Jean-Luc Godard’s extensive use of jump cuts in Breathless (À bout de souffle) 1960 was highly influential on the “look” of many later films. In a jump cut, two shots of the same subject differ in angle or composition, the disjuncture creates a visual “jump” on the screen. The jump cut is an example of discontinuous editing, however, the uneven transition of one shot to another is often described as an amateurish technique. Yet, Godard masterfully uses the jump cut to highlight the urban rhythm of Paris and the whirlwind pace of modern romance. Watch this clip, in which Michel (Jean Paul Belmondo) gives Patricia (Jean Seberg) a ride across town to her appointment. Note the number of jump cuts in the car sequence, in particular, the change in backdrop that frames Patricia’s head.
For this week’s homework, please search for the use of jump cuts in a later film. You can watch clips of a movie you like to see whether jump cuts are used, or simply “google” jump cuts. Post a link to the film you’ve found and describe the impact of the jump cuts in that film clip.
Watch the car sequence in Breathless here.
To complete this homework assignment, note whether you Post or Comment. For Homework #8, Diamonds and Spades Post and Clubs and Hearts Comment (choose any of your classmates’ posts to comment on).
Due December 1st (after Thanksgiving!)