connect group 2 dracula , Fahima Hossain

“I went out on the stairs, and found a room looking towards the South. The view was magnificent, and from where I stood there was every opportunity of seeing it. The castle is on the very edge of a terrible precipice. A stone falling from the window would fall a thousand feet without touching anything! As far as the eye can reach is a sea of green tree tops, with occasionally a deep rift where there is a chasm. Here and there are silver threads where the rivers wind in deep gorges through the forests.

But I am not in heart to describe beauty, for when I had seen the view I explored further; doors, doors, doors everywhere, and all locked and bolted. In no place save from the windows in the castle walls is there an available exit.

The castle is a veritable prison, and I am a prisoner!”

Here I would like to relate Lucy’s and Jonathan’s struggles or the connection they might have in different but similar situations. We know that in the early times girls were expected to marry a suitor early and they had duties to take care of which mostly included them looking after their husband and children. We see Lucy struggling to find a way out of the three proposals and she felt like a “prisoner” like Jonathan did in chapter 2. Lucy was not really a prisoner but the fact that she had to choose a man to marry and to have to reject and move on to the next is like a closed feeling trying to make a way out of it “Why can’t they let a girl marry three men, or as many as want her, and save all this trouble? … I know I would if I were free. ” chapter 5. Though Jonathan was not a prisoner either he was said to be a guest but seeing Dracula and his doors mostly locked and him being in a closed area made him feel so. These two events can be connected as per my understandings.

Lucy’s letter mentions:

“I questioned him more fully than I had ever done, with a view to making myself master of the facts of his hallucination. In my manner of doing it there was, I now see, something of cruelty. I seemed to wish to keep him to the point of his madness—a thing which I avoid with the patients as I would the mouth of hell.” chapter 5. 

We can see the use of Gothic terms Lucy is using. She uses the words “hallucination” we have learned in class that that the Gothic ideas came by imaginations and hallucination is can be like feeling something that is really not reality. This happens mostly in the Gothic related books like Dracula. Is Dracula a true story? No it really is not it’s more coming from imagination and not reality.

She uses the word “cruelty” which can be related to like evil can also be related to Gothic terms.

Lucy felt restless and started to sleep walk as Mina mentioned in her journal. It seems like Lucy’s father had the same problem but I think this was something more. The restlessness and the sleep walking suddenly shows that the author has more to the story. The point of view was hidden. This seems like Lucy is going to intrude into more of the Gothic themes. “At first she did not respond; but gradually she became more and more uneasy in her sleep, moaning and sighing occasionally.” We see how Lucy was struggling in her sleep like she saw a ghost. This was like opening doors into a more Gothic theme like how the horror  movies show us the first ideas of a change. ““His red eyes again! They are just the same.” She was definitely seeing something that was not a human. 

Group 2 chapt 5-9 response 3

The Sailor and Dracula

This storm…it was like nothing I had ever seen. The waves were like mad men foaming at the mouth and the skies were like darkened eyes rolling back from some demonic enchanting. I curse this wretched ship. I knew this was a horrid idea, a voyage doomed from the start. Yet for the sake of my family, I press on. Curse the day poverty was created! And let heaven above protect me. It was my night to keep the ship in order as we sailed on. Walking about on this deck, like a balance beam, at least was a fun thing to keep the storm from ravaging my mind. All things are as they should be, tied and secured…but somehow I feel as if I’m being watched. “Who could be out here?” I wondered. Not a soul, and quickly dashed the thought from my mind. However from the corner of my eye I had seen a shadow that moved ever so quickly. “Maybe I truly am going mad…curse this storm, and the night’s watch. I pray the morning and her blossoms of sun come quickly.” Suddenly I heard a small hiss…and as I turned, to my horror, there was a tall, slender, serpent of a man bending over me. All of me, had frozen, and if I had strength to die of a fright I would. My eyes beheld long sharp canine teeth as of a viper. And as he held me with iron arms, he quickly bent down and bit me. “He bit me. He bit me. What devil, THE DEVIL bit me…” my mind thought. I could do nothing but cry as he drained my life from my veins. In my last heaving breath I prayed “Lord if you can hear me, take my soul.”

group 2 Fahima Hossain Connect

The different accidents of life are not so changeable as the feelings of human nature. I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created,…I thought I saw Elizabeth, in the bloom of health, walking in the streets of Ingolstadt. Delighted and surprised, I embraced her, but as I imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared to change, and I thought that I held the corpse of my dead mother in my arms; a shroud enveloped her form, and I saw the grave-worms crawling in the folds of the flannel.”

This phrase or paragraph can be related to the idea of Freud in the article The “Uncanny”. In his article, he mentions that “uncanny” “the class of terrifying which leads back to something long known to us” as he had created something that probably took him a while to achieve. In other words as far as my understanding he most likely has tried to experiment this creation before which may have been a failure in the past. He clearly states he has been working on this for about two years. To get to this state of goals as any other scientists he has tried and failed to achieve his task. When we think of the definition that Freud has provided we also know that due to the reason of no such encounters in the past, Frankenstein might be afraid of what he is about to experience. He is not impressed with the monster he had created as he had a whole other picture in his head which turned out to be so hideous. Frankenstein created something that looked like death and that was what frightened him. He wanted something that could give him the feeling of life and instead he did the opposite. His mother died and as per his dream he saw that he held the corpse and it had worms which can mean it was decomposing and that can be related to the monster he made as we know he described it as hideous. Obviously Frankenstein knows what happens to a corpse after it’s death and he had to experience the live features of this and it was his creation.

Create- Group 1

Frederic’s encounter with the spirit

As I, King Fredrick climbed the stairs to the apartments of Princess Hippolita, in hopes to find my dear sweet Matilda and to gaze upon her once again, my heart pounded with anticipation. I hope that Lady Hippolita would not find me forward, but for what a care might I have? The tyrant, that usurper… has taken the home that is rightfully mine. Yet, in his care I find the most virtuous woman to ever beheld my eyes. I care not what anyone may think of me this hour, I will sway Lady Hippolita to divorce, and make Matilda mine and mine alone. As I pushed the door ajar, I was not amazed to find Lady Hippolita not within sight but this stranger person who of solemnly seeming to be in prayer within. I had wished not to be discovered, so I quickly began to turn away once more and see of whom my mind desires, but the person stood, to my embarrassment of being discovered. I quickly formulated an excuse in my mind “Reverend Father, I sought the Lady Hippolita.” When the person responded, the room and all the air within seemed to stiffen at the sound of his voice. “Hippolita!” replied a hollow voice; “camest thou to this castle to seek Hippolita?” And as he turned it was as if my heart had stopped its beat, all ice within my veins had come to bear its fruit, as my eyes beheld a great horror of a skeleton man wrapped in the hermit’s cowl stood facing me. “Oh death, have you come for me?” my mind thought as my mouth screamed for the protection of the saints, my soul had tried to leave my body indeed

Jeremy Eisner(Group 1)- Clue

The story behind Fredric’s past seemingly represents a negative perspective of royalty and kingdoms as a whole. While Fredric himself, fights for his honnor and his bloodline to have his daughter returned to him, we learn that Isabella’s relevance to Manfred was completely built upon a dark temptation. At the beginning of chapter three, specifically on pages 57-58, we learn that Isabella had guardians that we’re bribed by Manfred in order to get closer to Isabella. He wanted to tempt her into marrying his son, but for more than believing his son was his prodigy and successor. We learn that he knew that Isabella’s father was the true Heir to the throne as he was directly related to Alfonso himself. So he intended to have his son marry her so he may take over the rule of all of Otranto, and by extent, Manfred would have all the power he wanted. Presumably, the author made this fixed wedding as a parallel to how he saw royalty at the time. He must have seen them as one rich family trying to sway those beneath them to do their biding in a quest for everlasting power. From a modern day perspective, his interpretation seems like a cliche of a pure evil villain that wants nothing but power and world domination. Overall, the brief details about the arrangements for Isabella’s wedding to Conrad actually adds a whole new layer to how the author felt about the political ruling at the time of writting the novel.

Announcements, August 27

Glad to meet you all today! Looking forward to our semester.

For HW:

-Watch the John Bowen video on the Gothic (see “Videos”). Use the captions function to read the text of the lecture as you listen. Take notes on key Gothic motifs and themes. If you wish, you can also change the speed of the lecture so that you can listen at a faster rate.

-Read chapters 1-2 of The Castle of Otranto and Stevens’ essay on Gothic tradition, pp. 8-15 (UPDATED). Use the audiobook to guide your reading – you can vary the playback speed as necessary.

In the shared text, provide at least 2-3 annotations: at least 1 in chapter 1, 1 in chapter 2. These annotations should be 20-30 words. In particular, draw attention to moments where you see characters, scenes, turns of phrase, or plot developments illustrating points from John Bowen’s lecture [CORRECTED]. Read the “Digital Annotation Instructions” for further details.

-Use your blog group discussion forums to help each other clear up plot points or questions you may have. I do monitor these forums – esp. helpful or informative participation can count towards your participation grade.

-Read pp. 8-15 of David Stevens’ introduction to the Gothic (see Readings). Print and bring to class.