisors for Kallion Leadership, Inc., which promotes leadership through study of the humanities.
Lucas Kwong is a writer, musician, and associate professor of English at New York City College of Technology. Heâs written at eschatontwist.substack.com, Institute for Christian Socialismâs Bias Magazine, Public Books, Journal of Narrative Theory, and Victorian Literature and Culture. His podcast series, Monster In The Mirror, is a spinoff of Straight White American Jesus. His music can be found at brotherkmusic.com.
Chris Leslie (he/him) is a visiting professor in the School of Foreign Languages at the South China University of Technology in Guangzhou, a creative consultant for Zhejiang Hexin Toy Group in Yunhe, and the chair of the International Federation of Information Processingâs working group on the history of computing. His research focuses on the intersections among science, technology, and society. A two-time recipient of a Fulbright award, he has also taught at John Jay College, Hunter College, the University of Potsdam (Germany), and New York University Tandon School of Engineering. Dr. Leslie is finalizing a book project, From Hyperspace to Hypertext: Masculinity, Globalization, and Their Discontents, which will be published by Palgrave next year.
Adam McLain is a MA/PhD student and first-year writing instructor in the department of English at the University of Connecticut. He holds a bachelorâs degree in English, editing, and womenâs studies from Brigham Young University, where he was managing editor at Leading Edge for three years, and a master of theological studies in women, gender, sexuality, and religion from Harvard University, after which he fulfilled a Frank Knox Traveling Fellowship to study George Orwell and sexual violence in the UK. He studies dystopian literature, legal theory, and sexual justice. Most recently, he edited two symposia for SFRA Review, one on Mormonism and science fiction and the other on sexual violence and science fiction.
Dolores GonzĂĄlez Ortega is a PhD candidate from Mendoza, Argentina. She holds a bachelor degree in Literature and Spanish Language Teaching from the Universidad Nacional de Cuyo and an MA in Literatures Languages and Cultures from the University of Connecticut. Her research interests focus on the interactions of gender, sexuality and politics in contemporary Latin American science fiction. She co-organizes the interdisciplinary science fiction critical theory study group Alien Readings at the University of Pennsylvania.
Dr. Gillian Polack is a Jewish Australian speculative fiction writer based in Canberra, Australia. She was the 2020 recipient of the Ditmar (best novel, for her 2019 novel The Year of the Fruit Cake) and the Bertram A. Chandler (lifetime achievement in science fiction) awards. She is an ethnohistorian with a special interest in how story transmits culture, both Medieval and modern. Her current research examines how contemporary speculative fiction novels serve as vectors for cultural transmission. Her book on this, Story Matrices: Cultural Encoding and Cultural Baggage in the Worlds of Science Fiction and Fantasy, was released in April 2022.Her research at Deakin University furthers this work. Dr. Polackâs publications include ten novels, short stories, a monograph (History and Fiction, shortlisted for the William Atheling Jr Award for Criticism or Review) and various works of non-fiction. A list of her books can be found at https://gillianpolack.com/my-books/.
Alison Reynolds is the Research Services and Instruction Archivist at the Georgia Tech Library. She holds an MLS from Indiana University Bloomington with a specialization in Archives and Records Management, an MA in English from the University of Connecticut, and BA degrees in English and history from Denison University. She manages the Archives Reading Room and archival instruction programs and serves as the curator for the special collections science fiction and rare book collections. Her interests include teaching with primary sources and working to make archival collections more easily accessible to users.
Valeria Seminario’s research explores the encounter between literature, science, and technology in Latin American modernities and is increasingly becoming interested in the aesthetics of infrastructure and logistics. She is the author of âUn pasado inevitable: La Corriente del Golfo y la reescritura de los orĂgenes de la RepĂșblica cubanaâ in the edited volume FicciĂłn y Ciencia (2022). Valeria is a PhD candidate in the Department of Hispanic and Portuguese Studies at the University of Pennsylvania. She holds an M.A. from the University of Pennsylvania and an M.A. in Interdisciplinary Studies from NYU. Her M.A. thesis âwhich recovers from obscurity the first Cuban science fiction novelâ, was prized with the Hirschhorn Master’s Project Award by the Center for Experimental Humanities and Social Engagement at NYU.
Or Szyflingier is a multidisciplinary artist who focuses on graphic design, advertising, motion, and video – manifesting that love for design, creativity, and a natural ability to communicate visually. She has worked for organizations such as Symphony Space, CUNY, and NYPIRG, while being featured at the AIGAâs SHIFT summit, and Carnegie Hall. She directed an award-winning documentary entitled The SoHo Memory Project, which has garnered praise and recognition at international and national film festivals such as the Telly Awards and DOCNYC â the largest documentary film festival in the country. She designed the poster for this year’s symposium. Learn more about her work at orszyflingier.com.
Justin Vazquez-Poritz is the Dean of the School of Arts and Sciences at New York College of Technology, CUNY.
Killian Vetter is an undergraduate researcher in the Sci Fi Lab@Georgia Tech.
Lisa Yaszek is Regentsâ Professor of Science Fiction Studies at Georgia Tech, where she explores science fiction as a global language crossing centuries, continents, and cultures. Her most recent books include Sisters of Tomorrow: The First Women of Science Fiction (2016); Literary Afrofuturism in the Twenty-FirstCentury (2020, co-edited with Isiah Lavender III) and The Future is Female! Classic Science Fiction Stories by Women series (2018-present). Professor Yaszekâs ideas about science fiction as a window to cultural history have been featured in venues including The Washington Post, Food and Wine Magazine, and USA Today, and she has been an expert commentator for CBS Sunday Morning, the BBC4, Turner Classic Movies, and the AMC miniseries James Cameronâs Story of Science Fiction. A past president of the Science Fiction Research Association, Professor Yaszek currently serves as a juror for the Eugie Foster Speculative Fiction Award and as Georgia Techâs ambassador to the AtlantaFuturism movement.
Kenrick H. Kamiya Yoshida is a Okinawan speculative fiction writer and independent scholar. His article on post-war Okinawan SF film and TV will be published in The Routledge Handbook of CoFuturisms (upcoming). He lives in Atlanta with his wife and two spectral cats.
Ida Yoshinaga is an Assistant Professor of science-fiction film at the Georgia Institute of Technology. Her collection of thinkpieces, co-edited by Gerry Canavan and Sean Guynes, Uneven Futures: Strategies for Community Survival from Speculative Fiction, is being published by MIT Press this winter.
Edeliz Zuleta is a Biomechanical Engineering Major and Science Fiction Minor at Georgia Tech. She works in Professor Lisa Yaszekâs Sci Fi Lab, with funding from Georgia Techâs Center for Women, Science, and Technology and the Ivan Allen College for the Liberal Arts.
Organizers
The 7th Annual City Tech Science Fiction Symposium was organized by Jill Belli, Wanett Clyde, Leigh Gold, Lucas Kwong, and Kel Karpinski. The event is supported by the School of Arts and Sciences at the New York City College of Technology, CUNY (City Tech).
Deadline for the call for papers has been extended to Nov. 15, 2022! Details below.
Call for Papers:
Science Fiction and the Archive: The Seventh Annual City Tech Science Fiction Symposium
Date and Time:
Tuesday, December 6, 2022, 9:00AM-5:00PM EST
Location:
Online via Zoom, Sponsored by the School of Arts and Sciences at the New York City College of Technology, CUNY.
Organizers:
Jill Belli, Wanett Clyde, Jason W. Ellis, Kel Karpinski, and Lucas Kwong
Continuing the explorations and conversations of the previous two symposia on âRaceâ and âAccessâ respectively, this yearâs City Tech Science Fiction Symposium is focused on the idea of the âArchive.â The potential of the SF Archive as an inclusive and celebratory concept is increasing, and we hope this symposium will be a space to facilitate its expansion through our conversations and collegial debate. Of course, an archive (little a) can refer to practical considerations of Library-based Special Collections like those in the City Tech Science Fiction Collection and others, including the collected materials, cataloging, and providing access. However, we are also thinking of the Archive (big A) in terms of canonicity, cultural preservation, reading lists, and bookstore shelfspace. These latter considerations raise questions about what does and doesnât get included within what we might call the SF Archive as well as who does and doesnât get a say in those selections. Therefore, the SF Archive is a broadly based concept that encompasses Libraries and Special Collections and the larger cultural space of fandom, social media, and the marketplace, all of which involve the exchange of cultural capital, influence by different forms of gatekeepers, and conversations on many levels by different readers about what SF should be valued, recognized, and saved.
The SF Archive changes over time. Perhaps most exciting for the present are the many initiatives to excavate our shared cultural histories for SF that had been overlooked or forgotten but certainly deserving of inclusion, such those by writers of color, women, and LGBTQ+ persons; and efforts to bring global SF to wider audiences thanks to growing networks of readers and scholars versed in the original language of a text and those wanting to experience those stories through translation.
Also, Analog Science Fiction and Fact will announce the winner of their second Analog Award for Emerging Black Voices at this yearâs symposium (https://www.analogsf.com/about-analog/analog-emerging-black-voices-award/).
We invite proposals for 10-20 minute scholarly paper presentations or 40-60 minute panel discussions related to the topic of Science Fiction and the Archive. Please send a 250-word abstract with title, brief 100-150-word professional bio, and contact information to Jason Ellis (jellis@citytech.cuny.edu) by November 15, 2022October 31, 2022. Topics with a connection to the SF Archive might include but certainly are not limited to:
What is an/the SF Archive?
What is the relationship and interaction between SF archives as physical places and the larger concept of an SF Archive?
What constitutes the SF Archive?
Who decides what goes into the SF Archive?
What role does generation or age play in forming the SF Archive?
What media is included in the SF Archive?
How can the SF Archive be inclusive and representative?
What lineages or clusters of SF based around geography, country, language, identity, culture, etc are in or should be included in the SF Archive?
What barriers are there to building awareness or inclusiveness of an SF type within the larger SF Archive?
What role do digital technologies and social networks play in creating the SF Archive? How do these relate to other technologies of archive formation, including journals, magazines, zines, and conventions?
How are archives depicted in SF? What do these archives hold and what role do they serve within their respective narrative? Can SF depictions of archives serve as a model for the SF Archive?
Like last year (https://youtube.com/playlist?list=PLWEFb3DcsZdnfTmMuoZN3sRXxe3VRojf1), the symposium will be held online as a Zoom Webinar. This facilitates a larger and wider audience. Therefore, there are no geographical limitations for participants, but the time for the eventâs program will follow Eastern Standard Time (UTC-5:00).
This event is free and open to the public as space permits: an RSVP will be included with the program when announced on the Science Fiction at City Tech website (https://openlab.citytech.cuny.edu/sciencefictionatcitytech/). Free registration will be required for participation.
The event is sponsored by the School of Arts and Sciences at the New York City College of Technology, CUNY.
The Annual City Tech Symposium on Science Fiction is held in celebration of the City Tech Science Fiction Collection, an archival holding of over 600-linear feet of magazines, anthologies, novels, and scholarship. It is in the Archives and Special Collections of the Ursula C. Schwerin Library (Library Building, L543C, New York City College of Technology, 300 Jay Street, Brooklyn, NY 11201). More information about the collection and how to access it is available here: https://openlab.citytech.cuny.edu/sciencefictionatcitytech/librarycollection/.
The Sixth Annual City Tech Science Fiction Symposium on the topic of Access and SF was held on Thursday, Dec. 9, 2021 as a Zoom Webinar. You can read the full program here.
Included below are videos of each session as well as links to expanded presentations .
Many thanks again to everyone who participated and contributed to this yearâs event!
Opening
Jason W. Ellis Justin Vazquez-Poritz
Paper Session 1: Access to International SF
Jill Belli – Moderator Emrah Atasoy – “Access to SF in Turkey and Turkish SF Abroad” Shanky Chandra – “Chinese Science Fiction: A Literary Genre, A Tool of Teaching Science or A Secret Weapon of China’s Soft Power?” Gillian Polack – “The Problem of Susan Australia, or, The Tyranny of Distance” | Watch Expanded Presentation
Paper Session 2: Access to Science/Fiction/World
A. Lavelle Porter – Moderator Chris Leslie – “Reevaluating the Inclusiveness of the Interstellar Republic of Letters” Katherine Buse and Anastasia Klimchynskaya – “Science Fiction and Citizen Science” Aaron Zwintscher – “Star Wars Biomes: Simulacra, Nature, and Passivity in No Dialogue Nature Shows”
Discussion Panel: âAccessing the Feminist Science Fiction Archive, Or, Young Women Read Old Feminist SFâ
Lisa Yaszek – Moderator Panelists: Josie Benner Olivia Kiklica Jessica Taetle Edeliz Zuleta
Paper Session 3: Access, Inclusion, and Representation in SF
Joy Sanchez-Taylor – Moderator Leigh Gold – âConfronting Language in the Science Fiction Text: Language, Access, and Trauma in Octavia Butler and Ursula K Le Guinâ Katherine Pradt – âShipping Supergirl: Discovering and Defending Lesbian Identity Through a DC Fandomâ Sean Scanlan – “Cool Access and Access to Cool: Gibsonâs Gun Moll, Dorotea Benedetti” Ida Yoshinaga – “Corporate Employment Practices Towards Greater Diversity of Story Development for SFF Screen Stories”
Paper Session 4: Access, Accessibility, Bodies, and Minds in SF
Lucas Kwong – Moderator Jacob Adler – “‘Everything Herein is Fantastic’: Accessibility and Inclusivity in Dungeons & Dragons” Ryan Collis – “Autistic Speculative Imaginings: Accessing and Creating Minor Literatures” Annette Koh – “Urban Planning for Cyborg Cities: Thinking about disabilities and mobilities in sci-fi as an urban planner”
Analog Writers Panel and the Analog Emerging Black Voices Award
Emily Hockaday – Moderator Panelists Alec Nevala-Lee Marie Vibbert Chelsea Obodoechina Trevor Quachri and Emily Hockaday – Award Presentation
Keynote: “Writing Ourselves In: Teaching Writing and Science Fiction with Wikipedia”
Ximena Gallardo C. and Ann Matsuuchi Wanett Clyde – Introduction and Moderator
Ximena and Ann’s book chapter, âMy Books Will Be Read By Millions of People!â: The LaGuardia Community College Octavia E. Butler Wikipedia Project,â that appears in Approaches to Teaching the Works of Octavia Butler, edited by Tarshia Stanley (Modern Language Association, 2019), has been made accessible via the CUNY institutional repository, Academic Works: https://academicworks.cuny.edu/lg_pubs/141/. This book was awarded Idaho State University’s 2021 Teaching Literature Award.