Professor Schoenbrun | COMD3313 OL74| FA21

Category: Uncategorized (Page 3 of 7)

Final Project Process Book Examples

Process Presentation

Due Week 15

_

Prepare a 5 minute Presentation on your story and your working process, guiding us through the project from inception to conclusion.

You will Present your work on the last day of class.

Submit your Presentation as PDF PROCESS BOOK .

____________________________________

Here are some successful examples of Final Illustrations and their Accompanying Process Books.

Week 10

Class Info

  • Date: 11/19/21
  • Meeting Info: Zoom Zoom Zoom… see below

To-Do Before Class

Topic:

Editorial Illustration & Point of View

Activities

Warm Up

  • Draw

Discussion

  • of last week’s readings

Break

Class Critique
Assignment 2, Editorial illustration

Lab

Work in Class on Assignment 2, Editorial illustration:

Apply Feedback to Concept Sketches

Refine Concept Sketches into final art

Research and Sketch Important Visual Elements

Refine Color and Value Scheme

Begin Final Art

Review Assignments and Expectations for Next Week’s Class

Due Next Week

EDITORIAL ILLUSTRATION

Assignment 2, Editorial Illustration Assignment 2, part 3 of 3

  • Color Palate Ideas. (3 value/color roughs will be required for the final project.)

Please post an image of your final art from assignment 2 in Works in Progress. Post the final art with the magazine’s logo and without.
Discussion: Please discuss how YOU have applied color theory, use of composition, value, etc to establish focal points in your illustration. Please explain how these focal points help the viewer to understand your intended reading of the image.

ZOOM

Diana Schoenbrun is inviting you to a scheduled Zoom meeting.

Topic: Professor Diana Schoenbrun’s Zoom Meeti

ng
Time: Nov 9, 2021 02:30 PM Eastern Time (US and Canada)

Join Zoom Meeting
https://us02web.zoom.us/j/82842687142?pwd=UnpxTllkM2Z4SGdiSWVsUVB6MmpCQT09

Meeting ID: 828 4268 7142
Passcode: 141063
One tap mobile
+16465588656,,82842687142#,,,,141063# US (New York) +13017158592,,82842687142#,,,,141063# US (Washington DC)

Dial by your location
+1 646 558 8656 US (New York)
+1 301 715 8592 US (Washington DC)
+1 312 626 6799 US (Chicago)
+1 669 900 9128 US (San Jose)
+1 253 215 8782 US (Tacoma)
+1 346 248 7799 US (Houston)
Meeting ID: 828 4268 7142
Passcode: 141063
Find your local number: https://us02web.zoom.us/u/km8d063za

Join by SIP
82842687142@zoomcrc.com

Join by H.323
162.255.37.11 (US West)
162.255.36.11 (US East)
115.114.131.7 (India Mumbai)
115.114.115.7 (India Hyderabad)
213.19.144.110 (Amsterdam Netherlands)
213.244.140.110 (Germany)
103.122.166.55 (Australia Sydney)
103.122.167.55 (Australia Melbourne)
149.137.40.110 (Singapore)
64.211.144.160 (Brazil)
149.137.68.253 (Mexico)
69.174.57.160 (Canada Toronto)
65.39.152.160 (Canada Vancouver)
207.226.132.110 (Japan Tokyo)
149.137.24.110 (Japan Osaka)
Meeting ID: 828 4268 7142
Passcode: 141063

Discussion 8:Digital Inking_Nyle Davis

Tomer Hanuka first started by uploading a traditional sketch into Photoshop and using it as his background. After an initial trace with black ink, he began his layer work to flesh out the sketch and to give it more detail. Once the inking process was complete, he began the color and shade work(probably my personal favorite part of the process, as I think it gives a sketch more character). While layering is still a small challenge for me, watching this video showed that by slowly constructing layers of ink, paint and shade, you can create something even more captivating than a binary sketch.

« Older posts Newer posts »