Figure Drawing Resources

Hello Class!

Several of you are sharing the same stumbling blocks on your basic drawings. That is OK! … as long as you know it and are working to improve it. So on that note, here are a few resources to help:

HUMAN HANDS MYSTIFY EVERYONE AT FIRST! 聽Don’t feel bad! Here are some helpful guides!

 

 

Turning the human head is also very tricky…

 

And just in case we missed anything… heres the WHOLE figure in one Big Poster. 聽HAPPY DRAWING!

 

 

 

Big Guide to Drawing the Body by Cedarseed

 

THE COLOR WHEEL

1466034999442

YES, you painted one of these in Kindergarden. I know. However the usefulness and knowledge that can come from this tool is limitless. So please let go your preconceptions toward color, and using a color wheel and come into this with an open mind.

The color wheel is one of the most powerful tools artists and designers have to help us understand and use color effectively. 聽It is strongly recommended that as you examine the different color schemes thought this post and the following, you look at a color wheel and plot them out.

1466035082557

 

 

FUN FACT! The first circular color wheel was created by Sir Isaac Newton in 1666. As if the laws of planetary motion and gravity weren鈥檛 enough!

1466094968998

Foto: picture-alliance

 

1466095035989

We begin with a three-part color wheel that shows only pure colors, meaning colors which no amount of mixing will result in. These three colors are of course our primary colors: red, yellow, and blue. All other colors are derived from these three hues.

 

 

 

 

1466095027770

Next we move on to our secondary colors.These are the colors formed by mixing the primary colors with each other: green, orange, and purple.

 

 

1466095133395

You can further break down the color wheel into tertiary colors.These are the colors formed by mixing a primary and secondary color:聽yellow-orange, red-orange, red-purple, blue-purple, blue-green, and yellow-green.

 

1466095577744

And of course we divide that wheel based on Color Temperature, with warm color opposite cold.

 

To create a successful illustration, your color palette or scheme needs to support your big idea. It must work to further your narrative and or concept. 聽If you have already taken Color and Design, you will have worked with various color schemes.聽聽 In the next few posts, and in the remaining weeks of class, you’ll look review color theory in detail, and see how those color schemes can influence narrative. We will also look at how they are applied in both fine art and in contemporary illustration
1466095598653

Drawing by Philippe Buchet, Color by Matt Hollingsworth

 

NOW lets get deeper into some real COLOR THEORY!

Working in Color: The Basics

Featured

Color is one of the most powerful aspects of making art. Almost everyone who loves to create can remember the childhood excitement generated by a brand new box of crayons!

1466032830041

Everyone聽has a favorite color, artists and non-artists alike. 聽Our relationship to color is one of the most powerful relationships we have as a species. It is intrinsically connected to how we relate to our world. And so of course it is one of the most powerful aspects to consider when making art.

 

 

Color Temperature

Much of our relationship to color is based on instinct. For example, we see colors as warm or cool based on our physical response to them.

1466033269032

Warm things are warm colors (such as fire, the sun, hot coals, and in this case hot food.)

 

1466033283844

 

and cool things are cool colors (such as water and ice, which as blue or bluish).

 

 

1466033301650

 

Interestingly warm and cool colors also create a sense of perspective and depth when we look at an image. Warm colors tend to advance towards us, whereas cool colors tend to recede away from us.

 

In these two images note how early 20th-century illustrator Edmund DuLac uses this trick. In the first image of聽The Princess and the Pea聽he creates a sense of incredible height, as the cold blue-purple recedes from the viewer, effectively raising the height of the bed canopy. And in the second one,聽A Palace of Wonder, a sense of depth is created between the warmth of the interior space and the cold dark outside.

1466033989719 1466034009733

 

COLOR AND CULTURE

However, a great deal of our reactions to color are not innate, they are in fact cultural. For example Black and Death are associated in many Western cultures, in many Eastern cultures it is associated with white鈥攊ts direct opposite.

Take a look at this info-graphic. Note how many color associations change, depending on where you are in the world. However also note how HOT and COLD or Color鈥檚 Relationship to Temperature do not.

It is however important to understand your target market and the culture that they come from, because culture has a strong influence on the development of cultural-color associations in childhood building the adults eventual perceptions of color.

It is however important to understand your target market and the culture that they come from, because culture has a strong influence on the development of cultural-color associations in childhood building the adults eventual perceptions of color.

 

 

Throughout this module and the next we will look at these basic reactions we all have to color and learn to compose in color effectively. We will build on what we have learned regarding composition, concept, point of view, and value and we will see how we can use these reactions to color to aid us in our ultimate goal, telling a great story through narrative illustration.

 

However, before we can do that lets be sure we have down the basics.

NEXT STOP: The Color Wheel

Marcos Chin’s insight into editorial Illustration process

Hello Class-
Illustrator Marcos Chin an award winning artist whose work has appeared as surface and wall designs, on book and CD covers, advertisements, fashion catalogues, and in magazines. 聽His editorial illustration work has appeared in聽Time, Rolling Stone, The New Yorker, GQ, Sports Illustrated, The New York Times and others. 聽He recently posted about the editorial process he learned in school and how his process has evolved. 聽Check it out!

Marcos Chin Process

Whenever I work on editorial projects I distill the brief, or article into one or two simple sentences because it helps to focus my imagery towards communicating the essence of the story. I learned this from my teacher in art college @pauldallas_art … Nowadays I sometimes I go even further and distill the story into only a few words. I learned this method of working while teaching alongside my friend @chrisbuzelli who taught me to locate the action within the story and then visually describe it. Doing so will aim to help create pictures that have a strong idea and immediate read without being too obvious, or clich茅… I’ve incorporated this way of working into my illustration practice and now I feel like I have a new super power聽

I’m going to have this piece of paper up where I can see it while I brainstorm concepts for an editorial project I’m working on right now. #marcosprocess #match#connect #respond #ocaduillustration

 

 

Color Theory Review: Concepts and Terminology

The Three Attributes of a Color

To accurately describe a color and differentiate it from another there are 3 attributes to measure.

1466095636630

HUE

When the average person says “color” they are actually mean hue. The hue of a color is its particular light wave energy frequency. Remember, light is waves of energy, and white light is contains all possible colors! Violet is the highest visible light frequency and red is the lowest, which we humans have receptors to see.

In this diagram, note how the blue becomes pink, but all of the colors in between are of equal intensity, as it as it moves from right to left.

SATURATION

Saturation (or chroma as it is sometimes called) means a color’s purity. When people are talking about a color’s intensity they mean its saturation or chroma.

In the diagram, note how the blue becomes less saturated as it as it moves from right to left.

VALUE

As we discussed earlier in the course, colors have values just as shades of gray do. A color’s brightness or darkness, and its nearness to white or black respectively, is the color’s value. Value is independent of hue or saturation and can be seen even in a black-and-white photo.

 

Tints, Shades, and Tones

Value聽has is has its own color terminology.

Remember that the value of a color is how light or dark a color is, or how close it is to black.

Tints聽are when we add white to a pure hue:

1466095651592

Shades聽are when we add black to a pure hue:

1466095660440

Saturation聽also has its own color terminology.

We get different tones when we add gray to a pure hue:

1466095671579

Another way to envision this is as the hue itself becomes less saturated, it appears more and more gray.

 

Munsell’s Color Tree

Talking about color can be very misleading! For example, when you go to a paint store, you can buy a can of Honorable Blue, Flyway, or Wondrous Blue! When we say Flesh Tone, what exactly does that mean? Whose Flesh Tone are we talking about? 聽It can be very confusing!

1409346652367

Albert Munsell, an artist and professor the Massachusetts College of Art and Design, felt the same way. In 1905 he developed a “rational way to describe color” using numeric notation instead of names to describe color. To assign these numbers he used the three attributes we discussed above: hue,聽value, and chroma (saturation).

1409346684313

In the diagram above, you can see the traditional color wheel as the center ring, and Munsell’s Color Tree, as it came to be known, growing from the center. The trunk of the tree represents zero to ten in value. The farther we move from its “trunk” represents an increase in chroma, until the hue鈥攔epresented by the separate “branches”鈥攊s at full saturation, farthest away from the center.

1409346719572

Munsell’s Color Tree

Now聽Lets Learn to work in a LIMITED PALATE.