Robin Michals | COMD 3330 OL98 Fall 2020

Author: Patrick Rogers

Lab 3 – Romantic

This is my photo for this lab, Romantic. I wanted to make a painterly, super dramatically lit, almost abstracted take on a classical ‘nude’. In my opinion, there is nothing more sensual and romantic than the disrobed human form, but I tried to abstract it where it’s hard to tell who it is.

Lab 3: Perspective

photo by Jon Baez

This photo by Jon Baez is a prime example of perspective, depth, and space. It is a depiction of the under supports of a bridge. The way the waning sunlight is a gradient across each beam, with the light concentrated at the closest and highest beam, down to the dimmest light at the furthest and lowest beam, creates a sense of depth and moody space. The gradient of light across each beam not only shows perspective, it also is very visually striking.

Lab: Week 2 – Juxtaposition

I started with two of my shoes from my wardrobe, one flat and one stiletto heel, and I tried to arrange them next to each other in an interesting way. I manipulated the camera angle too much and it came out looking too cheesy. So then I positioned my camera in a more straight on way and placed my stiletto closer to the camera to convey it as being more dominant, with the flat loafer behind the stiletto in the background. I also used a brown cardboard leftover box as a sort of seamless backdrop, which I chose to contrast with the glossy and sparkly materials of the black shoes.

HW 1 – Finding Your Voice

1 – Dawoud Bey is a photographer known for his depictions of Black life. He started his career with street photography in the 1970s, in which he showed Black people going about their lives, with a deep sense of “interiority”, meaning he tried to show the people’s inner lives just as much as their external realities. He is now more known for his series’ on reimagining history. One such series is about depicting landscapes that were a part of the Underground Railroad, which was a network of paths from the Southern United States to the Northern U.S. that slaves traversed in secret to attain freedom. This series is a reimagining of the histories of people who were liberating themselves. One of my favorite photos he made is from 1990, called A Couple in Prospect Park, Brooklyn, NY, shown below. I like this photo because it shows a romance in such a stark way, with two people embracing, and such distinct expressions on their faces. It makes me wonder what each of them is thinking and how they feel about their relationship.

by Dawoud Bey

2 – Carrie Mae Weems is a photographer celebrated for her Kitchen Table Series, which she made in 1990. She has said that the series started out of her need to find her voice. She chose to photograph scenes from her life around the table in her kitchen at that time. She started the series to be a very personal one, but she ultimately wanted it to transcend her life and relate to all women’s lives. She focused on the domestic kitchen space very intentionally, as it is the site of battle around family and monogamy, and the battle between the sexes. She used the traditional domestic space to create dialogue around all those themes. One of my favorite photos from this series of hers is the first one, shown below, which depicts her sitting at her kitchen table with a mirror in front of her, and a man draped over her shoulders, his face obstructed. I like it because I relate to it completely. It shows how in many women’s lives, as they consider themselves there is always the specter, the presence, the burden of a man. In our heteronormative culture, women are expected to live their lives in relation to a man, via courtship, marriage etc, and that pressure is ever present, draped over her shoulders. I’ve always related more to women’s stories and perspectives, because I am gay. I want a male lover, and so I relate to this desire and burden of men.

by Carrie Mae Weems

3 – I think these two artists approaches are different, in the sense that Dawoud Bey turned his lens on other people outside of himself to say what he wanted to say as an artist, while Carrie Mae Weems photographed herself as a way to express what she wanted to. And I think that photography is a powerful way to “re-shape the world” because it allows artists to reveal different facets of their subjects’ identities, which can help them to amplify their perspective as they go about their lives.

HANDS

I focused on blurring motion with my hand, and applying a black and white filter to my image. Andrew focused on applying a strong fluorescent light to his hand. Our photos ended up being actually kind of similar, as they both were shot against black backgrounds.

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