Gallery Exhibit

After exploring multiple gallery exhibit, I realize how every artist/photographers has their own unique style in capturing their work of art. From the Aperture Foundation with Rectangular Square to Classic Images to 303 Gallery, there was a large range of photo style.

The first exhibit was from the Aperture Foundation of The New York Times Magazine Gallery. In this exhibit, the photographer is capturing people lifestyle, their emotion, etc. Very large range of emotion, from hard oil worker to street life to tragic event, etc. This gallery contains multiple photographers; However, each photographer is very similar to each other because each photographer is capturing images of people and lifestyle.There was a couple of photographer that caught my interest but all of them related to the same theme. From Paul Myoda and Julian Laverdiere to Jeff Mermelstein to Angel Franco each of them captured the moment that we all can related to, the 9/11 tragedy. The reason all of these photographer captured my interest is because each of their work contain a very powerful emotion. For instant, Jeff Mermelstien was able to capture the emotion of what it was like to be a fireman on that day. Their expression is what draw my attention because by looking at their expression, we can actually feel their sadness for them.

The second exhibit was by Ansel Adams in the Robert Mann Gallery. In this exhibit, the photography mainly focuses on black and white images that relates to landscape. Majority of the images are very low key lighting because each photo has a great amount of dramatic feeling for it. In capturing landscape photography, the photographer used a wide angle lens in order to capture as much as possible. Each photograph gives off a calming feeling because the photo relates to nature. On top of that there was no other people in the image, relaxing feeling.

The third exhibit was by Stephan Shore in the 303 Gallery. In this exhibit, the photographer focuses on street photography and urban landscape. It has a large range of close up and none close up style. All of his photo was taken in the Ukraine area. All of his images allow us to see the life of being in Migraine. For example, when he did a close up on a kid sleeping inside a bus. This show us what it was like to take a daily bus . Majority of the image was taken outdoor, which allows the photographer to use a direct sunlight on the subject/landscape.

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Hw Photography Exhibit

During the class trip we went to a few different photography galleries. I have learn that not only photography is used to keep memories, but it gives a feeling, an expression for the photographer and the audience.

The New York Times Magazine photography shows many different photographers. Some photographers show depressing feelings, from wars to the 9/11 attacks. Others show the exact opposite from show biz to unique colors. Paolo Pellegrin was the photographer I was intensely pulled in. His work was “Great Performers.” This work shows the busy lives of these famous celebrities. From the moment they wake up to the moment they arrive at a social event. The celebrities he had were ranging from Brad Pitt to Kate Winslet. I can tell the photographers intentions was showing his audience a first person view of being around a celebrity. It is never a dull moment. The lightening Pellegrin uses is direct light. The graphic elements that he used were motion blur and unique angles. The emotional impact this exhibit had were very all around. Some photographers made some images depressing and others mad it happy or motion.

In the Rectangular Squares exhibit, This was a group exhibit. It had many different photographers that didn’t have the name next to photography. This exhibit was base on photography in Asia. In Alex Webb’s “Ethiopia,” his work was playing with the gesture of rectangular squares, in one of his images shows an interesting wallpaper that gives an abstract rectangular figure. He uses the rectangular wallpaper to catches the audience eyes and slowly see all the other subjects after, like the young female opening the curtains. The lighting seems diffused light. The graphic elements he used were horizontal and vertical lines. The emotional impact of this photograph shows a very happy feeling.

Last, Stephen Shore’s gallery was a really interesting gallery. This photographer shows the aftermath of holocaust survivors. There was an image of a soldier’s awards laying on an interesting fabric. The lightening was based on natural light. The graphic elements shows center of position. The emotion I understood with these photos were ” there is light at the end of the tunnel.” The images didn’t seem to be depressing to me because of the country side of the world.

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10/29/14 Response

Ashley Gilbertson’s work is displayed as part of the New York Times Magazine Photographs gallery at the Aperture Foundation. Her photographs are black and white still-life images depicting the bedrooms of what one would assume to be small children. There are a row of four of these pictures side to side on the wall. Without reading the press release, the pictures don’t seem to hold much meaning aside from a few details suggesting that the owners of the room served in the army. However, upon reading, they become far more somber as it becomes clear these rooms depicted are the Bedrooms of the Fallen; soldiers who died in battle and had their childhood rooms preserved by their heartbroken families. The observer is then able to sympathize with the reality of loss and internalize the real consequences that wars have on those involved. Gilbertson seems to prefer soft diffused light that comes into the room primarily through windows. In her photos, she strives to take a picture of the beds, showing how undisturbed the sheets are, in addition to the objects around the beds, such as toys and posters, giving character to each of the fallen soldiers that used to live in their rooms.

 

Ansel Adams’ Classic Images display photographs of nature, also in black and white. His photographs range from bare trees and cliff-sides to pictures of the moon above landscapes. In all, they appear to be records of the beauty nature offers, as Adams was an environmentalist before he passed away. Adams uses a variety of lighting types depending on the image being viewed. Some have diffused lighting distributed across the whole image, while others have hard, direct light in some parts and more even tones in other places. Regardless of the lighting though, the features of the scene are always the most prominent part of his imagery. Rivers create leading lines meandering across the photo and mountain peaks create focal points that the eye gravitates to. All in all, Adams’ work conveys a feeling of awe, both towards the subject of his photographs and his technique in which he captured his images.

 

Finally, Stephen Shore’s work encompasses photographs taken in Israel and the Ukraine. In both locations, Shore took pictures of landscapes, buildings and people, giving insight to the life that is to be had in them. These photos, unlike the previous two photographers’ work, are in color and have full tones from highlights to shadows. Shore’s work here is to document the survivors of the Holocaust in his photographs, something that is not too apparent by simply looking at his pictures. One would naturally be inclined to connect them to the conflicts that both Israel and the Ukraine are involved in. Stephen Shore puts emphasis on culturally defining images, for example, the sands and clay buildings in Israel and the forested areas in the Ukraine and Russian hallmarks such as a bust of Stalin and Soviet medals. In all, his work is pleasant to look at, but like Gilbertson, it gets a deeper meaning with context.

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Chelsea, Photo Exhibitions..

Today was a different day, we as a class got to know different expressions of photography. This is really helpful and help us more to comprehend about current photographers and how their work is relevant and engaging.

First, the exhibition from the New York Times Magazine. This had a lot of different photographs and concepts and some classic shots of famous events. They had the layouts for their magazine and really stunning photographs. As a whole you look them as one theme related, which is a photo to a related article. However, Ashley Gilbertson photographs have a different idea behind the shot, an idea that brings emotion and make the whole photo-story concept really strong. His work was about rooms, empty rooms that belonged to deceased soldiers. These soldiers where young and brave, but their rooms is what they left intact when they left. These rooms are the ones where they are not coming bad. In my opinion this is one strong piece of work, even when there is not a lot of though into the actual production, the story is what make these pieces stand out from the rest of the work. Comparing this to Ansel Adams’ images they have one theme in common which is to create serious photographs. Adam’s style is different as he concentrated more into nature. I feel like he is trying to find beauty in each shot. This as he is more interested into the bringing texture and emotion of an image which also includes a strong composition. Lastly, the Stephen Shore exhibition. These image where compose in two different locations in the world. Prof. Michals called him a pioneer into serious color photography, this because as a standard people think black and white are the standard for serious photography. Once again Shore has more than anything else a strong idea and story behind each shot. These as we lear that he photographed Holocaust Survivors from Ukraine and Israel. There might be some of technical uniqueness to each photograph, but again I think that what make it a strong image is the whole story for each photograph.

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Mini Studio

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When making this home mini studio as i call it, a lot went thur my mind, questions like, where will i put it? Do i have enough space? Will i be able to pull it off? After going thru many websites i noticed that i have some of the items on the list. Like light bulbs from my dads garage, my friend lend me his tripod i already had my camera, andsmall pieces of white/ black foam cord, followed by many different types of cloths, and fabric  that my mom owned/ paper and a table where i can place in the corner. After gathering the stuff i can up with my final conclusion that i can make space even if i have to work in a corner it was great, i didn’t have a stand however with a little help i found where to get one for a reasonable price and happy with my results.

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Hw-DIY Studio

When making this studio, I had many problems to face; ranging from how I will afford a stance for my backdrop to choosing  my substitute for lightening. The area I live doesnt have the resources I would need for this studio.  I was looking around my house trying to find something for lighting, until I came across my father’s lanterns; he keeps them just in case of a blackout.  I taped two transparent papers on the lanterns because the lanterns had transparent lines around it. Another source of lightening is my phone’s flashlight.  I used my cats cardboard box, and taped white printing paper around the box. My tripod for now is a stack of books until I can afford a small tripod sometime this week. I have a small mirror in my kitchen that will also help me with reflection. This took me about an hour to fix together. I took a few pictures with my camera to see how it would look, and this is one of the shots.

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My mom helped me with the lightening that is shining down the object. I feel like this is a good example of the studio work. This studio didn’t cost anything, I used most of my items at home.

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LL3- REstrada

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During our portrait class shoot I believe that this is my best photo. The photo captures a very serious expression that works well with the fill light. The portrait follows along an eye level composition to bring even more attention to the expression as well.

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Portrait

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Today we shot in the studio and this was my best photograph. The diffused lighting gives it a serious feel. There is a full scale of tones and is sharp overall shot.

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LL3

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Portrait Lighting – The strongest about this image is how the background light was set up for the model. It was able to separate the model from the background. The fill light seem pretty strong because the darker area is much lighter than usual. As for the expression, it shows more of the “caught off guard” expression. Composition of the image is centered and close to filling up the entire picture.

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Portrait Lighting

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I feel that this photo is effective because it’s well lit. There are multiple light sources so it uses diffused light to make the shadows softer. The fill light opens up her face and along with her expression makes the photo feel warm & engaging. It’s basically symmetrical and what’s good is that she fills up the frame nicely.

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