COMD 3504 Communication Design Theory
- Faculty: Professor Jenna Spevack
- Meeting Time: Thursdays, 2:30-5pm
- Section: D061
- 3 class hours, 3 credits
- Prerequisites: ENG1121 & ARTH 3311
- Writing Intensive (WI)
Course Description
An in-depth introduction to communication design theory, this course examines theoretical perspectives of design practice within the larger discourse of design and visual culture. Communication models, the nature of representation, the dimensions of context, and semiotics are explored through critical readings in key documents from the early decades of the twentieth century to the present.
Faculty Information
Professor Jenna Spevack has been a professor in the Communication Design Department since 2002 and has served as OpenLab Co-Director since 2011. Jenna has taught courses in and served as course coordinator for web design, interactive media, animation, design foundations, and design theory.
With over 25 years of experience as a designer, she has contributed to the development of a variety of web-based and interactive media, including those for Sesame Workshop and PBS Kids. As an artist, she is the recipient of numerous grants, fellowships, and residencies and has exhibited her work nationally and internationally.
Office hours
- Online: By appointment
- In-person: Thursdays 5-6pm
Contact Information
- Contact: jspevack@citytech.cuny.edu
- Faculty Profile: citytech.cuny.edu/faculty/JSpevack
- Art Portfolio: jennaspevack.com
- Teaching Portfolio: profspevack.com
Texts and Media
Communication Design Theory OER
This Open Educational Resource (OER) provides students interested in the field of communication design theory with a growing selection of contemporary and historical media to support their research. Students, faculty, and researchers may submit openly licensed media for inclusion. Except where otherwise noted, content is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
(See OER Bibliography for list supplementary texts)
Many Voices | Decoding Stereotype – Volume 1
A new open access journal of writing and research authored by and for emerging designers. Students will be submitting their essays for possible inclusion in this journal.
Communication & Collaboration Tools
This course will use a combination of online communication tools to facilitate a supportive and effective learning environment. These may include OpenLab, Blackboard, Google Docs, Hypothesis, City Tech Email, YouTube, YuJa, or other tools recommended by the instructor.
This course uses OpenLab, City Tech’s open-source digital platform where students, faculty, and staff learn, work, and share their ideas. This course is visible to members of the City Tech community and beyond. However, it is not visible to search engines. If you do not feel comfortable posting publicly, you are always free to use a pseudonym. To set your display name go to Edit Profile or contact the professor with questions.
Teaching & Learning Methods
- Lectures and class discussion
- Research-based writing and presentation
- Peer-to-peer exercises and critiques
- Weekly use of online forums for reflective writing
- Free writing / Noticing exercises
- Field trips and/or visiting lecturers
Writing Intensive
This course is designated “Writing Intensive.” Students will be writing every week, in class and on the OpenLab via weekly blog posts, and peer-to-peer comments. Part of this practice will be presenting thoughtful reflections on their learning process in order to demonstrate their comprehension of challenging theoretical concepts. The instructor will provide feedback and guide students as they develop their research proposals and final presentations. Students will also submit critical written analyses of historical design examples and readings leading to a formal 2-4 page essay following standard citation guidelines.
Grading Policy
At the beginning of the semester, you will define a Learning Plan based on the course learning objectives and your personal learning goals. Throughout the semester, you will review your Learning Plan and evaluate how well you are meeting your goals. You may adjust your Learning Plan as needed throughout the semester. Your instructor will provide feedback on your work via comments, email, or face-to-face meetings.
Using the College’s standard grading scale, you and your instructor will determine your final grade. Your final grade will reflect how well you met the course learning objectives and the personal learning goals outlined in your Learning Plan.
Grade Distribution
In this writing-intensive course, students are expected to write between 30-40 pages in total.
- Reading Responses / Comments 25% (1 page weekly)
- Essay 20% (2-4 pages)
- In-Class Free Writing 10% (1 page weekly)
- Research Project & Presentation 25% (2-3 pages of research/prep)
- Productivity & Participation 20%
Course Assignments
Weekly readings and written reading responses are central to this course. Completing every reading is necessary for the successful completion of the course. Your weekly written responses, essay, and class comments will be posted on the class website. The course will also require independent research and will culminate in a Research Project Presentation.
Reading & Research Responses (25%)
Each weekly reading or research topic will be posted on the class site and include questions or prompts intended to promote critical engagement and class discussion. You will be expected to write a 3-4 paragraph comment reflecting on the text or topic presented and provide feedback on your peers’ reflections. Responses must be submitted on the date due.
Essay (20%)
During the mid semester, you will submit one Exploratory Essay 2-3 pages (750-1000 words) in length, typed in double-spaced 12 pt Times New Roman, with all references and quotations properly cited according to MLA guidelines. This paper will be a formally structured essay concerning assigned readings and/or your individual research. These readings may relate to a specific area of interest to help guide your research. You are encouraged to submit your essay to Many Voices.
In-Class Free Writing (10%)
Each week, we will complete a noticing exercise and write about it in class together. This type of writing is for yourself and a way to free up and relax your mind. It’s also a great way to improve your writing skills overall without pressure or critique. It will help you increase your curiosity and awareness, and help you to develop your ideas and creativity.
Your free writing may be private or you may choose to share your work at any point in the semester.
Research Project & Presentation (25%)
By the midterm, you will present a well-defined research topic and outline of a final research project to be presented in class and/or posted on the class site for feedback.
In the final three weeks of class, you and your peers will present your independent research. You will be expected to articulate a clearly defined topic concerning contemporary design and theory, by way of a well-designed poster or slide deck with voice or video narration. Your research project should serve as an opportunity to connect your own design practice with professional research methodologies and the design theory presented in this course.
The research project and presentation will:
- include a 5-7 minute visual and verbal presentation (in person or video)
- demonstrate professional research practices (written, verbal, visual)
- connect graphic design history and theory with the contemporary design field
- demonstrate a connection between your design practice and theoretical concepts covered in the course
- include an outline, and annotated bibliography
- demonstrate methods of primary and secondary source evaluation
Productivity & Participation (20 %)
Discussions of assigned readings and topics will play a critical role in this course. Class conversations, whether face to face or asynchronous, should not only provide a better understanding of the course content, but should also make the course more engaging for everyone.
Using the Community Agreement as a guide, effective participation is demonstrated by:
- Attendance and participation in in-class activities are critical to successful completion of the course.
- Posting and commenting on the shared class site by the set deadline, including contributing to discussions, or giving peer feedback.
- Actively participating in presentations and discussions.
- Following best practices for face-to-face and online learning.
- Class preparedness; coming prepared for class and checking the class site for instructions prior to the class meeting.
- Timeliness; arriving to class on time and completing assignments on time.
- Asking questions, volunteering answers, and helping other students
- Paying attention during demonstrations and presentations
- Following instructions and taking notes
Assessment Methods
Weekly classroom discussion and writing/posting/commenting assignments allow the instructor to assess individual participation and enable the instructor to see how well students comprehend the material and accurately apply terminology, strategies, and concepts. Students will meet (online or in-person) with the instructor at least twice during the semester to review and assess their writing portfolio and research project. Students are encouraged to ask questions in class and via the class blog regularly.
LEARNING OBJECTIVES | ASSESSMENT METHOD |
---|---|
For the successful completion of this course, students should be able to: | Instructional activity and evaluation methods. Students will: |
Develop a historical appreciation of communication design including designers, technologies, media, and processes, and creative expression, challenges, effects, and significance. | ACTIVITY: View and analyze design projects in a variety of media including print, tv and radio, audio, video and film, illustration, signage, and other forms, in the classroom and at home. EVALUATION: Via weekly blog posts and comments, students submit critical analyses to design projects and readings chosen by the instructor. |
Acquire an understanding of different forms, traditions, processes, and styles of communication design in different national and international contexts. | ACTIVITY: View, read, and discuss the works of significant designers in the history of communication design. EVALUATION: During online and in-person discussions and critiques, students will articulate thoughtful responses to examples viewed in Class Lectures and outlined in textbook readings. |
General Education Objectives | Assessment Activity |
---|---|
Demonstrate an ability to think critically, to distinguish between fact and opinion, in the analysis of different kinds of design. | ACTIVITY: Exploring material from a variety of sources in the classroom, field trips, and readings, students will develop vocabulary and theoretical methods necessary to analyze relationships between formal elements (i.e., style, composition), processes, and concepts/approaches to communication design. EVALUATION: Through writing assignments and class presentations, students will be able to compare and contrast the movements, styles, concepts, and important practitioners of design. Students will be asked to identify and cite primary and secondary sources in discussion and writing assignments. |
Demonstrate the ability to evaluate critical and historical materials for the study of design and to construct a coherent and substantiated argument, written in clear and correct prose. | ACTIVITY: Student research poster and writing portfolio will allow students to practice bibliographic skills; will require students to select an aspect of design theory, research its significance, propose a thesis, develop content and design an informational academic poster. ACTIVITY: Reflective writing in portfolio and blog will help students to develop effective writing skills. EVALUATION: Verbally and in writing, students are evaluated on their ability to communicate their understanding of design theory as it applies to design practice and history. |
Develop communication skills and demonstrate the ability to reflect critically on the learning process. | ACTIVITY: Group discussions and peer critiques include review of readings, historical design examples, and research projects. EVALUATION: Students articulate their knowledge of design styles, movements, and significant works, and are able to present a critical opinion of their learning process using reflective writing after each exercise in their writing portfolios or class blog. |
Attendance (College) and Lateness (Department) Policies
Attendance is taken and is important to success in this class. Both absences and arrival more than 15 minutes after the start of class will be marked. If excessive, the instructor will alert the student that he or she may be in danger of not meeting the course objectives and participation expectations, which could lead to a lower grade.
If this course is being offered asynchronously, attendance and lateness are determined by timely participation in discussion, posting, and commenting deadlines set by the instructor.
COMD Attendance Policy
The COMD BFA and AAS are design studio programs. In-class activities and engagement with other students are a significant portion of the courses. Absences in excess of 10% of the total class hours will affect your final grade due to an inability to meet participation and in-class activity requirements. No more than 4 class absences will be allowed. It is expected that you will be ready to work at the start of each period.
COMD Department
Accessibility Statement
City Tech is committed to supporting the educational goals of enrolled students with disabilities in the areas of enrollment, academic advisement, tutoring, assistive technologies, and testing accommodations. If you have or think you may have a disability, you may be eligible for reasonable accommodations or academic adjustments as provided under applicable federal, state and city laws. You may also request services for temporary conditions or medical issues under certain circumstances. If you have questions about your eligibility or would like to seek accommodation services or academic adjustments, you can leave a voicemail at 718-260-5143, send an email to: Accessibility@citytech.cuny.edu, or visit the The Center for Student Accessibility website at for more information.
Academic Integrity Policy
Students and all others who work with information, ideas, texts, images, music, inventions and other intellectual property owe their audience and sources accuracy and honesty in using, crediting and citation of sources. As a community of intellectual and professional workers, the college recognizes its responsibility for providing instruction in information literacy and academic integrity, offering models of good practice, and responding vigilantly and appropriately to infractions of academic integrity. Accordingly, academic dishonesty is prohibited in The City University of New York and is punishable by penalties, including failing grades, suspension and expulsion. More information about the College’s policy on Academic Integrity may be found in the College Catalog.
- Avoiding Plagiarism
- Incorporating AI into the writing process (the students will decide collectively how they want to use AI to improve their writing)
City Tech Diversity & Inclusive Education Statement
This course welcomes students from all backgrounds, experiences and perspectives. In accordance with the City Tech and CUNY missions, this course intends to provide an atmosphere of inclusion, respect, and the mutual appreciation of differences so that together we can create an environment in which all students can flourish. It is the instructor’s goal to provide materials and activities that are welcoming and accommodating of diversity in all of its forms, including race, gender identity and presentation, ethnicity, national origin, religion, cultural identity, socioeconomic background, sexuality and sexual orientation, ability, neurodivergence, age, and etc. Your instructor is committed to equity and actively seeks ways to challenge institutional racism, sexism, ableism and other forms of prejudice. Your input is encouraged and appreciated. If a dynamic that you observe or experience in the course concerns you, you may respectfully inform your instructor without fear of how your concerns will affect your grade. Let your instructor know how to improve the effectiveness of the course for you personally, or for other students or student groups. We acknowledge that NYCCT is located on the traditional homelands of the Canarsie and Lenape peoples. (See Living Land Acknowledgment)
Expectations
Class Etiquette & Netiquette
This course aims to foster and support an inclusive learning environment where diverse perspectives are recognized, respected, and seen as a source of strength. Learning is a group activity. The actions of each person in class affect the overall learning environment. As a COMD student, you are expected to act in a professional manner; to be respectful of the learning process, your instructor, and your fellow students. And hopefully, have fun!
- Community Agreement
- OpenLab Community Guidelines
- Netiquette Guide (CUNY School of Professional Studies)
- Health: Please wear a mask if you are feeling sick or stay home
Independent Work
In order to meet the coursework requirements set by the college, you are expected to work outside of class meeting time and schedule independent work time to complete your coursework.
If your course is held asynchronously, the work you would typically complete “in class” must be completed independently. This includes watching the lecture and/or slideshow, videos, readings, reading responses, research, posting, commenting, field trips, etc.
Setting aside a defined time to complete your course work is essential to the successful completion of a face-to-face or asynchronous course.
Make-ups & Late Work
If you are not able to present or hand in an assignment on the scheduled due date, as a courtesy to your peers and the professor, please notify the professor BEFORE the due date.
Late assignments and missed discussions will affect the successful completion of your Learning Plan and your final grade.
Points are deducted from your final grade for late assignments and missed discussions, but it’s better to turn in incomplete work than late work, because you can always revise your work.
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