Narrative Illustration

Professor Woolley | COMD3513 | HE75 SPRING22

Page 12 of 18

Week 4

Class Info

  • Date: Thursday, February 24th
  • Meeting InfoIN PERSON CLASS P125

To-Do Before Class

  • Homework 2 DUE for critique. 
  • READ Chapters 3 & 4 of Understanding Comics

Topic

How to Read Comics

TODAYS LECTURE & ASSIGNMENT :

Objectives

  • To Introduce Page Building Techniques
  • Understand the terminology and concepts in writing for comics
  • To introduce the genre of the Autobio comic.
  • To Inctoduce the basics of story generation and script writing.
  • To continue to explore the ways words and images interact in comics.

Activities

FINAL CRITIQUE: Assignment 2 – Comic Strip

UPLOAD YOUR WORK

CRITIQUE GUIDE:

  • Clarity
  • Story Structure
  • Reading Order
  • Rhythm
  • Writing
  • Uniqueness
  • Craft

DISCUSSION: Chapters 3 & 4 of Understanding Comics

LECTURE:

Key Terminology:

  • Closure
  • Panel
  • Gutter
  • Tier
  • Reading Order
  • Z Formation
  • Script
  • Thumbnail
  • Page Layout
  • Caption
  • Dialouge
  • FX

BOOK REVIEWS: Discuss format: comicsworthreading.com

INTRODUCTION TO THE AUTO BIO COMIC:

Art Spiegelman’s MAUS

GAME: Two Truths and a Lie

Assignment 3, The AutoBio Comic.

Review Assignments and Expectations for Next Week’s Class



Due Next Week

  1. Assignment 3: The AutoBio Comic, DUE March 17th Week 7
  2. Sketchbook Week 4
  3. Reading: Drawing Words and Writing Pictures by Robyn Chapman , UNIT 2 Page Building
  4. Reading: What is a Graphic Novel, by Jessica Abel

Week 3

Class Info

  • Date: Thursday, February 17th
  • Meeting InfoIN PERSON CLASS P125

To-Do Before Class

  • Bring in progress Homework 2 for critique. 
  • READ chapters 3 & 4 of Understanding Comics

Topic

The Comic Strip: Multi-Panel Storytelling 

TODAYS LECTURE & ASSIGNMENT :

Objectives

  • To understand the concept of mutli-panel storytelling.
  • To consider the concepts of time and action in sequential art.
  • To consider the ways words and images interact in comics.
  • To familiarize studnets with a cureent working professional comicbook artist.
  • To practice ink techniquyes and consider applications of the medium.

Activities

CRITIQUE: Assignment 2 – Comic Strip

UPLOAD YOUR WORK

CRITIQUE GUIDE:

  • Clarity
  • Story Structure
  • Reading Order
  • Rhythm
  • Writing
  • Uniqueness
  • Craft

DISCUSSION: Chapters 3 & 4 of Understanding Comics

BOOK REVIEWS: Discuss format: comicsworthreading.com

INKING DEMO & LECTURE

DRAWING ACTIVITY: INKING WARM-UPS

Meet the PROS: Guest Artist, Kenny Wong

Review Assignments and Expectations for Next Week’s Class



Due Next Week

  • Assignment 2: The Comic Strip Finished Art
  • Sketchbook Week 3
  • Reading Week 3 : Chapter 5 Understanding Comics 

Understanding Comics Chapters 3 & 4

Understanding Comics: The Invisible Art by Scott McCloud

Our course text is Understanding Comics By Scott McCloud. It is a comic book about comic books. McCloud, in an incredibly accessible style, explains the details of how comics work: how they’re composed, read, and understood.

Chapter 3 – Blood in the Gutter – pp. 60

  • In comics, what is “the gutter?”
  • Discuss the concept of closure as it relates to comics.
  • Of the six types of transitions in comics, choose one that you find most interesting and tell why.
  • What’s the point of the three stories about Carl that are shown on pages 84-85?

Chapter 4 – Time Frames – pp. 94

  • Is each frame in a comic a single moment in time? Why or why not?
  • How does adding words change the length/time of a panel?
  • In comics, time and space are “one and the same.” How so?
  • On page 101, how does changing a panel’s shape affect its time?
  • In comics, motion is usually reduced to what?
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