Meet Sequential Illustrator N. Steven Harris

Guest Speaker for Advanced Strategies in Illustration

THURSDAY Feb 6th 6:30-7:15 P114

NORWOOD

The 2 time Eisner Nominated, 4 time Glyph Award winning, and recently, a VLA (Virginia Library Association) Graphic Novel Diversity Award winning, Watson and Holmes, published by New Paradigm Studios, and co-creating, the 2 time Glyph Award winning book,  for Best Female Character, Ajala:  A Series of Adventures, along with Robert Garrett, N. Steven Harris has had a career spanning over 20 years in the comic book industry.

His highlights include DC Comic’s Aztek: The Ultimate Man, a character which he co-created along with Grant Morrison and Mark Millar, for DC Comics. His credits also include Batman:  Officer DownBatman 80pp GiantThe Huntress (DC Comics)Captain America: Sentinel of Liberty, Generation X, X-Force, and Deadpool Annual ’98 (Marvel Entertainment). Within the last 5 years he has worked on titles such as VoltronNew Money and Solarman. Mr. Harris’s most recent publication is DC/Wildstorms Michael Cray. He also has participated in gallery shows showcasing comic book art in New York, Philadelphia, Georgia, Chicago, California, and Japan.

To View his Portfolio click HERE.

Class, be sure to POST your questions for N. Steven Harris below!  

Be sure to look over Steven’s portfolio and research him on your own, before you post your questions.   Read each other’s questions too before posting your own.  If you share someone else’s question, say so!  Consider what you have learned from this week’s reading from Nuts & Bolts about “freelance life” while coming up with your questions for Steven.

 

 

 

 

 

 

 

31 thoughts on “Meet Sequential Illustrator N. Steven Harris

  1. We need 2 moderators for Steven’s visit. You’ll prepare the list of questions from those posted below, as well as your own.   You’ll then be conducting the interview and will ask the questions for the class.  Every student is required to moderate ONCE.  Its a good chance to make a meaningful impression on a professional in the field too!  Reply to volunteer!

  2. 1. What is your biggest fear as an illustrator?
    2. What prompted you to put so many illustrations in your portfolio? Are you not worried that it many overstimulate your audience?
    3. Have you ever had a poor relationship with a client or fellow artist? What were your solutions? What advice would you give your past self about those experiences?

  3. 1. What has been your most successful project in your career as an illustrator?
    2. What’s your favorite piece that you had so far as an illustrator?
    3. How do you manage your time when starting a new comic book, seeing so many amazing and time consuming illustrations in your portfolio?

  4. 1. How long did you to take to get a job at marvel entertainment industry and how were recognize by them?
    2. What were your steps into the world before getting your first job as an illustrator?
    3. How were you able to become recognized in the industry?
    4. Out of all your work you have done, which was your favorite illustration and why?

  5. There are other Adobe products such as Photoshop, which I think is more effective when I’m drawing characters for my animation characters. (according to my knowledge to photoshop and illustrator so far) So my question is: What makes illustrator so powerful? What are some advantages and disadvantages to use Illustrator as a primary tool?

  6. 1. What inspired you to go into the comic illustration field.
    2. What were the reactions of family or friends or people around you when finding out you wanted to do more with illustration in your life.
    3. What was the reaction if your first comic done, and what were their reactions.

  7. 1. What inspired you to go into the comic illustration field.
    2. What were the reactions of family or friends or people around you when finding out you wanted to do more with illustration in your life.
    3. What was the reaction if your first comic done, and what were their reactions.

  8. 1. What about your work made you “Batman ready”? Were you tapped for Officer Down or did you apply for it?
    2. What is the process in working with another artist on a comic such as with Wildstorm: Michael Cray?
    3. How do you build and keep connections with someone completely new in the field?
    4. Do you freelance? How did you get started, such as hunting down interested people, setting your prices, etc?

  9. 1. How did you find your own style when it comes to illustration?
    2. Did you have to give up something in order to pursue your dreams? Like where you live or something important
    3. How long did it take for your work to start getting recognized?

  10. 1. How did you find your own style when it comes to illustration?
    2. Did you have to give up something in order to pursue your dreams? Like where you live or something important
    3. How long did it take for your work to start getting recognized?

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