For me, the hardest lighting style to capture was Rembrandt. Every other lighting style is easily visible due to the fact that you can make them happen based on the way that you position your head, but for Rembrandt; it seems to me like it’s more about how you manipulate the light itself. In order to capture that style I had to pull down the shade halfway as opposed to the way it was completely up for the other three shots. I think my split shot came out the most successful, but that’s because I think split shots in general are easily identifiable.
You are correct. You split light example is good.
For Rembrandt turn more towards the light source so more light falls on the daker side of you face.