When ready, create a new post in this OpenLab Course. At the top of the

post copy and paste the following:

Warde, Beatrice. The Crystal Goblet, or Why Printing Should Be Invisible

Princeton Architectural Press, 2009. Pages 39-43., Kepes, György.

Language of Vision: Painting, Photography, Advertising-Design, Paul

Theobald, 1949. Pages 200-221

  •  Select a design or design object created after 1971 in which the influence of the theories considered thus far can be seen.
  •  Begin with a brief description of the object, the designer who created it, and the historical circumstances under which it was made.
  • Your goal is to provide a critical examination, not an account of historical details.
  • The design I ended up choosing was Hino Moto no Keko created by a graphic design Tadanori Yokoo. Yokoo wanted to embrace the pop art aesthetic that was in Japan during the 1960s. During the 1980s, He painted in an abstracted figurative style. Both psychedelia and pastiche were something he was interested in. Both of them became his signature styles in order for him to engage a wide variety of modern visual and cultural from both around the world and in Japan. This design really catches my eyes because of the amount of elements he added to this design. The first thing that caught my attention was the cat that was in the center.
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