The definition of memory is the store of things learned and retained from an organism’s activity or experience as evidenced by modification of structure or behavior or by recall and recognition . Through out reading Beloved by Toni Morrison, memory has a meaning of negativity and sense of remorse. The beginning on the story starts off with the recap of Sethe’s family history. For example, Baby Sugg’s death and Beloved’s death. In page 4 of the book, the narrator describes her life as “intorable [..] since she knew death was anything for forgetfulness […].” Sethe and her daughter, Denver, kept bringing up the fact that they felt a haunting presence in the house that they were living in. When Paul D came back for a visit, after 18 years, they tell him about the haunted vibes, and say, “It’s not evil, just sad. Come on. Just step through.” While reading that, I had a feeling that they had a deep pain in them that they can’t let go of. They feel a presence but they aren’t afraid, but they also aren’t ready to approach it because it would open up memories of things that they aren’t ready to cope with. Just like Paul D began to tell Sethe about Mister. He explains to her that he felt like he was less than an animal: simply not human. Paul D told Sethe that, “Mister was allowed to be and stay what he was. But [he] wasn’t allowed to be and stay what [he] was.” He doesn’t want to relive the past. Another example is when Beloved comes back into the house later on in the book, Denver is the only one who seems to notice who it is during their talk and it’s a dark conversation, and the only light memory comes afterwards when she asks Denver about the story of her birth. I personally think that the fact that they had such a rough past and the negativity and rejection colored people had gotten affected them from thinking positive over negative. Memory, based on this book, is defined by your past and how you were effected by it.
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Freedom & âThe Story of An Hourâ
Death complicates the meanings of usually positive outcomes like healing, or freedom, and they become what they are through an extreme method. Those who are sick or bound wish for healing and freedom, but they may not get it the way they had hoped for. This, I believe is the case of Louise Mallard. She was married to a man whom she âsometimesâ loved. It was not explicitly said in this story that she was unhappy in this marriage; she did mourn the death of her husband. Love was present, but it wasnât overwhelming. I believe she goes through a process in this hour and processes usually arenât sudden, however, processes donât need to take forever. She had her time to reflect and grieve, and as the story progresses we see that there is a gradual change.
Paragraph 9 says: âThere was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air.â
I believe that is the moment where the emotional shift takes place; the moment where she is finding strength to move on from this momentary grief. If we notice the language of the author, these are not sudden movements taking place. There is creeping, and reaching, and waiting.
Paragraph 10 says: âShe was beginning to recognize this thing that was approaching to posses her, and she was striving to beat it back with her will..â
âWhen she abandoned herself a little word escaped her slightly parted lips.â
Here we can see the process continuing, and the âthingâ that was approaching had now arrived and we know what it is when she starts saying âfree, free, free! Body and soul free!â These seem like shouts of joy but again if we pay attention to the authorâs language we see that they were more like whispers. She said these words under her breath. From this I get that this freedom was somehow what she wanted but maybe she got it in a way that she didnât, which is why she struggled with the feeling at first: âshe was striving to beat it back with her will–as powerless as her two white slender hands would have been.â As the process progresses she embraces this bittersweet freedom. Her mindset has shifted. Sheâs sad but she is ready to move on. The feeling of freedom is now setting in, and she is becoming comfortable with it. The process is winding down towards the end of the story and we see that she feels optimistic about her life now.
In a moment her freedom is stripped when she sees that her husband has not died. In a moment directly after it, this complex freedom returns with her death. She does not die with her freedom, but she dies and gains it.