COMD3313 | Introduction to Illustration

Faculty Name | Course - Section | Semester

Hello & Welcome!

Welcome to COMD 3313 Introduction to Illustration!

On this site you will have access to all materials presented in the online class, your assignments, and additional helpful resources.  

Here you will also post to discussions, and share images of work in progress with your classmates. Please keep reading : Getting Started, below

If you’d like to learn a little more about ME, your professor, please feel free to check out my website!

Happy Drawing!

– Professor Gómez Woolley

Getting Started:

Login to your OpenLab account to join this course. Follow these instructions if you need help joining this course.

If you’re new to the OpenLab, follow these instructions to create an account and then join the course.

Remember that your username and display name can be pseudonyms, rather than your real name. Your avatar does not need to be a picture of your face–just something that identifies you on the OpenLab.

To get a quick start, please check out HOW TO NAVIGATE THIS SITE.

Questions

If you have any questions, please reach out via email or in Office Hours.

If you need help using the OpenLab, you can consult OpenLab Help or contact the OpenLab Community Team.

Week 1

Class Info

  • Date:
  • Course Goals: To familiarize students with the field of illustration including its basic working methods, industry practices, basic history and philosophies. Artistic techniques will be taught as well, however this is a class focused on concept generation, and the creation of thoughtful illustrations, as opposed to a drawing or painting technical course.

To-Do Before Class

  • Join this Openlab Site
  • Review the Syllabus

Topic

WELCOME TO INTRO TO ILLUSTRATION

Objectives

  • To familiarize students with the objectives of the course.
  • To establish working practices and clarify expected outcomes.
  • To introduce the basics of illustration working practices.
  • To introduce concept generation techniques.

Activities

  • Review academic policies & go over syllabus
  • What to Expect
  • Critique and Discussion best practices
  • Introduction to Weekly Sketchbook Practice

Lecture

  • What is Illustration?   
  • Illustrators are visual problem solvers!
  • Process: Where to begin?  Brainstorming & Research Techniques

Word Web Method of Brainstorming, for Japan Day Central Park.
Key Words: Japan, New York, Central Park

In Class Demo 

Bradlt Brald, Mint Magic 1986
  • Brainstorm concepts to update MINT MAGIC TEA
  • Competitive Concept Generation in Small Teams

Review Assignments and Expectations for Next Week’s Class

Due Next Week

Sketchbook Week 1: Meet the Artist

illustration by Karla Diaz

Page 1: #meettheartist

Your Sketchbook theme for Week One is Meet the Artist!

Create a meet the artist page for yourself in your Sketchbook! Search for for #meettheartist to get inspired, and then design one to introduce yourself to the class.  You may use any media and style you feel is appropriate and that you are proficient in!  

You may choose to include any information about yourself in your meet the artist illustration. The content is entirely up to you.

Add a comment to this post, introducing yourself to the class. You could include your academic interests, why you chose your major, what you enjoy reading, listening to, watching, and doing in your spare time, or anything else you want to share (include your pronouns, if you wish).

Post when complete:

GO TO: CLASS SITE

DASHBOARD > POSTS > ADD NEW >

Write your post. Add a Descriptive title.

Choose CATEGORY (bottom right side): Sketchbook > Week 1 Sketches

PUBLISH

Please upload your MEET THE ARTIST along with a short paragraph of introduction. It should be between [250-300 words].

Before next class, read the comments and get to know your classmates! 

For extra credit, reply to one of your classmates’ comments. Do you have something in common? Did you learn something? Be kind.

Reading Assignment 1 : Design Driving Industry

This Article by Veronica Meewes for the online design magazine PUNCH, explores the “new generation of eye catching label design” with a close up on five example breweries and the inspiration behind the labels that have become “ their visual calling card.” After reading this article, consider how YOUR label design is a visual calling card for the product. Write a few sentences describing the intention of your label.

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