WOMEN IN COMICS Artist Meet and Greet

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Hello Class-

Meet the Artists of Women in Comics before the show comes to a close!  Extra Credit if you attend one of the panel discussions!

Closing Reception

Thursday, April 20th

5:45 – 8:30 pm 

Featuring female artists spanning all aspects of the comics industry; from Marvel and DC to Independent Comics. These amazing creators are artists, writers, and entrepreneurs … and the show even features a City Tech alum!

Figure Drawing Resources

Hello Class!

Several of you are sharing the same stumbling blocks on your basic drawings. That is OK! … as long as you know it and are working to improve it. So on that note, here are a few resources to help:

HUMAN HANDS MYSTIFY EVERYONE AT FIRST!  Don’t feel bad! Here are some helpful guides!

 

 

Turning the human head is also very tricky…

 

And just in case we missed anything… heres the WHOLE figure in one Big Poster.  HAPPY DRAWING!

 

 

 

Big Guide to Drawing the Body by Cedarseed

 

THE COLOR WHEEL

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YES, you painted one of these in Kindergarden. I know. However the usefulness and knowledge that can come from this tool is limitless. So please let go your preconceptions toward color, and using a color wheel and come into this with an open mind.

The color wheel is one of the most powerful tools artists and designers have to help us understand and use color effectively.  It is strongly recommended that as you examine the different color schemes thought this post and the following, you look at a color wheel and plot them out.

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FUN FACT! The first circular color wheel was created by Sir Isaac Newton in 1666. As if the laws of planetary motion and gravity weren’t enough!

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Foto: picture-alliance

 

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We begin with a three-part color wheel that shows only pure colors, meaning colors which no amount of mixing will result in. These three colors are of course our primary colors: red, yellow, and blue. All other colors are derived from these three hues.

 

 

 

 

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Next we move on to our secondary colors. These are the colors formed by mixing the primary colors with each other: green, orange, and purple.

 

 

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You can further break down the color wheel into tertiary colors. These are the colors formed by mixing a primary and secondary color: yellow-orange, red-orange, red-purple, blue-purple, blue-green, and yellow-green.

 

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And of course we divide that wheel based on Color Temperature, with warm color opposite cold.

 

To create a successful illustration, your color palette or scheme needs to support your big idea. It must work to further your narrative and or concept.  If you have already taken Color and Design, you will have worked with various color schemes.   In the next few posts, and in the remaining weeks of class, you’ll look review color theory in detail, and see how those color schemes can influence narrative. We will also look at how they are applied in both fine art and in contemporary illustration
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Drawing by Philippe Buchet, Color by Matt Hollingsworth

 

NOW lets get deeper into some real COLOR THEORY!

Working in Color: The Basics

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Color is one of the most powerful aspects of making art. Almost everyone who loves to create can remember the childhood excitement generated by a brand new box of crayons!

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Everyone has a favorite color, artists and non-artists alike.  Our relationship to color is one of the most powerful relationships we have as a species. It is intrinsically connected to how we relate to our world. And so of course it is one of the most powerful aspects to consider when making art.

 

 

Color Temperature

 Much of our relationship to color is based on instinct. For example, we see colors as warm or cool based on our physical response to them.

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Warm things are warm colors (such as fire, the sun, hot coals, and in this case hot food.)

 

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and cool things are cool colors (such as water and ice, which as blue or bluish).

 

 

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Interestingly warm and cool colors also create a sense of perspective and depth when we look at an image. Warm colors tend to advance towards us, whereas cool colors tend to recede away from us.

 

In these two images note how early 20th-century illustrator Edmund DuLac uses this trick. In the first image of The Princess and the Pea he creates a sense of incredible height, as the cold blue-purple recedes from the viewer, effectively raising the height of the bed canopy. And in the second one, A Palace of Wonder, a sense of depth is created between the warmth of the interior space and the cold dark outside.

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COLOR AND CULTURE

However, a great deal of our reactions to color are not innate, they are in fact cultural. For example Black and Death are associated in many Western cultures, in many Eastern cultures it is associated with white—its direct opposite.

Take a look at this info-graphic. Note how many color associations change, depending on where you are in the world. However also note how HOT and COLD or Color’s Relationship to Temperature do not.

It is however important to understand your target market and the culture that they come from, because culture has a strong influence on the development of cultural-color associations in childhood building the adults eventual perceptions of color.

It is however important to understand your target market and the culture that they come from, because culture has a strong influence on the development of cultural-color associations in childhood building the adults eventual perceptions of color.

 

 

Throughout this module and the next we will look at these basic reactions we all have to color and learn to compose in color effectively. We will build on what we have learned regarding composition, concept, point of view, and value and we will see how we can use these reactions to color to aid us in our ultimate goal, telling a great story through narrative illustration.

 

However, before we can do that lets be sure we have down the basics.

NEXT STOP: The Color Wheel

DEADLINES MATTER

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Class-

To those of you who have submitted and workshops your editorial illustration ideas… GREAT JOB! On the whole we have some really wonderful potential illustrations!

However… A truly DISTURBING number of you guys have not posted your concept sketches, which were due on Tuesday the 11th. You have missed your deadline and have fallen behind.

TOMORROW Tuesday the 18th is the deadline for your Digital Value Studies. Again please post to the Editorial Illustration page to be found in COURSE WORK.

And next week Tuesday the 25th is the Deadline for the Final Pencil drawing, which we will begin to ink in class.

Deadlines are part of being a professional working artist.

The time to get it together is NOW.

ALSO- to be fully prepared for your next class Tuesday the 25th you must READ the 4 posts on WORKING IN COLOR to be found in RESOURCES.

Assignment 3 Concept Sketches

I had a hard time trying to come up with new ideas. and the ideas i have seem to not be finished or completely thought out. They aren’t exactly expressing what i want to convey. My article was about ADHD in children and how it affects their progression in school.

1.The first one is a race where a child had come in last place and is sad they didn’t do good enough .

2. The second one is a race and the progression each child is making.

3.The third one is a maze and the child can’t find their way through to get to where they need to be .

4. There is two different concepts with the same general idea  where there’s  something replacing the child’s brain. the first one is bad grades and the second one is a broken lightbulb that shows the lack of knowledge and motivation for the child to succeed.

 

Does anyone have any suggestions for me?

Concept Sketches

My article is about “HOW FACEBOOK MAKES US UNHAPPY”, from the newyorker.com. For my sketches I was trying to do a combination of a Sea animal (the octopus) and a person. In my #1 and #2 sketch facebook is like the octopus, taking people happiness. Also, for my #3 sketch I had a different idea, that shows how facebook is a prison for all the users of facebook.

#1

#2

#3