Photography 1

COMD 1340 | Section OL62 | Spring 2021

Page 3 of 10

Steph Balloqui / Lab 14

What is the concept behind your series? How has the idea taken shape or changed as you set out to begin shooting?


After passing through a few other ideas involving other similar themes that either didn’t work out compositionally or were a little too dark, I started thinking about the possibility of creating the concept of a world through “Patron Saints” of darker issues such as self harm, drug use, homicide, and other things of a similar nature.

What inspired you to pursue this idea? What particular photos are you thinking about (from class or from anywhere else in your life) as you’ve begun shooting? Do you have any painting, design, or other non-photographic visual references in mind for the project? Are there any particular styles that you are attempting to emulate?

The main three things that inspired my idea was the concept of Patron Saints and their aesthetics in the Catholic Church, Greek Mythology (or Mythology in general), and Grimes’ work, especially her albums Art Angels and Miss Anthropocene. A lyric from Jack Off Jill’s song When I Am Queen inspired one of my characters as well (the Patron Saint of Self Injury). I wasn’t exactly looking at any specific references, more so just going off of the idea of Catholic prayer cards. I wanted my photos to look like prayer cards that were shot in hell- something uncomfortable to look at.

How did the first week shooting go? Did you encounter any difficulties or setbacks as you began to shoot? Have any parts of your series proved more difficult than anticipated? Have you had any great successes in your first week of shooting? What has gone better than expected? Have you been surprised by the outcome of any shots? Which images are you most excited about?

Despite the original ideas falling through, shooting the Patron Saints series has actually been a breeze! I’m having a lot of fun with the concept and conception of these characters and the world I’m building. Nothing has been extremely glaring in terms of issues while shooting. I’m very excited to tackle difficult topics using art and reclaiming the aesthetics of a religion that ruined my life.

Which images is your group most excited about? Are there particular qualities of those images that you can pinpoint or define? Can anyone in the group clearly state why they’re reacting to these particular images?

I’m mostly excited about the Patron Saint of Self Injury for it’s “shock value” and use of fake blood, the Patron Saint of Domestic Violence for its use of makeup (hearts surrounding the black eye, displaying that people who are usually abused in relationships are still in love with the person), and the Patron Saint of Drug Use, for it’s more personal nature to me and the way I portray it using actual needles I’ve used and actually stabbing the needles into my skin to create a more real effect.

According to your group, which aspects of your pictures need to be improved or refined? Are there any technical issues that need to be resolved? Are there ways you could improve your exposure, your composition or your framing? According to your group, where should you focus your energy in the coming weeks? What would members of your group like to see added, changed, removed, etc.? How will you go about doing this?

There was a lot of debate about the color of the background of the photos. Half liked the red and half liked the idea of black or white. Lighting and final composition were also discussed, and I’m not married to the ideas concerning light and composition in the final project, maybe even doing portraits for each Patron Saint instead of prayer cards. My group thinks I just need to fine-tune the more technical aspects of my series, maybe even playing with different costumes, lighting, and backgrounds. I might also even add some Patron Saints as well.

What is your agenda for shooting in the next couple weeks? When will you be shooting next? How many more shooting sessions will be necessary to complete your project? Remembering that you’ll need time to edit your images, what are your dates for shooting?

My goal is to do one-two saints per day, leaving two days free for my sister’s wedding. The makeup and fake blood I use stain REALLY easily so I’ll probably do those images first. I’ll probably start shooting late tomorrow just so I can get more ideas together. I’ll probably need about 7-8 more shooting sessions with two days to edit the final images. My goal is to shoot for a full week starting tomorrow and then letting my sister get married before going back to edit photos.

final project- patron saints (self injury)
Patron Saint of Self Injury
final project- patron saints (domestic abuse)
Patron Saint of Domestic Abuse
final project- patron saints (drug addiction)
Patron Saint of Drug Use

Lab 14

The focus of my final assignment would be movement, although I do have plans on switching to the focus of new vision. The concept for the movement was the view from a car seat in which a series of images would be taken of sceneries . The focus of the assignment is still subjected to changes as I’m still unsure of either focuses.

Assignment 14 for May 25

FINAL

Finish shooting your final. Take as many pictures as necessary to assemble a compelling series. Consider the feedback from your peers, and follow your own sense of what is needed to make a really powerful set of pictures.

When you’ve completed your shooting, follow these 3 steps for sharing your pictures:

(1) Upload an absolute minimum of 50 new images. From those images, share your best 4-5 with our Flickr group. 

(2) After sharing 4-5 new images, review all of the images that you’ve shot for the final. Select your best 6-10. Color correct and crop those images. Re-upload those images to Flickr as a new album entitled “Final Series.”

(3) Share your final color-corrected, cropped selection as a new Post on our Openlab page. The image in this OpenLab Post should match the images in your “Final Series” album. (As always, do not upload images to Openlab. Upload to Flickr then embed the link in OpenLab.)

Lab – Week 14 – Final

Required Tools: Computer, Image files
Location: At your desk
Duration: 40 minutes

Premise: 
Our final lab session will be an opportunity to discuss your work-in-progress for the final series, and to plan your shooting schedule for the next two weeks. 

Objective: 
We will split into breakout rooms to share the images we’ve shot for our final series over last week. In these rooms you will discuss your progress, your plans, your successes and your failures. You’ll answer the questions below in a new OpenLab post, accompanied by a few images.

As we enter the breakout rooms, be prepared to share your screen with your peers. Ideally you will have everything you’ve shot so far open in Lightroom. Divide the time of the session evenly, so all members of your group have sufficient opportunity to present work in progress.

Please answer the following as you display your work in progress to your peers:

  • What is the concept behind your series? How has the idea taken shape or changed as you set out to begin shooting?
  • What inspired you to pursue this idea? What particular photos are you thinking about (from class or from anywhere else in your life) as you’ve begun shooting? Do you have any painting, design, or other non-photographic visual references in mind for the project? Are there any particular styles that you are attempting to emulate?
  • How did the first week of shooting go? Did you encounter any difficulties or setbacks as you began to shoot? Have any parts of your series proved more difficult than anticipated?
  • Have you had any great successes in your first week of shooting? What has gone better than expected? Have you been surprised by the outcome of any shots? Which images are you most excited about?
  • Which images is your group most excited about? Are there particular qualities of those images that you can pinpoint or define? Can anyone in the group clearly state why they’re reacting to these particular images?
  • According to your group, which aspects of your pictures need to be improved or refined? Are there any technical issues that need to be resolved? Are there ways you could improve your exposure, your composition or your framing? 
  • According to your group, where should you focus your energy in the coming weeks? What would members of your group like to see added, changed, removed, etc.? How will you go about doing this?
  • What is your agenda for shooting in the next couple weeks? When will you be shooting next? How many more shooting sessions will be necessary to complete your project? Remembering that you’ll need time to edit your images, what are your dates for shooting?

Submission:
Summarize the discussion held around these questions. You do not need to answer every question one-by-one, but you must provide a recap, including feedback from your peers and your plans for shooting. Post that summary, along with 2-3 of your best shots, as a new OpenLab post.

Assignment 13 for May 11

FINAL – PART 1

The goal for next class is to begin photographing your final series. Consider which shooting assignments have been the most interesting or exciting for you. Use this as an opportunity to further explore a theme or an idea that you were unable to fully examine in a previous week. Think about the stories you might tell or the statements you can make using different photographic techniques. 

Shoot at very least 40-50 images – more is better. Share your best 4-5 with our Flickr Group. (Do not share on OpenLab yet. We’ll do that in class on the 11th.)

Lab – Week 13 – Series

Required Tools: Camera, using manual settings
Location: Inside/Outside
Duration: 45 minutes

Premise: 
This week’s lab session will explore the idea of a photographic series. We’ll all create images that are connected visually and conceptually. 

Objective: 
Together we will create a very quick series, defined by the same overly-simple parameters; we’ll make photographs of every door or window in our respective homes. 

Take pictures of every door and window in your living space with your camera set to Manual (via the Lightroom app if using your phone). Photograph from directly in front with the frame of the portal square to the frame of your camera. If there are interesting items on a windowsill, frame your shot to include those things. Don’t be afraid to move those things around to improve the shot. Go outside to photograph from the exterior…if you can, and if it will make an interesting shot. 

As you shoot, adjust your exposure to balance the interior and exterior light. Be deliberate about your decisions to emphasize interior details or the scene outside. Turn lights on or off accordingly. Most importantly: take your time composing each shot, and shoot multiple images of each door or window. 

Our theme is deceptively simple. A typological series such as this one can be fascinating if properly executed. But when done poorly…

Submission:
Shoot at least 30-40 images and upload them to Flickr. Share your best with our group.

Assignment 12 for May 4

Still Life

Our next assignment is a continuation and an expansion of our still life lab. Select objects that might convey a message or create a narrative. Arrange them before the camera in a way that emphasizes their meaning and creates an interesting, dynamic composition.

Note that still life photographs are not documentation of things in the world. Taking pictures of things on shelves around your house is not the same as creating still life images. You must construct a scene for the camera, with careful consideration of the background, shooting surface (if different from the background), objects chosen, and arrangement of those things.

As usual, please shoot and upload 40-50 images then share your best 4-5 with the group.

Lab – Week 12 – Still Life

Required Tools: Camera, clamp light, tabletop, backdrop, props
Location: Inside, darkened room
Duration: 60 minutes

Premise: 
This week’s lab session will continue to examine lighting techniques for studio photography. We’ll turn our attention back toward still life arrangements, with an emphasis on composing meaningful tableaux for the camera. 

Objective: 
Work with props collected from your room or your home (or any other place you can very quickly access) to create “still life self portrait”.

Think back to our first lab and homework assignment of the semester. Consider the items that represent your personality, your family or cultural history, your ambitions, and any other aspects of who you are. Gather those items to use as props. Arrange them on a tabletop with fabric, a sheet, or a backdrop that reveals something about yourself. Pay close attention to the way that your items fill the camera’s frame. Experiment with the position of your clamp light to see how lighting can create a mood or tell a story about the objects pictured. 

Submission:
Shoot at least 20-30 images and upload them to Flickr. Share your best 3-4 with our group. Create a new post in our OpenLab course with your best images.

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