Beth Tondreau | COMD1127—D035 | Fall 2023

Alvarez_TT_110223

  1. Dream in Color by Tre Seals: The type is a sans serif and very legible. The layout is very simple with the title being in a large sans serif font and the possible purpose of the cover and the creators name being in smaller size.
  2. EXTRA BOLD a feminist inclusive anti-racist nonbinary field guide for graphic designers by Ellen Lupton, Farah Kafei, Jennifer Tobias, Josh A. Halsted, Kaleena Sales, Leslie Xia, Valentina Vergara: I think it’s pretty obvious that the type is EXTRA BOLD… I mean it’s in the name. The typeface is also a sans serif and also legible. The type is also extruded in a 2D way.
  3. Centered: People and Ideas Diversifying Design by Kaleena Sales: The type is once again a sans serif but also geometric and somewhat legible. The type is expressive and playful with the different shapes giving the impression of words and letters. Though, even though I might be able to read it, I can see how some people might have some trouble reading it because of the rustic look and odd shapes.
  4. The Art of Oubey by Stefan Sagmeister: This is a very interesting piece. Compared to the other 3, this design is very complicated and not very legible. The complex design around the type makes the type bend in; It doesn’t help that it’s all the same color as well. I’m not sure what typeface this is since the type is pixelated… is it geometric? Playful? Sans??

1 Comment

  1. Beth (Mary-Elizabeth) Tondreau

    You’ve nailed it for 1. 2. and 3. The slipcase shown in image 4 is Sans if anything and definitely intriguing, if not playful. I have yet to find a thorough description of how the slipcase was molded. It’s art designed and design as art.

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