Professor Sara Gómez Woolley | Section D076 | Spring 2025

Tag: WEEK 2

Assignment 1, Part 2

FROM THUMBNAILS TO CONCEPT SKETCHES

Begin with your TOP 3 THUMBNAILS. DO NOT SKIP STEPS. If you are behind… start with the 25 thumbnails … here are the directions below:

  • Write your concept out in the form a of a sentence in your sketchbook, to refer back to as you sketch.
  • Using a Ruler make 20 -25 boxes in your sketchbook approx 2″ on the longest side.
    • Always draw thumbnail boxes in proportion to your final art!
    • Be sure thumbnails don’t share edges. Leave a space between boxes.
  • Fill these boxes with 20 – 25 thumbnail sketches exploring your concepts.
  • Look at your inspiration board as you explore your concepts visually.

REMEMBER:

CONCEPT Sketch

  • Decide on your strongest 3 thumbnails with your Art Director.
  • Refine your design based on feedback and suggestions you received.
  • Strengthen your thumbnails by using photo references.
  • Render these sketches close to your final idea.

Draw at 75 – 100% final size.

DUE to DROPBOX BEFORE NEXT CLASS

WEEK 2

Class Info

  • Date: February 7th

To-Do Before Class

  • Assignment 1, Part 1 : Brainstorm, Research & Thumbnails
  • Sketchbook Exercise Week 1 : Meet the Artist
  • Discussion Week 1 This is Culture
  • Join this Openlab Site
  • Purchase Supplies

Topic

ILLUSTRATION PRACTICES: PROCESS & WORKFLOW

Activities

Warm Up

  • Sara is always hungry.

Discussion

  • Wrap Up, Week 1

Sketchbook

  • Meet the Artist Share
    • small group sketchbook share & introductions

Lecture

ILLUSTRATION PROCESS, PART 2:

  • Who’s who in the process and what can I expect?
  • Typical workflow.  
  • Drawing from Reference
  • The importance of multiple solutions.  
  • Personal Vision         
  • Thumbnails: How do you do it, and how many is too many?

In Class Demo 

  • REVIEW and REFINE thumbnails based on Student Concepts

Review Assignments and Expectations for Next Week’s Class

Due Next Week

Yuko Shimizu on Visual Vocabulary

Illustrator Yuko Shimizu on Visual Vocabulary

SVA New York subway poster series, Yuko Shimizu

“ I believe many of you who are reading my blog are aspiring illustrators. If you are, here is something you may want to remember, or to work on, if your art school instructors haven’t taught you already: we have to be remembered by something we are good at, so when a prospective client sees a topic that needs to be illustrated, they know who to call.

The most obvious themes prospective clients think of in connection with my work are Japanese or Chinese themes. I am Japanese, but I had also studied Cantonese for three years, and I have strong interest in Chinese culture. And people somehow see that in my work. There are other themes, like sexy girls, action and sports, comic-book look, snow, and water and underwater themes.”

This short excerpt from Yuko Shimizu’s blog post considers the importance of developing a unique visual vocabulary. After reading this article, consider how you can use your sketchbook as a tool to developing your own visual vocabulary.

  • What kind of things are you interested in drawing?
  • What visuals might become important visual signatures for you?
  • Write a few sentences considering these things.

Fill 4 pages in your sketchbook with things you are interested in drawing and that could be part of your visual signature.

DUE NEXT WEEK

BE PREPARED TO DISCUSS THIS IN CLASS WHILE SHARING YOUR SKETCHES.