The Drum: How Brands Can Participate in the Future of TV

Last Tuesday I had the honor of being invited by The Drum’s CEO, Gordon Young, to their seminar “How Brands Can Participate in the Future of TV” The UK based media house recently marked its territory in New York which proved it to be a force to be reckoned with. The Drum is a creative agency that provides first class news information on marketing across an array of communication¬†fields including Public Relations, Social Media, Advertising just to name a few. The seminar was a thoughtful discussion about the advertising discourse community and how brands can participate within the ecosystem. The panel discussion brought together¬†Jim Mollica, the Vice President of Digital Under Armour, Jessica Sheehan, VP and Head of Social Media for JPMorgan Chase, Chad Parizman, Director of Convergent Media at Scripps Networks Interactive and Marc DebEvoise, Executive Vice President and General Manager of CBS Digital Media.¬†As a first time attendee, I found the discussion to¬†be¬†surprisingly insightful.

I was so grateful to have had the opportunity to join¬†the conversation of how TV Networks, new technologies, social media are reshaping brands relevancy in the digital age. Many brands who lack creativity and who do not adapt to the new expectations will become dinosaurs, and we are all too aware of what happened to dinosaurs (they’re dead)–spoiler alert! ¬†As a composer of content, I realize how imperative it is to be creative, resourceful, tech savvy, to be able to create a holistic experience for the readers/consumers of digital media. People are consuming content differently, whether its through different mediums or mediated outlets such as smartphones or tablets. The way we digest information is changing and will continue to change and it is up to the writers to be well versed or risk being inept. Writers and marketers have to tap into the mobile audience and provide insight, catchy content that will be unique to the readers. When new technologies are created there are new communities that are created¬†and deliver a new approach for those communities. With the affordances of new communities, it creates a change in how we package our content, how the consumer receives it, and how they participate in that discourse community.

In essence, the role of the composer in these digital spaces is extremely difficult. For the composer to be a part of the community, shaping the community, creating new experiences within the community is extremely challenging. The magnitude of the impact composers will have on their readers/consumers is one we all know too well and they have to wear many hats. . . So as a composer, please excuse me as I learn what other hat I need o wear.

 

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