Response: Photographing the Beginning of the Civil Rights Movement

Both photographers send messages about the life of an American during the 1950’s. There’s evidence show the racial look upon black and white people during that time. People did have different views and refused to look at the work but the photographs really shows life. Frank’s idea of taking photos is “point, shoot and move along”, which is a good way of taking photos because sometimes its the random photos that makes the photograph worth 1000 words. Counts photograph of Hazel show the racialĀ discriminationĀ during this time, it shows how the American lifeĀ isn’tĀ equal to everyone who lives there. So they wereĀ efficientĀ in sending out the message with there photos of the American life during the 1950’s.

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Response: Street Art, Photography, and the Inside Out Project in Times Square

JR work is amazing to look and also to be apart of because it shows theĀ portraitsĀ of the people who live in the community. The good thing is that there is no charge to be apart of his project, all that is needed is you face for the portrait shot. With this being free is a plus but what makes it better is that all the photos taken are highĀ resolutionĀ portraitsĀ and end up on a wall in the community that it was taken in. This project gives a sense of being supportive towards your community because your creating art by allowing JR to post his photographs of yourself. I thinking creating one in a avenue areas in my community would be nice and doing this same portrait project, this way when people are walking along the avenue they canĀ observeĀ and probably seeĀ peopleĀ they may know who was apart of this creative project by JR.

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Response: Tim Hetherington and Modern-day War Photography

Looking at the video, gallery and article I believe Hetherington tried to get images to show the true side of being a soliders. In the trailerĀ documentaryĀ the responses from the soliders was all about being a unity and to not letting your composer get into the way of things. Everybody know soliders are heros and Hetherington in the documentryĀ probablyĀ tried to get the different thoughts that probably go through these soliders minds and how it can play a major role to be expressed in his photos. In the Yossi Milo Gallery, you can see that some of the photos were based on there sleeping postions and what they did when theyĀ weren’tĀ out in war. He showed no fear in getting the photos he needed to portray the Modern day War.

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Discussion Topic: Tim Hetherington and Modern-day War Photography

Junger said that Hetherington had a very specific vision for his work. I think Hetheringtonā€™s unique vision was refer to the way he used when he photographing. Because when I went over to Hetheringtonā€™s photographs at the Yossi Milo Gallery website, i found out that he captured his object from the angle we donā€™t usually see. The angle was different than usual which not directly point at the object. He therefore made the image looks more interesting. As Hetherington used his special angle to captured his object, it kind of suggested us that we should used different angle to seeing those war and people who fighting in the war. For my point of view, I canā€™t tell that whether Hetheringtonā€™s work was heroic or not. Because i had the sense that he was really working hard in his object, and used his special vision to tell the public whatā€™s the war and people like in modern-day war. Perhaps people seeing these pictures might understand the reality of the war.Then the public pushing those war away. The effect of such pushing will be very great.

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Photographing the Beginning of the Civil Rights Movement

I think both are effective. He tried to show photographs of things that are uncommon. He showed photographs of people who were not living the American dream that many people dreamed of. Nobody had any interest in it because it was different. But I think because it was different, it was more effective to me. All Frank did was photograph non stop and didn’t care if people was staring or not. He was not discouraged when people did not like his book, instead he got it published elsewhere. I think because Frank took pictures of all the African Americans, his pictures were more general. He did not limit it to just females or just males. Count’s new photograph also is effective because you can clearly see the facial expression of Hazel. You can see through her expression that she is really disgusted having Elizabeth in her school. I think although Ā many know this is happening, for it to be captured is another feeling.

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Street Art, Photography, and the Inside Out Project in Times Square

I think this is a good way to combine street art and photography. Hearing Ā street art, we all think ofĀ graffitiĀ on walls. Ā He used a smart way to combine both together. Ā It is interesting and can let people interact with each other. It doesn’t matter what race, age or ethnicityĀ you are, you can participate. It is not limited to people, but anyone and everyone who is interested can participate. I like this idea because it captures many different emotions of people. And because it is black and white, it makes these pictures seem more united as one. If there was color, the effect would be really different. When I first saw someone these pictures, I couldn’t help but giggle at some of the expressions they had. These pictures are pictures that make you smile when you walk pass by it. I think it also connects the people of the community together. People would probably talk to one another asking if they took the picture. They would be able to laugh about the silly poses they made. I think for my community it would be a good idea to have a photographic wall of how the trains use to look. The area where I live has train tracks above the ground and over the streets. It would be interesting to see how the trains use to look and how the area has changed.Ā 

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Response: Street art, Photography, and Inside out project in Time Square

I think it is very cool to make this kind of Inside out project on street, becuase I haven’t see it before. Also, I think JR is very cool that he allowing the public to participate with him on an art project for free, that he wants people to get involve in his art project. By comparing JR with the other artists, I don’t think many of the artists would allow people to participate in their work, and they just like people to look at their work. Moreover, he wants people in all over the world or city to take their portraits photographs and send it to him inorder to makes this project, which is great. Because I don’t see that many artists did that also. And it can be lets people to knows that all people in this world and society are equare. But one thing that I don’t like is, people might walk through these photographs on the street, which is little bit disrespectful.

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Tim Hetherington and Modern-day War Photography

I think Hetherington wants to show how soldiers feel at war and their life. I think people just thoughtĀ Hetherington wanted to show the patriotic side of people. Although they are are war, they still have many emotions. They are human and will also feel scared and afraid of war. In most movie about U.SĀ soldiers, they are usually shown as patriotic and a hero. They are shown this way because they are fighting for their country.Ā If you die or surviveĀ you still become a hero in the eyes of others. I think the movies want to try and make Americans seem as heros. They want people to believe they are heroid for fighting and protecting the country they love. In the photos of the soldiers sleeping, it made them seem like many other people. They have times where they are regular human who also need sleep. Although they are soliders, they are still human who have everyday necessities. Usually war photography makes me think of it as a documentary. Or maybe they want to show theĀ other side of soldiers being emotional also.

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Announcement: Final Exam, Terminology, Discussion Topic Deadlines

Mind the time, note the deadlines

The short list for the FINAL exam has been posted.Ā  Please look under the “Slide Lists” section of Class Downloads for the Final Short List.Ā  As you prepare for the final, be sure to look over the important names and terminology listed on Slide Lists 5 and 6.

The FINAL EXAM is on Tuesday, May 21st at 10:00 AM. Ā Please be on time, arrive early! (n.b., it won’t be possible to stay late because another class has a final at 11:30 in the same room)

As we near the end of the semester, the last few Discussion Topics are open for blogging and commenting on until the last day of class.Ā  However, please avoid going back toĀ  earlier topics. I will accept ONE post submitted post-deadline but most late posts won’t count towards your blogging grade.Ā  Therefore, please mind the deadlines noted at the bottom of each Discussion Topic.

Below is a review of the exam format. The Final is NOT cumulative.Ā  The vocabulary terms for the terminology section is listed below!

Part Iā€“Slide Identification: 5 slides, 4 points each

Identify each slide by a) Artist (1 pt), b) Title or subject (1 pt), c) Date (worth Ā½ pt), and d) Significance (1 1/2 pts ā€” why is this photograph important?)

Part IIā€“Short Answer Questions: 4 questions, 5 points each

Identify the photographer and title for each slide, then answer specific questions related to the photograph (i.e., What photographic movement does this photograph belong to?)

Part IIIā€“ Slide Comparison Essays: 2 essays, 22 points each

You will be shown two photographs side-by-side.Ā Identify the photographer and title of each work. Ā I will identify an important art historical issue or problem for the comparison.Ā You should discuss the issue in an essay comparing and contrasting the two slides. Ā You should make references to material discussed in lectures and readings. Ā You can refer to other works in order to support a point or observation.Ā Write with clear and concise sentences in essay form.

Part IVā€“Vocabulary: define 3 terms, 5 points each

Choose only 3 terms to discuss.Ā I will list the following 6 art/photographic movements:
Dada
Group f.64
Surrealism
Social Landscape
New Topographics
Pictures Generation

Write a few complete sentences defining the movement and give an example.

Extra Credit (optional)

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Discussion Topic: Photographing the Beginning of the Civil Rights Movement

Robert Frank, Trolley, New Orleans, 1955 from The Americans

Will Counts, Hazel Bryan and Elizabeth Eckford, Little Rock, AK, 1957

 

 

 

 

 

 

This week, I would like you to consider two photographic works taken at the beginning of the Civil Rights movement in the 1950s. In 1955, Swiss-born photographer Robert Frank traveled across the country taking photographs of people. Unbeknownst to him was the impact his photographs would have in their published form, The Americans (1958/1959). Described as ā€œun-Americanā€ or as a ā€œsad poem by a very sick person,ā€ The Americans captured the social undercurrents of life in the 1950s. Frankā€™s unique style was highly influential to following generations of photographers. His photographs often revealed a social divide between blacks and whites in America, a rift that his critics did not wish acknowledge. Just two years later, a phenomenal photograph was taken on the first day of a desegregated school, which suggests that Frank had indeed felt the true pulse of America. Read (or listen) about these two works: Frankā€™s The Americans and the photo-journalist Will Countsā€™ image of Elizabeth Eckford going to high school in Little Rock, AK in 1957. Do you think one type of photography, Frankā€™s ā€œartā€ photography vs. Countsā€™ news photography, is more effective than the other? Or are both powerful visual documents of the social inequities in American society of the Fifties?

Read (or listen) to NPRā€™s report on Robert Frankā€™s The Americans

Read the story behind Will Countsā€™ photograph of Elizabeth Eckford

The deadline for submitting posts to THIS Discussion Topic is the last day of class, Thursday, May 23rd. Please note only the last few Discussion Topics have this extended deadline–check the dates!

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