Robin Michals | COMD 1340 Photography 1

Category: Course Activities (Page 3 of 8)

Final Project Statement and Mood Board

My final project is all about capturing the real deal of city life. It’s like this big archive, a collection of moments that show what it’s like for people just doing their thing in a busy city. You know, waiting for the train, hanging out in a park with friends, standing in line for a hot restaurant, or checking out cool art in a museum. I’ll be cruising around Brooklyn and Manhattan, snapping shots in different spots to give you a feel for the everyday scenes. No frills, just genuine slices of urban life. I’m going for that street photography vibe—capturing the raw and spontaneous moments that make city living unique. I’ll mix it up with wide shots to show off the city’s vibe and some close-up portraits for those personal moments. Natural light is my go-to, and I’ll throw in some motion shots and lots of vibrant colors to catch that city energy. Basically, it’s like taking a chill stroll through the neighborhoods, giving you a visual diary of what goes down when people are just being themselves in the city. It’s not just about the pics; it’s about soaking in the vibe and telling a laid-back story of the city’s rhythm.

Below are some of the photographers who will inspire this project.

Girma Berta is based in Addis Ababa, Ethiopia. He is a self-taught street photographer who composes his images in a really unique way, creating contrast using strong and harsh colors. His work guides the viewer through the everyday life of African people not in a documentary, but more like in a fine art style. His work has been featured in different publications, and exhibitions internationally and received several awards.

Helen Levitt (1913-2009) captured a poetic view of mid-20th century New York City. She photographed women, children, and community street life. Her images of the city are warm and approachable. They show a side of urban life full of community. Her pictures are vignettes of domestic life.

Saul Leiter (1923-2013) was an American photographer working in the 1940s and 1950s. He photographed in black and white. But he is known as an early pioneer of color street photography. His images capture the quiet moments of the city. Soft focus and reflections give his pictures an impressionistic, painterly quality.

Phil Penman was born in the UK and he was raised in New York. He’s been documenting the ever-changing life of the city for more than 25 years. Besides being a street photographer, he photographed celebrities. Also, he followed historical events like 9/11.

Xyza Cruz Bacani is a Filipina street and documentary photographer. She is based in Hong Kong and her mission is to raise awareness of under-reported issues. She won numerous awards and her work has been exhibited worldwide. She is one of the Magnum Foundation’s Human Rights Fellows. Besides this, she won several titles and awards. She’s a true visual storyteller and she’s found perfectly how she can use her voice to stand for human rights.

The London-based Joshua K. Jackson is a street photographer, whose work focuses on the connection people have with their surroundings. He can perfectly capture small interactions between people as well. He uses color and lights to enhance the atmosphere an everyday scene can have. A lot of his images are shot at night when people are going home, sitting in bars, or talking with each other. His perfectly composed images express love, loneliness, and intimacy.

Week 10: Lighting for Mood

Review:

Lighting Quality

Diffused– light hits the subject from all directions and the shadows are soft

Direct– light hits the subject from one angle and the shadows are crisp with sharp edges

Lighting Direction

Front light – light comes from near the camera position.

Side light – light come from 90 degrees to the camera position.

Back light – light comes from behind the subject and aims towards the camera.

Contrast

Contrast: The measure of difference between bright areas (highlights) and dark areas (shadows) in a photo

High contrast : Large difference between highlights and shadows. Mostly lights and darks without many mid tones  

Low contrast :  Little difference between lights and darks. Mostly mid tones.              

Inspiration

View:

http://filippodrudi.com/project-thefork.html

Other terms to know

Ambient Light-The light that is already there sometimes called available light

Continuous Lights-Always on, may be incandescent, halogen, fluorescent, LED

Strobe Lights – lights that fire when the exposure is made

Strobes have two bulbs:

  • the modeling light which helps you see where the light will fall
  • the flash bulb that fires when you press the shutter release

A trigger on the camera uses radio waves to tell the receiver to fire the light. The power pack stores the power used to make the exposure.

Modifiers

In studio photography, we put modifiers on the flash heads to change the quality of the lights. Two basic categories of modifiers are:

  1. Softboxes- these spread and diffuse the light. The light hits the subject from many directions making the shadows softer.
  2. Grids – these concentrate and focus the light. The light hits the subject from one direction making the light harsher and the shadows sharper.

Lab Exercises

Stuffed Animals

HW 8: Final Project Statement

Final Project

Lab: Week 10 – Lighting for Mood

Goal:Photograph the same stuffed animal at each station to create a final image for each of these emotions: happy, sad, fear, surprise, anger.

Use the light to create different moods while also using everything you know about composition including angle of view, framing, and so on.

Put your twenty best in an album on Flickr and send your best for each emotion to the class group.

HW 8: Final Project Statement and Mood Board

Due Nov 14th, 12 pm, Noon. 4 pts.

A final project proposal of 300 words min plus a gallery of images for inspiration otherwise known as a mood board.

The goal of the Final Project is to create a series of 10 related images on a theme.

You may choose to do either:

A series of portraits (not 10 pictures of 1 person but 10 pictures of 10 people) OR

A portrait of a neighborhood

OR another theme that you are passionate about: dogs, skateboarders, basketball players, street fashion to name a few possibilities.

Decide which assignment(s) you most enjoyed. What are you most interested in? Then consider: do you have people to work with? What is your schedule like and what is practical?

Final Project statement: Describe your project. What is your theme? What is the story you want to tell? What is the subject matter? Where will you shoot and when will you shoot? What kinds of techniques will you use?

Find a minimum of 6 images by 6 different photographers that show what you want your project to look like. Put them in a gallery in the post with your final project statement.

Category on OpenLab: Final Project Statement

Grading Rubric

Deliverables and dates:

Due Week 11: Nov 14 – a 300 word final project statement posted to Openlab with “a mood board”

Due Nov 28: Shoot 1 – minimum of 40 images in an album on Flickr

Due Dec 5: Shoot 2 – minimum of 40 images in an album on Flickr

Reading Day – Dec 12

Due Dec 19: Shoot 3 -minimum of 40 images in an album on Flickr PLUS

  • final 10 images selected, adjusted in Lightroom, and posted to an album on Flickr
  • a presentation to the class of the final images.

Total albums: 4 – 3 shoots of a minimum of 40 photos and a final album of 10 edited and toned images

Examples:

Christopher Adams – LES

IMG_0809.jpg

Ilda Medel- A Neighborhood Portrait

IMG_0127 (1)

Rezwan Haque

https://www.flickr.com/photos/193829300@N02/albums/72157720239713781

Jennifer Humala – Portraits

Tais Chichiza

20220514045807_IMG_3208

Week 9 – Outdoor Portraits

Portrait Poses

There are three basic positions for someone’s head and face in a portrait.

  1. Front view
  2. 3/4 view
  3. Profile

Photos by Celeste Sloman.

Expression

For family photos a smile is a must but not so for a portrait. It is however important that your subject look comfortable. It is your job as the photographer to talk with your subject and make them feel comfortable.

Inspiration

@dont_smile_nyc

https://www.instagram.com/dont_smile_nyc/

Focus

When shooting a portrait, the subject’s eyes must be in focus. Full stop. Period.

Light

The main light casts the shadows.

The fill light brightens the shadows.

When shooting outside during the day, the sun is the main light.

We will brighten the shadows or fill the shadows using either a reflector or fill flash.

Considerations for any portrait:

Use a vertical orientation.

Focus on the model’s eyes.

Watch the background for distracting things behind the model’s head.

Considerations for outdoor portraits

Work with the model in shade or place the model with the sun BEHIND their head.

Use a reflector to add light to their face.

Do not use direct sunlight on the model’s face.

Resource

Fill Flash

Ambient Light-the existing light that you cannot control

Fill Flash-brightens shadows

Built-in flash-part of the camera and throws light about 6 to 10 feet

External flash-added to the camera on the hot shoe and can throw light 15 to 20 feet 

ETTL (Evaluative-Through The Lens) is a Canon EOS flash exposure system that uses a brief pre-flash before the main flash in order to obtain a more correct exposure.

Use M or manual.

1/1 is full power. for fill flash, try 1/64 and adjust from there.

Use Zoom to spread or focus the light. Wide angle numbers (smaller numbers) spread the light. Higher numbers focus the light.

High speed sync-allows the camera to be set at shutter speeds higher than the camera sync speed 

Resource

Lab

Outdoor Portraits

Homework

Window Light Portraits

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