IMPORTANT CLASS TIMELINE

Featured

May 8 | Week 13

DUE: Project 3 FINAL Art.

DUE: Narrative Illustration Proposal

NEW: Project 4 –  Character Design Rough Sketches

(Get approval early on openlab for MORE WORKING TIME!!!)

NEW : Thumbnails for Final Project Narrative Illustration 

(Get approval early on openlab for MORE WORKING TIME!!!)

 

May 15 | Week 14

Work in CLASS on Narrative Illustration Character Design & Concept Art Rough Sketches

DUE : Project 4 – Narrative Illustration Character Design & Concept Art Rough Sketches. 

DUE : Thumbnails for Final Project Narrative Illustration

 

May 22 | Week 15

DUE: Project 4 – Narrative Illustration FINAL ART

IN CLASS Presentation of working process and FINAL ART

 

 

 

Simple Digital Coloring

Featured

Class-

There is no hard and fast rule on HOW to digitally color.  Digital coloring in infinite and there as many different methods to work as there are artists out there.  I wish you the best of luck in finding the method that works for you.

Here are a few tutorials just to get you started.  If you find some good tutorials, please share them in the class resources!

 

Coloring Line Art in Photoshop…

Simple animated painted style in Adobe PS:

Heres one for Procreate:

Monochromatic Palate

1466095712889

It isn’t always necessary to use many colors in order to achieve a colorful image — the monochromatic color scheme consists of one color plus black and can be very powerful.  A monochromatic color scheme has one principle color and in all it’s various tints, shades, and tones.

 

1466095729362

 

1980s fantasy illustrator Frank Frazetta whose work we’ve looked at in previously, makes great uses of a monochromatic color scheme in this illustration, Silver Warrior.

Note the tiny dabs of warm color he uses to create high contrast focal points within this otherwise completely monochromatic composition. Those warm spots stand out due to color temperature.

 

Tony DiTerlizzi’s Monochromatic Palate

1466095750736

Illustrator Tony DiTerlizzi often works in a monochromatic palate. For his book The Spider and the Fly he chose a metallic silver and. The beautifully rendered drawings are printed in black against a silver printed page. Silver is a gray and not, therefore, really a color. But because it’s metallic, it contributes more than a standard gray. Though DiTerlizzi’s color solution may seem basic, it is unique in children’s picture books and greatly enhances the mood of his illustrations.

 

For his more recent series of chapter books, The Search for Wondla, DiTerlizzi chooses a different approach. Here, there are no contrasting dabs of warm color like there were in the Frazetta piece.

DiTerlizzi again works monochromatically, but in this case he chooses a two color printing process, meaning he chooses a principle color and the illustrations are all formed by the various combinations of this ink and black 2 along with the white of the paper.

Color Theory Review

The Three Attributes of a Color

To accurately describe a color and differentiate it from another there are 3 attributes to measure.

1466095636630

 HUE

When the average person says “color” they are actually mean hue. The hue of a color is its particular light wave energy frequency. Remember, light is waves of energy, and white light is contains all possible colors! Violet is the highest visible light frequency and red is the lowest, which we humans have receptors to see.

In this diagram, note how the blue becomes pink, but all of the colors in between are of equal intensity, as it as it moves from right to left.

SATURATION

Saturation (or chroma as it is sometimes called) means a color’s purity. When people are talking about a color’s intensity they mean its saturation or chroma.

In the diagram, note how the blue becomes less saturated as it as it moves from right to left.

VALUE

As we discussed earlier in the course, colors have values just as shades of gray do. A color’s brightness or darkness, and its nearness to white or black respectively, is the color’s value. Value is independent of hue or saturation and can be seen even in a black-and-white photo.

 

Tints, Shades, and Tones

 Value has is has its own color terminology.

Remember that the value of a color is how light or dark a color is, or how close it is to black.

Tints are when we add white to a pure hue:

1466095651592

Shades are when we add black to a pure hue:

1466095660440

Saturation also has its own color terminology.

We get different tones when we add gray to a pure hue:

1466095671579

Another way to envision this is as the hue itself becomes less saturated, it appears more and more gray.

 

 

Munsell’s Color Tree

Talking about color can be very misleading! For example, when you go to a paint store, you can buy a can of Honorable Blue, Flyway, or Wondrous Blue! When we say Flesh Tone, what exactly does that mean? Whose Flesh Tone are we talking about?  It can be very confusing!

1409346652367

Albert Munsell, an artist and professor the Massachusetts College of Art and Design, felt the same way. In 1905 he developed a “rational way to describe color” using numeric notation instead of names to describe color. To assign these numbers he used the three attributes we discussed above: huevalue, and chroma (saturation).

1409346684313

In the diagram above, you can see the traditional color wheel as the center ring, and Munsell’s Color Tree, as it came to be known, growing from the center. The trunk of the tree represents zero to ten in value. The farther we move from its “trunk” represents an increase in chroma, until the hue—represented by the separate “branches”—is at full saturation, farthest away from the center.

 1409346719572

Munsell’s Color Tree

 

Now Lets Learn to work in a LIMITED PALATE.

 

Daniel Stolle Illustration- Sharif Tyler

Daniel Stolle is a German illustrator who is known for his black and white illustration style. This illustration obviously represents technological addiction. IT shows a black silhouette of a person looking down at a tablet. Almost as though this silhouette is praying to it. I chose this image in particular because I liked ho Daniel Stolle was able to easily convey his message without any words at all. I also like how he used black and white instead of color like most illustrators do.

Project 3: Editorial Illustration Research

The topic I chose to focus project 3 on is how black youth tend to be sentanced as adults more than white youth. This topic is important to me because this is a constant issue in the black community. In most cases treating these kids as adults doesn’t help them and just gets them stuck in a point in their lives. In other words the system tends to work against them most of the time.