Robin Michals | COMD 3330 OL98 Fall 2020

Category: Course Activities (Page 2 of 12)

Lab: Week 13 – Re-Touching a Portrait

Pick one of your best portraits shot with front light to work with. Create four versions:

  • the file exactly as shot
  • the file with the exposure adjusted
  • the file re-touched in Lightroom
  • the file re-touched with frequency separation

Put them in a gallery block in a post on Openlab with the category:

Lab: Week 13 – Re-Touching

Using the histogram, first adjust the basic exposure. Most portraits will benefit from opening up the shadows to +50.

Re-Touching With Lightroom

Use the adjustment brush set to soften skin. Brush loosely over the expanses of skin avoiding the features.

Use the adjustment brush set to dodge dark areas such as under the chin and in this cas I also lightened the glasses shadow. Use the adjustment brush set to burn to lighten and bring detail into the hair.

The eyes are the most important feature. To make them stand out slightly:

Use the adjustment brush set to clarity to outline the eyelids.

Use an ajsutment brush to carefully select the iris and brighten.

Use an adjustment brush to carefully select the whites of the eyes and increase the exposure very carefully. Do NOT so this too much otherwise it will look very artificial.

Frequency Separation

Frequency separation allows you to re-touch the skin without losing its texture.

  1. Set up the file:
  1. Make two copies of the background layer.
  2. Name the middle on Low and the top one high
  3. Select the Low layer and then filter>noise>dust and scratches> 15 radius 
  4. Select the High layer and then image>apply image.
    Layer: low, blending: subtract.
  5. Set blending mode to linear light.
  6. Group the High and Low layers and name it skin.
  7. Command-shift N to create a new layer. Mode>Overlay. Check 50% gray. Name it DB.
  8. Add a B&W adjust layer on top and bring down the red channel to enhance the flaws.

2. Remove blemishes: On the High layer, using the healing brush, hold option to sample an area near the blemish. Then paint over it to remove it. Use this to remove stray hair.

3. Smooth skin: On the Low layer, uses lasso tool to select areas to smooth out. Filter>blur>gaussian blur> 15 radius.

4. Dodge and Burn: On DB layer, use the dodge (lighten) tool set to midtones>3%>protect tones. Us this to lighten bags under the eyes and brighten the eyes.

 Resource: Photoshop Retouching Skin Retouching Technique Frequency Separation Made Easy by Joel Grimes

The Final Project

The goal of the Final Project is to create a series of 10 related images on a theme.

You may choose to do a project from any of the Photoville categories:

Creatures, Food, Home, Nature, People, Play, Streets

Example Projects:

Food

https://fence.photoville.com/throw-aways/

Home

https://fence.photoville.com/we-are-here/

People

https://fence.photoville.com/flex/

Play

https://fence.photoville.com/summer-on-wheels/

Streets

https://fence.photoville.com/summer/

Deliverables and dates:

Due Week 13, December 1: Shoot 1 – minimum of 30 images in an album on Flickr

Due Week 14, December 8: Shoot 2 – minimum of 30 images in an album on Flickr

Due Week 15, December 15: Shoot 3 -minimum of 30 images in an album on Flickr PLUS

  • final 10 images selected, adjusted in Lightroom, and posted to an album on Flickr
  • a presentation to the class of the final images.

Lab: Week 12 – The Fill Light

The main light casts the shadows and the fill light brightens the shadows.

Create a portrait for each of the five main lighting styles with a main light and a fill light. The fill light can be a reflector or a wall as illustrated in the video on today’s Topic page. Shoot each on first with just the main light and then add the fill for a second shot. For each of the five lighting styles, post an example with and without fill. Write a short text about how you set up your fill and how it changes the photos. 10 photos total.

Those lighting styles are: Rembrandt, broad light, short light, butterfly, and split Light.

https://openlab.citytech.cuny.edu/comd3330ol98fall2020/2020/11/17/week-11-one-light-portrait-photography/

Week 12 – Portraits: Posing and Fill light

Needed for this class

  • camera or cameraphone
  • a light
  • a reflector
  • a model or a tripod and release or timer

Guest Speaker

Jonathan Baez

https://jonathanbaezart.com/video

Posing your model

The single most useful pose suggestion that you can make to your model is to lower their chin. Peter Hurley explains his apprach to this in the video below.

Watch .55 to 7.40

The Fill Light

The fill light brightens the shadows. It can be an actual light or you can use a reflector. This video shows how to use a reflector as the fill light.

Labs

Adding a Fill Light

Homework

Final Project

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